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"The Most Important Work of Modern Times": One of the Earliest Presentation Copies of James Joyce's Ulysses; Inscribed by Joyce to Lewis Galantiere
Paris: Shakespeare and Company 1922.
First edition, one of 750 numbered copies, this example is number 282. Quarto, original blue wrappers as issued. Association copy, inscribed by the author on the half-title page, “To Lewis Galantiere James Joyce Paris 11 February 1922.” Ulysses was scheduled for publication on Joyce‘s fortieth birthday (February 2, 1922), but only two copies were ready on that date due to technical difficulties in printing the cover, the color of which Joyce wanted to match with the blue of the Greek flag. One of these was the copy delivered by Sylvia Beach to Joyce on February 2, which he then inscribed to his wife Nora, being the only known presentation copy to predate Galantiere’s. The present copy in turn predates by two days the three copies presented to Sylvia Beach, Harriet Shaw Weaver and Margaret Anderson, and by three days the copy inscribed to Robert McAlmon, who helped Joyce prepare the final typescript. Galantiere was an American translator of French literature, writer, playwright and journalist. From 1920 to 1927 he was secretary of the International Chamber of Commerce in Paris, and came to know most of the literary figures of the day, including Hemingway. In a letter to Harriet Weaver of 17 April 1926, Joyce writes: “I am to read [from Finnegans Wake] … to a small group, this time including … a young American Galantiere who is preparing a course of lectures of Ulysses” (Joyce Letters vol 3, p 140). Slocum & Cahoon A17; Connolly The Modern Movement 42. In excellent condition with light rubbing, rebacked without the folding flaps. With Galantiere’s marginal markings in pencil and in ink. Housed in a custom full morocco clamshell box. An exceptional rarity of this twentieth century milestone.
First edition of the Ian Flemings first book Casino Royale which introduced the world to 007: Inscribed by Ian Fleming to Classmate and Novelist Ralph Arnold
London: Jonathan Cape 1953.
First edition of the first novel in Ian Fleming’s James Bond series. Octavo, original black cloth. Presentation copy, inscribed by the author on the front free endpaper, “To Ralph, We have now both reduced our remainders by one copy! Ian.” With a note of explanation by the recipient underneath, “I having told Ian, from the depths of my publishing experience, that he would be lucky if he made £200 out of this, his first thriller!! R.A.” The recipient Ralph Arnold was a novelist, historical writer and publisher who joined Constable in 1936 and was chairman from 1958 to 1962. Arnold and Fleming studied together at the Tennerhof School in Kitzbühel, Austria, and it was there that both made their first forays into story-writing. Having left Sandhurst without obtaining a commission, Fleming “was sent to ‘sort himself out’ at a quasi-finishing school for men in Kitzbühel … There, while skiing and climbing mountains, he came under the benevolent tutelage of Ernan Forbes Dennis, a former British spy turned educationalist, and his wife, Phyllis Bottome, an established novelist. Forbes Dennis brought out Fleming’s aptitude for languages and introduced him to literature, while his wife encouraged him to write his first stories.” (Oxford DNB). Near fine in a near fine first state dust jacket (without the Sunday Times review on the inner front flap) with the lightest of rubbing to the extremities. Housed in a custom half morocco clamshell box.
“YOU ONLY LIVE TWICE: ONCE WHEN YOU ARE BORN AND ONCE WHEN YOU LOOK DEATH IN THE FACE”: COMPLETE SET OF IAN FLEMING'S JAMES BOND NOVELS; IN THE RARE ORIGINAL DUST JACKETS; WITH FIVE SIGNED BY SEAN CONNERY
Complete Set of 14 First Edition James Bond Novels: Casino Royale, Live and Let Die, Moonraker, Diamonds are Forever, From Russia with Love, Dr. No, Goldfinger, For Your Eyes Only (short stories including A View to a Kill and Quantum of Solace), Thunderball, The Spy Who loved Me, On Her Majesties Secret Service, You Only Live Twice, The Man with the Golden Gun, Octopussy and The Living Daylights.
London: Jonathan Cape 1953-66.
First editions of each volume in Ian Fleming’s James Bond series. Octavo, 14 volumes, original cloth. Each volume is fine in near fine to fine first-issue dust jackets, with with five signed by Sean Connery, which include: From Russia With Love, Dr. No, Diamonds Are Forever, Goldfinger and Thunderball each signed by Sean Connery. Each volume is housed in a custom half morocco clamshell box. An exceptional collection of first editions, most rare in this condition and signed.
New York: Charles Scribner’s Sons 1925.
First edition, second printing of the author’s masterpiece. Octavo, original green cloth, gilt titles to the spine. Inscribed by the author on the front free endpaper,“For Esther Sidman on her 21st birthday from her admirer. F Scott Fitzgerald, Hollywood, 1938.” In near fine condition with a touch of wear. Housed in a custom half morocco clamshell box. Great Gatsby’s signed and inscribed by Fitzgerald are rare.
Jack Kerouac’s candid handwritten reply to a young man’s questions about being a “Beatnik,” his life philosophy, his thoughts on Montana, and more. Students in Robert Dodd’s ninth-grade class were told to contact their favorite writer with their own unique series of questions relating specifically to that writer. The young Dodd chose Jack Kerouac, and the author replied at length to his questionnaire, which includes queries about his classification as a “Beatnik” (his answer: “I never was a Beatnik – it was the newspapers and critics who tagged that label on me….”), life philosophy (“My philosophy is ‘No Philosophy,’ just ‘Things-As-They-Are’”), career goals (“Be a great writer making everybody believe in Heaven”), the ideal way of life (“Hermit in the woods…”), his thoughts on fame (“My name is like Crackerjacks, famous, but very few people buy my books…”), and segregation (“[t]he Irish and Italians of Massachusetts never paraded in protest, just worked hard and made it”). Interestingly, Kerouac is most expansive in response to the final question: whether he has visited Montana. His answer fills three-quarters of the page, beginning: “Great day, my favorite state! – I wrote about Montana in ‘On the Road’ but the publishers took it out behind my back… I stayed one night, but up all night, in a saloon in Butte, to keep out of the 40-below February cold, among sheep ranchers playing poker.” Two pages. In near fine condition.
"The book that introduced France to Newtonian physics": First Edition of Voltaire's Elements of the Philosophy of Newton; Inscribed by him to the surgeon who attended Newton in his final illness
Londres [Paris]: Prault 1738.
First French edition of one of the most elegantly illustrated science books ever printed and the book that introduced France to Newtonian physics; a scarce presentation copy inscribed by Voltaire. Octavo, bound in full contemporary calf with gilt tooling to the spine in six compartments within raised gilt bands, red morocco spine label lettered in gilt, gilt ruling to the panels, inner dentelles, all edges gilt, marbled endpapers. Illustrated with two frontispiece portraits of both Newton and Voltaire, six full page plates, one folding plate, and illustrations throughout the text. Presentation copy, inscribed by Voltaire on the front free endpaper to William Cheselden, one of the most influential surgeons of 18th century England who attended Newton in his final illness. Although it is unknown if Voltaire and Newton met, Voltaire attended Newton’s funeral in 1727 while living in exile in England. During this exile he became an adherent of Newtonian physics and philosophy which he saw as the embodiment of the Enlightenment victory over Christian dogma and as the destroyer of the errors of Cartesianism. Voltaire dedicated the work to his mistress, La Madame la Marquise du Chastellet, who was a fellow scholar of Newton and completed the first French translation of the Principia in 1759. From the library of Dr. Adrian Pollock. A graduate of the University of Cambridge, Pollock was a leader in the field of non-destructive acoustic emission testing, an approach to emission testing which addresses dynamic processes in materials by listening to the energy released by objects. He amassed a large book collection covering the history of science which he acquired throughout his travels between the United States and United Kingdom and from international catalogs. Newton was a particular favorite of Pollock’s as the two scientists worked in the same field and shared an alma mater. In very good condition with light shelfwear. Housed in a custom half morocco clamshell box. Exceedingly rare, surely one of the most significant examples of this work.
"Shoot all the bluejays you want, if you can hit em, but remember its a sin to kill a mockingbird"; First edition of To Kill A Mockingbird; Signed by Harper Lee and Truman Capote
Philadelphia: J.B. Lippincott Company 1960.
First edition of Lee’s Pulitzer Prize-winning novel which had an initial first printing of 5,000 copies. Octavo, original green cloth backed brown boards, titles to spine in gilt. Signed by both Harper Lee and Truman Capote on the front free endpaper. Truman Capote’s friendship with Harper Lee began in the summer of 1929 when the two became next door neighbors in Monroeville, Alabama; both were the age of five. They shared a love of reading and began collaborating when Lee was gifted a typewriter by her father as a child. Lee drew on their friendship as inspiration for the characters Lee and Scout in her masterpiece To Kill A Mockingbird; Capote based his tomboy character Idabel Thompkins in his first novel Other Voices, Other Rooms on Lee. They worked together on Capote’s true crime novel, In Cold Blood; Lee acted as his ‘assistant reasearchist’ and edited the final draft of the book. Upon its publication in 1965, Capote failed to acknowledge Lee’s contributions to the book, after which their relationship was never the same. Fine in a near fine dust jacket with light rubbing and wear to the extremities. Jacket design by Shirley Smith. Photograph by Truman Capote. Housed in a custom full morocco clamshell box. Exceptionally rare, this is the first example we have seen signed by both Lee and Capote.
"If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith": First Edition of Tender Is the Night; Inscribed by F. Scott Fitzgerald To Hollywood Producer Harry Joe Brown
New York: Charles Scribner's Sons 1934.
First edition of the work which Fitzgerald considered to be his finest. Octavo, original green cloth. Presentation copy, inscribed by the author on the front free endpaper with a full page inscription, “For Harry Joe Brown – late of the 17th Infantry Brigade. Wounded in Hollywood 1920-1940. – from his fellow dough boy F Scott Fitzgerald Encino, 1939.” The recipient, Harry Joe Brown was a Hollywood producer, who Fitzgerald noted meeting in late 1939: “Somewhere around this time [September 1939] Harry Joe Brown called me over to Twentieth Century Fox on a Sonja Heine picture” (Letter to the Berg-Allenberg Agency, 23 February 1940). Fitzgerald had been contracted as a writer by Metro Goldwyn Meyer Studios in the July of 1937, initially for six months. His contract was then extended for another year, but when this lapsed in December 1938 MGM did not renew it. Over the next two years, Fitzgerald freelanced for numerous studios on a number of films, including Everything Happens at Night for which Brown was an associate producer. An excellent near fine example in a very good first issue dust jacket with some light wear. Housed in a custom half morocco clamshell box.
"One need not be a prophet to be aware of impending dangers. An accidental combination of experience and interest will often reveal events to one man under aspects which few yet see": Rare First English Edition of The Road To Serfdom; Signed by F.A. Hayek
London: Routledge & Sons 1944.
First edition of one of the most influential and popular expositions of classical liberalism ever published. Octavo, original black cloth. Signed by F.A. Hayek on the title page. Light rubbing, near fine in a very good dust jacket with some expert restoration. The British edition (which this example is) was published in March of 1944, preceding its American counterpart, which was published later that same year in September. Housed in a custom half morocco clamshell box. Rare signed.
"If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith": First Edition of Tender Is the Night; Inscribed by F. Scott Fitzgerald
New York: Charles Scribner's Sons 1934.
First edition of the work which Fitzgerald considered to be his finest. Octavo, original green cloth. Inscribed by the author on the front free endpaper, “For the unknown, unmet parents of Clare (note: double underlined). Knowing her, I hope you will find something to like in this present. Best wishes, F. Scott Fitzgerald.” A very good example with some wear to the crown and foot of the spine, extremities of the cloth in a very good unrestored first issue dust jacket that has some rubbing and wear. Housed in a custom half morocco clamshell and chemise case.
New York: Harper & Brothers 1934.
First American edition and true first preceding the British edition by one year of Orwell’s first novel. Octavo, original cloth. Presentation copy, inscribed by the author on the verso of the front free endpaper to Mabel Fierz, “With very best wishes from Eric Blair.” It was Mabel Fierz who introduced Orwell to Leonard Moore (who would later become his literary agent) after salvaging the manuscript for Down and Out from the writer’s discarded papers. After first meeting Orwell in Southwold, Suffolk, Mabel and her husband Francis became close friends with the writer and often invited him to stay at their house in Golders Green. On one such occasion, Orwell gave Mabel the manuscript, which had just been rejected by Faber, and telling her to save only the paperclips, said she should throw it away. Instead she took it in person to Moore who in turn took it to Gollancz. In gratitude, thereafter Orwell presented Mabel with signed copies of all his published works. Mabel Fierz, authorial inscription, typed letter signed by Mabel’s son Adrian Fierz loosely inserted. Near fine in a very good dust jacket. Housed in a custom half morocco clamshell box.
“To President Kennedy per your request – here are our hands, our hearts, our votes": Inscribed by Presidents Lyndon B. Johnson and Harry S. Truman to President John F. Kennedy
Photograph of Presidents John F. Kennedy, Harry S. Truman and Lyndon B. Johnson in a three-way handshake, taken on January 20, 1962 at the Grand Staircase, Entrance Hall at the White House. Inscribed by both Johnson and Truman to Kennedy, “To President Kennedy per your request – here are our hands, our hearts, our votes – Lyndon B. Johnson.” Inscribed by Truman “From Harry Truman to a great president, John F. Kennedy, February 19, 1962.” A rare photograph capturing three significant figureheads of the Democratic Party. In fine condition. Photograph by Robert L. Knudsen. From the collection of President Kennedy, later owned by his friend and special assistant, David Powers. Double matted and framed. The entire piece measures 18.5 inches by 24 inches. An exceptional piece of history, inscribed by two Presidents to another President.
“People generally see what they look for, and hear what they listen for": First edition of To Kill A Mockingbird; Inscribed by Harper Lee
Philadelphia: J.B. Lippincott Company 1960.
First edition of Lee’s Pulitzer Prize-winning novel which had an initial first printing of 5,000 copies. Octavo, original green cloth backed brown boards, titles to spine in gilt. Presentation copy, inscribed by the author on the front free endpaper in a contemporary hand, “To Jennie with my best wishes Nelle Lee.” The recipient must have been a person close to the author, as Lee reserved inscriptions using the name Nelle family members and close friends. Near fine in a near fine dust jacket with light rubbing and wear to the extremities. Jacket design by Shirley Smith. Photograph of Lee on the back panel by Truman Capote. Housed in a custom full morocco clamshell box.
“Don't you know that everybody's got a Fairyland of their own?”: Rare First Edition of Mary Poppins; Signed by P.L. Travers
London: Gerald Howe 1934.
First edition of this children’s classic. Octavo, original cloth, illustrated with 27 line cuts (13 full-page) and chapter tailpieces by Mary Shepard. Signed by P.L. Travers on the front free endpaper. Fine in a near fine dust jacket with light rubbing and wear to the crown of the spine. Housed in a custom half morocco clamshell box. Signed first editions are of exceptional rarity, with none having appeared at auction since the time of publication.
"What Happens to a Dream Deferred? Does it Dry Up Like A Raisin in the Sun?" Rare Original A Raisin in the Sun Script; Lorainne Hansberry's Copy with her ownership signature
New York: Hart Stenographic Bureau 1959.
Lorriane Hansberry’s copy of the original script for the groundbreaking play which made its debut on Broadway in 1959. Quarto, bound in the original post binder. With Hansberry’s ownership signature to the title page, “Lorriane’s Copy” and her notes throughout. The title page notes: * Title pending permission of Mr. Langston Hughes. With his poem “A Dream Deferred” which inspired the title of the play in full on the second page. In near fine condition with both covers detached. An exceptional example displaying the very origin of this groundbreaking work.