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First Edition of John Carey's An Essay, on the Coyn and Credit of England: As They Stand with Respect to Its Trade
London: Printed by Will. Bonny, and sold by the booksellers of London and Bristol 1696.
First edition of this work by Cary, a pioneer in the field of economics. Small octavo, bound in full contemporary calf, raised bands, gilt titles and tooling to the spine, marbled endpapers. In very good condition. Rare with no examples appearing at auction in the last eighty years.
"I'm wearing a necklace and ear-rings so that the mountains can enjoy looking at them!": Exceptionally rare collection of autograph letters signed by reclusive author P.L. Travers
1974 - 1993.
Exceptionally rare collection of 28 typed and hand written letters and notes signed by the author of Mary Poppins, P. L. Travers. 36 pages, the letters are a collection of 20 years of correspondence between Travers and close personal friends John and Jacqueline Rutherfurd and offer an intimate glimpse into Travers’ personal life and many travels. In one note dated August 10, 1981, Travers writes: “Dear Jaqueline, I write, with a newly overhauled portable (and see how it works and imagine what I will have to say to them when I get back to London!) from Chandolin, the highest lived-in-all-the-year-round village in Europe. Lovely high air and I try to come for a short time every year to get away from London sea level. And I’m wearing a necklace and ear-rings so that the mountains can enjoy looking at them!” Another letter, dated December 20, 1981, reads in part: “I am waiting for a photograph of me that was taken for my new book that is coming out here in the spring…I wish I could say when the book will be out in the U. S. but there are all sorts of goings on there; I’ve rewritten one of the stories, called Bad Tuesday in the first Mary Poppins book as the San Francisco library put it in the index as being ‘insulting to minorities.’” Another letter dated May 7th 1980 reads in part: “That was a lovely poem to have received at three o’clock in the morning, Jacqueline! Truly beautiful…I will certainly keep it. I put special things into books and then come upon them ages after and am refreshed all over again. That is why I don’t lend my books. I’m not going to let others see my letters, my comments in the margins; why let them into my communing with myself?” Additionally included are the original envelopes addressed to the Rutherfurds in Travers’ hand. An exceptional collection offering a unique glimpse into the personality of the very private author.
Rare French Military Artillery and Fortification Manual with text in manuscript and technical drawings throughout
Metz: Ecole Royale de l'Artillerie et du Genie 1818-19.
Rare early 19th century French military manual created in manuscript for the Ecole Royale de ‘Artillerie et du Genie (School of Application of Artillery and Engineering of Metz) containing lessons and technical drawings in the mechanics of artillery and construction of temporary and permanent military fortifications. Quarto, ten volumes bound in three quarters morocco over marbled boards with gilt titles to the spine and front panels, text in manuscript with technical drawings throughout. In near fine condition, internally exceptionally clean. A rare and desirable piece of 19th century French military history.
"God is interested in the freedom of the whole human race": First Edition of Stride Toward Freedom: The Montgomery Story; Signed by Martin Luther King, Jr.
New York: Harper & Brothers, Publishers 1958.
First edition of Dr. Martin Luther King’s first book. Octavo, original half cloth, illustrated. Boldly signed by the author on the title page, “Best Wishes Martin Luther King, Jr.” Near fine in a very good dust jacket. Housed in a custom half morocco clamshell box. Rare and desirable signed.
“Do not go gentle into that good night, Old age should burn and rage at close of day; Rage, rage against the dying of the light": Signed Limited First Edition of Dylan Thomas' In Country Sleep
New York: New Directions 1952.
Signed limited edition, one of 100 copies of this collection of poems, including the first book appearance of “Do not go gentle into that good night,” published the year before his death, Octavo, original cloth. Signed by Dylan Thomas. Fine in a fine slipcase dust jacket.
SIGNED LIMITED EDITION OF ALBERT EINSTEINS "ONE AND ONLY INTELLECTUAL BIOGRAPHY": SIGNED AND DATED BY HIM; IN THE ORIGINAL PUBLISHER'S CARDBOARD
Evanston: Library of Living Philosophers 1949.
Signed limited first edition, one of 760 copies signed and dated “Albert Einstein ‘49.” Octavo, original brown cloth, top edge gilt, original slipcase. The book is in fine condition, the slipcase is in fine condition. Housed in the original publisher’s cardboard. An absolute pristine example, which has been stored in the original cardboard box since publication. Edited by Paul Arthur Schilpp. Frontispiece portrait of Einstein by Yousef Karsh. Rare and desirable in this condition.
“Do anything, but let it produce joy": RARE SECOND EDITION OF WALT WHITMAN’S LEAVES OF GRASS; ONE OF ONE THOUSAND COPIES
Brooklyn, New York: Fowler and Wells 1856.
Rare second edition, one of a 1000 copies of the most important volume in American poetry, with an additional twenty poems not found in the first edition as well as a new section of correspondence and reviews entitled “Leaves-droppings” that begins with the famous letter from Emerson containing the salutation “I greet you at the beginning of a great career.” Small octavo, original green cloth. Engraved frontispiece portrait of Walt Whitman. Bookplate of Barrett Wendell to the inside panel. Barrett was an American academic and a trustee of the Boston Athenaeum, a member of the Massachusetts Historical Society, and a Fellow of the American Academy of Arts and Sciences and he was also elected to the Harvard Board of Overseers. Bookplate of William Whitwell Greenough. Greenough was a Boston merchant and politician, trustee of the Boston Public Library, 1856-1888, President of the Board of Trustees, 1866-1888. In very good condition with some toning to the spine and overall light wear. Housed in a custom half morocco clamshell box. A nice example of this rarity with noted provenance.
"I have done the best I could to show forth the beauty, grandeur, and all-embracing usefulness of our wild mountain forest reservations": Scarce first edition of Our National Parks; inscribed by John Muir
Boston and New York: Houghton Mifflin Company 1901.
First edition of Muir’s collection of short works on the beauty and splendor of America’s National Parks. Octavo, original cloth with gilt titles to the spine and front panel, gilt vignette to the front panel, top edge gilt, tissue-guarded frontispiece engraving of the sequoias of Mariposa Grove. Association copy, inscribed by the author on the front free endpaper, “To Thomas Price with sincere regard and many pleasant Klamath memories – John Muir. Martinez California September 1908.” The recipient, Thomas Price, was the stenographer hired to accompany Muir on his journey to Pelican Bay Lodge on Lake Klamath in Southern Oregon in 1908. He transcribed Muir’s musings and thoughts on the landscape which would later form part of his 1912 autobiography My Boyhood and Youth. In near fine condition. An exceptional example and association, rare signed and inscribed by Muir.
Rare Original Publishers Morocco, first printing, first state, of one of the Masterpieces of American literature, The Adventures of Tom Sawyer
Hartford: American Publishing Company 1876.
Rare publisher’s gilt half morocco binding of one of the great masterpieces of American literature. Octavo, original publisher’s morocco, wood-engraved frontispiece and numerous illustrations in text by True Williams and others, 4-page publisher’s advertisements at end, versos of half-title and preface blank, gilt topstain. In near fine condition. Housed in a custom cloth slipcase. BAL 3369. Johnson, 27-30. MacDonnell, 39-40. MacBride, 40. Housed in a custom half morocco clamshell box. An exceptional example.
“For in the end, it is all about memory, its sources and its magnitude, and, of course, its consequences": Rare First Edition of La Nuit; Inscribed by Elie Wiesel to Abba Eban
Paris: Les Editions De Minuit 1958.
First French edition (preceding the first English edition) of the Wiesel’s classic first work. Octavo, original wrappers. Association copy, inscribed by the author to Abba Eban, “Pour Eban- le a sa propre commencement a sa historie: la voice- Elie W. New York, 1967.” Translated as, “The beginning of his own history Elie W.” As it increased in popularity, Wiesel’s Night was translated into 30 languages and prompted meetings with several important literary and political figures including Saul Bellow and Abba Eban. In 1955, Wiesel moved to New York to work as a foreign correspondent for Yediot Ahronot, the largest daily Newspaper in Israel. Eban was also posted in New York throughout the 1950s serving as Israel’s ambassador to the United States and, in 1952, was elected Vice President of the UN General Assembly. At the time of the present inscription, Eban had just been appointed as Israel’s foreign minister, the most important position in the Israeli cabinet. As Israel’s foreign minister Eban would defend the country’s reputation after the Six-Day War, asserting in a speech to the United Nations General Assembly that Israel had acted in response to an imminent threat. In very good condition with some light rubbing to the extremities. Preface by Francois Mauriac. From the library of Abba Eban. An exceptional association, commemorating the culmination of Eban’s political career.
New York: Simon and Schuster 1940.
First edition of the lavishly illustrated companion volume to Disney’s animated musical masterpiece. Quarto, original cloth, pictorial endpapers, illustrated with 16 mounted color plates. Presentation copy, signed and inscribed by thirteen people (including Walt Disney); all who worked at Walt Disney studios in the 1940s. All of the inscriptions are to Jodie Ferguson Brudge, who was a secretary at Disney Studios, and upon her leaving to get married, raise family, she asked those that she worked with to inscribe her copy of Fantasia. This work contains the following inscriptions and illustrations, inscribed by Walt Disney on the title page, “To Jodie Best Wishes Walt Disney.” Page 10 has an original full-color illustration by Milt Banta of a card game between Mickey Mouse, Donald Duck and Milt Banta, with the inscription “Best Wishes Always Milt Banta.” Page 14 has a full page original illustration by Russ Dyson of a “ye olde family tree” for the Ferguson [Jodie] and Dyson branches. On the Dyson branch is a self-portrait of Dyson as a bird, with the inscription, “I Hope the Ferguson Branch Doesn’t grow any Larger! Good Luck – Russ Dyson 1/18/46.” Page 57 has an original watercolor of a tree branch and paint container, and the inscription: “Jodie – If you ever run across any automatic paint brushes like these – let me know. – Claude Coats.” Page 82 has a twenty-six line inscription that is warm and thoughtful from Ben [Sharpsteen]. Page 95 has an original color illustration of a frog fishing and the inscription, “An ‘Good Fishin’ to you all the time – Jodie. Hugh Hennesy” Page 102 has an original color illustration of a self-portrait of Bill Berg, with the inscription “Good Bye Jodie – We’ll Miss You!!! Bill Berg.” Page 118 has an original illustration of a self-portrait of Jerry Hathcock waking from a nightmare, with the inscription, “Gad!! What a Nightmare! Maybe Jodie is smart to leave. Good Bye + Good Luck, Jerry Hathcock.” Page 119 has an original illustration of a bouquet of flowers, that has been drawn into the hand/wing of the printed ostrich, with the inscription: “Best Luck and Good Wishes Jodie. Phil Barber.” Page 121 has an original illustration of a self-portrait of J. Eric Gurney who is holding a banner that reads, “Best Wishes to Jodie.” The opposite end of the banner is being held by the printed hippopotamus. Page 126 has an original illustration of a self-portrait of Nick Nichols (being held aloft by the printed elephant), with the inscription: “Bye Bye Jodie Come Back And Work For Me Again. Best Nick Nichols.” Page 159 has an original full-page illustration of Jodie as a centaurette, with the inscription, “G’bye Now. Lots of Luck an’ Stuff to Jodie. George Rowley.” The verso of the rear free endsheet contains an original illustration of a guitar player in a pancho and sombrero with the inscription, ” Good Luck Jodie. William de la Torre.” An excellent example in a very good dust jacket. A unique piece of Disney history.
"I know it is wet and the sun is not sunny, but we can have lots of good fun that is funny": First Edition of the Cat In the Hat; Inscribed by Dr. Seuss
New York: Random House 1957.
First edition, first issue of Dr. Seuss’ classic work. Octavo, original illustrated unlaminated boards. Inscribed by the author, “For Ruth Dr. Seuss.” Fine in an excellent dust jacket with light wear. All issue points present: price of 200/200 on the dust jacket, no mention of the “Beginner Books” series on the rear panel, and has four paragraphs of educator’s reviews on rear panel. Book contains a single signature and 61 pages with a message on final page before end paper contained in an outline of the cat’s hat & head. Housed in a custom half morocco clamshell box. A very nice example.
“Let us leave theories there and return to here's hear": Signed Limited Edition of James Joyce's Finnegans Wake
London: Faber & Faber 1939.
First signed limited edition, number 251 of only 425 large-paper copies signed by Joyce. Octavo, original red cloth, titles to spine in gilt, top edge gilt, original publisher’s yellow cloth slipcase. Signed by James Joyce on the limitation page. In fine condition, with the publishers slipcase. Housed in a custom half morocco clamshell box. A superior example.
New York: Whittlesey House/ McGraw Hill Book Company 1940.
First edition, sixth printing published the same year as the first printing of Graham and Dodd’s seminal work, considered the Bible of modern financial analysis. Octavo, original black cloth, gilt titles to the spine. Boldly signed by Warren E. Buffett on the front free endpaper. In near fine condition. Housed in a custom half morocco clamshell box. Rare and desirable signed by Buffett; Graham and Dodd’s most well-known adherent.
“Actually that’s my secret — I can’t even talk about you to anybody because I don’t want any more people to know how wonderful you are": First edition of F. Scott Fitzgerald's Tender Is The Night
New York: Charles Scribner's Sons 1934.
First edition of the work which Fitzgerald considered to be his finest. Octavo, original green cloth. Near fine in the scarce original dust jacket with light rubbing and wear. A much nicer example than usually seen.
"Come right up close to me and I will show you something wonderful": First Edition of James and the Giant Peach; Signed by Roald Dahl and Illustrator Nancy Ekholm Burkert
New York: Alfred A. Knopf 1961.
First edition of this Dahl classic. Octavo, original cloth, beautifully illustrated, many full-page and in color. Boldly signed by Roald Dahl on the front free endpaper and also signed by the illustrator, Nancy Ekholm Burkert on the half-title page. Fine in a near fine dust jacket with a touch of rubbing. Housed in a custom half morocco clamshell box. An exceptional example, most rare and desirable signed by both the author and the illustrator.