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"O come, then, quickly come! We are budding, we are blowing; And the wind that we perfume Sings a tune that's worth the knowing": First Edition of Ralph Waldo Emerson's poems; Inscribed by Him
Boston: James Munroe & Co, 1847.
First edition with four pages of publisher’s ads dated January 1, 1847 bound before the title of this collection of poems. Octavo, bound in publisher’s boards covered in coated ivory-colored paper, with publisher’s label on spine. Inscribed by the author in the year of publication, “Elizabeth Burgess with the best wishes of R.W.E. 1 Jan. 1847.” In very good condition with some wear to the binding. Housed in a custom half morocco clamshell box. Rare and desirable signed and inscribed by Emerson in the year of publication.
“Heroes get remembered, but legends never die": First Edition of The Babe Ruth Story; Warmly Inscribed by Him to His Doctor
New York: E.P. Dutton & Co., Inc, 1948.
First edition of Babe Ruth’s autobiography. Octavo, original cloth, illustrated, pictorial endpapers. Association copy, inscribed by the author on the half-title page in the year of publication, “To my good friend and Pal Dr. Richard Lewisohn From Babe Ruth 1948.” Dr. Lewisohn was a surgeon who experimented with an anti-cancer drug, teropterin (pteroltriglutamic acid). In 1947, Dr. Lewisohn offered Ruth, who had been diagnosed with throat cancer in 1946, to receive this experimental therapy. Dr. Lewisohn was very honest with Ruth about his small chances for a recovery although no formal informed consent was signed. Ruth responded bravely that he would still like to go through with the experimental treatment in order to provide the medical community with information that might help individuals in the future with the same ailment. Thus, Ruth became a subject in one of the first clinical trials of an anti-cancer drug. Dr. Lewison’s experimental course of teropterin injections led to a dramatic, albeit short-lived, improvement in Ruth. The improvement in Ruth’s condition was featured in the lead story of September 11, 1947 in the Wall Street Journal which reported on Dr. Lewisohn’s report of the case at a medical conference. The Wall Street Journal stated that researchers might be on the verge of a cure for cancer. As a direct result of Dr. Lewisohn’s treatment, Ruth was able to say farewell to his fans at Yankee Stadium and attend other public functions, as well do the interviews for and see the publication of this book in May of 1948. He was also attend the premiere of the film based on upon this book. Ruth passed away just a short time later on August 16, 1948, before the film’s public release. Near fine in a near fine price-clipped dust jacket with some professional restoration. As told to Bob Considine. Housed in a custom half morocco clamshell box. Signed first editions are scarce, given the short time between the release of the book and Ruth’s passing. Association copies such as this one are highly prized.
"Our land is of every kind geologically and climatically and our people are of every kind also - and yet our land is one nation, and our people are Americans": First edition of Steinbeck's America and Americans; inscribed by him to fellow American author John Updike
New York: The Viking Press, 1966.
First edition of Steinbeck’s final book. Quarto, original half cloth, illustrated, cartographic endpapers. With 136 pages of photographs, 24 in full color by 55 of the most prominent American photographers of the era including Ansel Adams, Sam Siegel, and Todd Webb. Association copy, inscribed by the author on the half-title page, “For John Updike with admiration John Steinbeck.” American author John Steinbeck published his most notable works between 1937 (Of Mice and Men) and 1952 (East of Eden), and was awarded both the Pulitzer Prize for Fiction in 1940 and Nobel Prize in Literature in 1962. One of the most prolific American authors from the early 1960s until his death in 2009, fellow recipient of the Pulitzer Prize John Updike identified Steinbeck as one of his literary heroes at a young age. Both writers’ works explored themes of crises related to faith, injustice, and family dynamics applied to small town ‘everyman’ protagonists. Both Steinbeck and Updike wrote in a realist tradition featuring their own distinctively rich and imaginative vocabulary and style of prose. Near fine in a very good dust jacket. Housed in a custom half morocco clamshell box. Jacket design by Christopher Harris. Photograph of Steinbeck to the rear panel by Paul Farber. From the library of John Updike. An exceptional association linking two of the greatest writers of twentieth century America.
“There's things that happen in a person's life that are so scorched in the memory and burned into the heart that there's no forgetting them": First Limited Edition of Mutiny On The Bounty; Signed by Marlon Brando, Director Lewis Milestone, Producer Aaron Rosenberg and in the scarce original glassine
New York : Limited Editions Club, 1947.
First limited edition of this epic historical drama made into the 1962 film starring Marlon Brando, Trevor Howard and Richard Harris. The film was the first widescreen motion picture ever produced. One of only 1500 copies. This is number 426. Signed on the front free endpaper in the year of the film’s production by Marlon Brando (cast as First Lieutenant Fletcher Christian), Lewis Milestone (the film’s director), Tarita Teriipaia (Princess Maimiti), and inscribed by the film’s producer Aaron Rosenberg, “To Phil Corrin, Hope the picture lives up to your expectations. Most sincerely, Aaron Rosenberg.” Additionally signed on the verso by twelve additional cast members including Richard Harris and Duncan Lamont. Octavo, bound in full pebbled sheepskin, gilt titles and tooling to the spine and front panel, top edge gilt, in the scarce original glassine and original slipcase. An extraordinary example, most rare and desirable signed by Brando and the cast.
"The best of all monopoly profits is a quiet life" First Edition of John Hicks Classic Work Value and Capital; Signed by Him
London: Oxford University Press, 1939.
First edition of the economist’s groundbreaking work. Octavo, original black cloth with gilt titles to the spine. Signed by John R. Hicks on the front free endpaper. An excellent example in a very good dust jacket with some light rubbing and wear. Housed in a custom half clamshell box. Rare and desirable signed.
New York: Robert M. McBride & Company, 1929.
First edition of Steinbeck’s first book one of about 1500 copies. The publisher printed 2476 copies, 939 of which were remaindered as unbound sheets. Octavo, original cloth. Fine in a near fine dust jacket with light rubbing to the extremities. Comes with the original publisher’s glassine. Housed in a custom cloth case. Rare, especially in this condition.
“Consider your origin. You were not formed to live like brutes but to follow virtue and knowledge": Rare First Edition in English of Dante's Divine Comedy
The Divina Commedia of Dante Alighieri: Consisting of the Inferno, Purgatorio and Paradiso (The Divine Comedy).
London: Printed by A. Strahan for T. Cadell Jun. and W. Davies, 1802.
First edition in English of Dante’s masterpiece. Octavo, three volumes. Bound in three quarters contemporary calf. Translated into English with preliminary essays, notes, and illustrations by the Rev. Henry Boyd. Engraved frontispiece portrait of Dante, engraved by R.H. Cromek. In very good condition with only light browning to the text, ownership inscription in pencil of Frederick William Paine of Worcester, Massachusetts on title pages dated 1813, in Paine’s bindings, half-titles. Frederick William Paine (1799-1869) traveled widely as an agent of J. & T. H. Perkins and was married to Ann Cushing Sturgis. In the late 1820s, he settled in Worcester where he immersed himself in local affairs. He was an active member of the Worcester Horticultural Society and the American Antiquarian Society. Rare in contemporary binding.
"God is interested in the freedom of the whole human race": First Edition of Stride Toward Freedom: The Montgomery Story; Signed by Martin Luther King, Jr.
New York: Harper & Brothers, Publishers, 1958.
First edition of Dr. Martin Luther King’s first book. Octavo, original half cloth, illustrated. Boldly signed by the author on the title page, “Best Wishes Martin Luther King, Jr.” Near fine in a very good dust jacket. Housed in a custom half morocco clamshell box. Rare and desirable signed.
SIGNED LIMITED EDITION OF ALBERT EINSTEINS "ONE AND ONLY INTELLECTUAL BIOGRAPHY": SIGNED AND DATED BY HIM; IN THE ORIGINAL PUBLISHER'S CARDBOARD
Evanston: Library of Living Philosophers, 1949.
Signed limited first edition, one of 760 copies signed and dated “Albert Einstein ‘49”, this is number 499. Octavo, original brown cloth, top edge gilt, original slipcase. The book is in fine condition, the slipcase is in fine condition. Housed in the original publisher’s cardboard. An absolute pristine example, which has been stored in the original cardboard box since publication. Edited by Paul Arthur Schilpp. Frontispiece portrait of Einstein by Yousef Karsh. Rare and desirable in this condition.
"All modern literature comes from one book by Mark Twain. Its the best book weve had. All American writing comes from that. There was nothing before. There has been nothing since" First Edition Of Adventures of Huckleberry Finn in The Rare Blue Cloth
New York: Charles L. Webster and Company, 1885.
First edition, first issue of Mark Twain’s masterpiece. In near fine condition with light wear to the extremities. Octavo, blue pictorial cloth. Subscribers who had already purchased Tom Sawyer, and wanted a binding to match, were invited to request a blue cloth binding on Huckleberry Finn instead of the publisher’s green. This is one of those blue bindings—twenty times more rare than the green. This copy has all of the commonly identified first issue points (copies were assembled haphazardly by the printer and there is yet to be agreement among bibliographers as to the priority of many points). First issue points include page  with “Decided” remaining uncorrected (to “Decides”); page , illustration captioned “Him and another Man” listed as on page 88; page 57, 11th line from bottom reads “with the was,”. Debate continues over the priority of other points of issue and state. This copy contains the following points of bibliographical interest: frontispiece portrait without cloth table cover under the bust, bearing the Heliotype Printing Co. imprint; copyright page dated 1884; page 143 with “l” missing from “Col.” at top of illustration and with broken “b” in “body” on line seven; page 155 with the final 5 being slightly larger than the first two numbers”; page 161, no signature mark “11”. In very good condition with light wear to the extremities. Housed in a custom half morocco clamshell box. A nice example.
First Edition of One Hundred Years of Solitude in the First Issue Dust Jacket; Inscribed and dated by Gabriel Garcia Marquez
New York: Harper & Row, Publishers, 1970.
First American edition of the author’s magnum opus. Octavo, original green cloth with gilt lettering to the spine. Presentation copy, inscribed by the author on the dedication page, “Para Rita, de su amigo, Gabriel Garcia Marquez 1976.” Fine in a fine first issue dust jacket with the exclamation point at the end of the first paragraph on the front flap. Jacket design by Guy Fleming. Translated by Gregory Rabassa. Housed in a custom clamshell box. An exceptional example.
New York: Whittlesey House/ McGraw Hill Book Company, 1940.
First edition, sixth printing published the same year as the first printing of Graham and Dodd’s seminal work, considered the Bible of modern financial analysis. Octavo, original black cloth, gilt titles to the spine. Boldly signed by Warren E. Buffett on the front free endpaper. In near fine condition. Housed in a custom half morocco clamshell box. Rare and desirable signed by Buffett; Graham and Dodd’s most well-known adherent.
New York: Simon and Schuster, 1940.
First edition of the lavishly illustrated companion volume to Disney’s animated musical masterpiece. Quarto, original cloth, pictorial endpapers, illustrated with 16 mounted color plates. Presentation copy, signed and inscribed by thirteen people (including Walt Disney); all who worked at Walt Disney studios in the 1940s. All of the inscriptions are to Jodie Ferguson Brudge, who was a secretary at Disney Studios, and upon her leaving to get married, raise family, she asked those that she worked with to inscribe her copy of Fantasia. This work contains the following inscriptions and illustrations, inscribed by Walt Disney on the title page, “To Jodie Best Wishes Walt Disney.” Page 10 has an original full-color illustration by Milt Banta of a card game between Mickey Mouse, Donald Duck and Milt Banta, with the inscription “Best Wishes Always Milt Banta.” Page 14 has a full page original illustration by Russ Dyson of a “ye olde family tree” for the Ferguson [Jodie] and Dyson branches. On the Dyson branch is a self-portrait of Dyson as a bird, with the inscription, “I Hope the Ferguson Branch Doesn’t grow any Larger! Good Luck – Russ Dyson 1/18/46.” Page 57 has an original watercolor of a tree branch and paint container, and the inscription: “Jodie – If you ever run across any automatic paint brushes like these – let me know. – Claude Coats.” Page 82 has a twenty-six line inscription that is warm and thoughtful from Ben [Sharpsteen]. Page 95 has an original color illustration of a frog fishing and the inscription, “An ‘Good Fishin’ to you all the time – Jodie. Hugh Hennesy” Page 102 has an original color illustration of a self-portrait of Bill Berg, with the inscription “Good Bye Jodie – We’ll Miss You!!! Bill Berg.” Page 118 has an original illustration of a self-portrait of Jerry Hathcock waking from a nightmare, with the inscription, “Gad!! What a Nightmare! Maybe Jodie is smart to leave. Good Bye + Good Luck, Jerry Hathcock.” Page 119 has an original illustration of a bouquet of flowers, that has been drawn into the hand/wing of the printed ostrich, with the inscription: “Best Luck and Good Wishes Jodie. Phil Barber.” Page 121 has an original illustration of a self-portrait of J. Eric Gurney who is holding a banner that reads, “Best Wishes to Jodie.” The opposite end of the banner is being held by the printed hippopotamus. Page 126 has an original illustration of a self-portrait of Nick Nichols (being held aloft by the printed elephant), with the inscription: “Bye Bye Jodie Come Back And Work For Me Again. Best Nick Nichols.” Page 159 has an original full-page illustration of Jodie as a centaurette, with the inscription, “G’bye Now. Lots of Luck an’ Stuff to Jodie. George Rowley.” The verso of the rear free endsheet contains an original illustration of a guitar player in a pancho and sombrero with the inscription, ” Good Luck Jodie. William de la Torre.” An excellent example in a very good dust jacket. A unique piece of Disney history.
“Let us leave theories there and return to here's hear": Signed Limited Edition of James Joyce's Finnegans Wake
London: Faber & Faber, 1939.
First signed limited edition, number 251 of only 425 large-paper copies signed by Joyce. Octavo, original red cloth, titles to spine in gilt, top edge gilt, original publisher’s yellow cloth slipcase. Signed by James Joyce on the limitation page. In fine condition, with the publishers slipcase. Housed in a custom half morocco clamshell box. A superior example.
"There was only one catch...And that was Catch-22": First Edition of Catch - 22; Signed by Joseph Heller and Kurt Vonnegut
New York: Simon & Schuster, 1961.
First edition of one of the most significant novels of the twentieth century. Octavo, original blue cloth. Boldly signed by Joseph Heller on the title page. Additionally signed by author Kurt Vonnegut on the front free endpaper, who has added a self-caricature. Like Catch-22, by Vonnegut’s friend, Joseph Heller, Slaughterhouse-Five was a World War II novel embraced by opponents of the Vietnam War, linking a so-called “good war” to the unpopular conflict of the 1960s and ’70s. In 2005, six years after Heller’s death, Vonnegut published a short poem in The New Yorker with the title ‘Joe Heller.’ The poem recalled a conversation Vonnegut and Heller shared at a party hosted by a billionaire on Shelter Island. In a few verses, Vonnegut expresses his admiration for the late Heller and his friend’s philosophy about the meaning of life. The two agree that gaining knowledge has been more substantive than gaining wealth throughout both of their lives. Fine in a near fine dust jacket with light rubbing. Jacket design by Paul Bacon. Housed in a custom half morocco clamshell box. A unique example.
"I have done the best I could to show forth the beauty, grandeur, and all-embracing usefulness of our wild mountain forest reservations": Scarce first edition of Our National Parks; inscribed by John Muir
Boston and New York: Houghton Mifflin Company, 1901.
First edition of Muir’s collection of short works on the beauty and splendor of America’s National Parks. Octavo, original cloth with gilt titles to the spine and front panel, gilt vignette to the front panel, top edge gilt, tissue-guarded frontispiece engraving of the sequoias of Mariposa Grove. Association copy, inscribed by the author on the front free endpaper, “To Thomas Price with sincere regard and many pleasant Klamath memories – John Muir. Martinez California September 1908.” The recipient, Thomas Price, was the stenographer hired to accompany Muir on his journey to Pelican Bay Lodge on Lake Klamath in Southern Oregon in 1908. He transcribed Muir’s musings and thoughts on the landscape which would later form part of his 1912 autobiography My Boyhood and Youth. In near fine condition. An exceptional example and association, rare signed and inscribed by Muir.