Literature

Rare & Classic, American or English Literature Books for Sale Online

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  • "Who is the most important person I've ever met in a signing queue & the first person ever to see merit in Harry Potter. With huge [underlined 4 times] thanks. J.K. Rowling": First Edition, First Printing of J.K. Rowling's Rare First Book Harry Potter and the Philosopher's Stone; Signed by Her

    ROWLING, J.K.

    Harry Potter and the Philosopher’s Stone.

    London: Bloomsbury, 1997.

    First edition, first printing with all the prerequisite first issue points called for (including “wand” listed twice on page 53). Octavo, original illustrated boards, without a dust jacket as issued. Association copy, inscribed by the author on the dedication page,  “to Bryony – who is the most important person I’ve ever met in a signing queue & the first person ever to see merit in Harry Potter. With huge [underlined 4 times] thanks. J.K. Rowling.” The recipient, Bryony Evens worked as an office manager in a small publishing company in Edinburgh, Scotland. In 1995 J.K. Rowling sent the first three chapters of Harry Potter to that publishing company and it would have gone unseen if it wasn’t for Bryony. Bryony read them and fell in love with the story, and encouraged her boss Christopher Little to ask Rowling for the full book. Rowling then sent a full copy to Bryony when it was published by Bloomsbury in 1997. A year later Bryony went to visit Rowling at a book signing event, and when Rowling recognized her she gave her a big hug and wrote a special inscription, or message, in the book she’d brought. In near fine condition with a touch of rubbing to the extremities. Only 500 copies of the first printing were published, with over half making their way to libraries. Housed in a custom half morocco clamshell box. An exceptional association and effusive inscription to the person who first recognized the value of Harry Potter.

    Price: $300,000.00     Item Number: 115640

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  • First edition of the Ian Fleming’s first book Casino Royale which introduced the world to 007: Inscribed by Ian Fleming to Classmate and Novelist Ralph Arnold

    FLEMING, Ian.

    Casino Royale.

    London: Jonathan Cape, 1953.

    First edition of the first novel in Ian Fleming’s James Bond series. Octavo, original black cloth. Presentation copy, inscribed by the author on the front free endpaper, “To Ralph, We have now both reduced our remainders by one copy! Ian.” With a note of explanation by the recipient underneath, “I having told Ian, from the depths of my publishing experience, that he would be lucky if he made £200 out of this, his first thriller!! R.A.” The recipient Ralph Arnold was a novelist, historical writer and publisher who joined Constable in 1936 and was chairman from 1958 to 1962. Arnold and Fleming studied together at the Tennerhof School in Kitzbühel, Austria, and it was there that both made their first forays into story-writing. Having left Sandhurst without obtaining a commission, Fleming “was sent to ‘sort himself out’ at a quasi-finishing school for men in Kitzbühel … There, while skiing and climbing mountains, he came under the benevolent tutelage of Ernan Forbes Dennis, a former British spy turned educationalist, and his wife, Phyllis Bottome, an established novelist. Forbes Dennis brought out Fleming’s aptitude for languages and introduced him to literature, while his wife encouraged him to write his first stories.” (Oxford DNB). Near fine in a near fine first state dust jacket (without the Sunday Times review on the inner front flap) with the lightest of rubbing to the extremities. Housed in a custom half morocco clamshell box.

    Price: $150,000.00     Item Number: 98575

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  • "ONCE THERE WAS A LITTLE TREE ... AND SHE LOVED A LITTLE BOY"; The Original Manuscript for shel Silverstein's masterpiece The Giving Tree

    SILVERSTEIN, Shel.

    The Giving Tree Original Autograph Manuscript.

    c. 1964.

    The original manuscript of one of the most commercially successful children’s books of all time and Shel Silverstein’s most famous work, The Giving Tree, entirely in his had with his publisher’s edits in pencil throughout. Quarto, 38 pasteboard pages with Silverstein’s original ink drawings on paper adhered to each page and Silverstein’s original handwritten text. With numerous revisions by Silverstein, most notably on the final page of the story where Silverstein has changed “and the boy and the tree were happy” to “And the tree was happy.” In very good condition. Lacking pages 2, 3, 4 and 36. A remarkable piece offering exclusive insight into the author/illustrator’s process and furthering the mysterious and ambiguous nature of the widely interpreted story of a selfless tree and her beloved companion.

    Price: $125,000.00     Item Number: 116388

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  • “INCOMPARABLY THE MOST IMPORTANT WORK IN THE ENGLISH LANGUAGE”: THE FOURTH FOLIO OF SHAKESPEARE

    SHAKESPEARE, William.

    Mr. William Shakespeare’s Comedies, Histories, and Tragedies. Fourth Folio.

    London: Printed for H. Herringman, and are to be sold by Joseph Knight and Francis Saunders, 1685.

    First edition of the Fourth Folio of Shakespeare. Bound in full brown morocco, elaborately gilt-decorated spine. The fourth folio is the final and most magnificent of the four 17th-century folio editions of Shakespeare’s plays. The Fourth Folio “contains the additional seven plays that first appeared in the 1663 edition [including the authentic Pericles, Prince of Tyre], as well as a good deal of correction and modernization of the text designed to make it easier to read and understand” (Folger’s Choice). Old paper repair to verso of title-page, several other very minor paper repairs. Some browning and minimal staining, a very good example. As in some other copies, as Greg notes, number of errors in signatures have been corrected in manuscript, presumably at the time of publication. Although there is no accurate census of the number of folios still extant today, it is believed that copies of each printing number only in the hundreds. The rarest form of the fourth folio. This is the rare Knight and Saunders issue, with their names on the title-page. W. W. Greg observes, “Since the title is entirely reset it is presumably a cancel printed after the volume was complete and perhaps republished, and designed for those copies that Herringman chose to issue through his own booksellers” (Greg III, 1121). In 1684, Herringman turned over the retail side of his business to Francis Saunders and his partner Joseph Knight. Fourth Folios almost invariably bear the imprints “Herringman-Brewster-Bentley” or “Herringman-Brewster-Chiswell-Bentley.”

    Price: $100,000.00     Item Number: 5605

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  • "on her 21st birthday from her admirer": The Great Gatsby; Inscribed by F. Scott Fitzgerald

    FITZGERALD, F. Scott.

    The Great Gatsby.

    New York: Charles Scribner’s Sons, 1925.

    First edition, second printing of the author’s masterpiece. Octavo, original green cloth, gilt titles to the spine. Presentation copy, inscribed by the author on the front free endpaper, “For Esther Sidman on her 21st birthday from her admirer. F Scott Fitzgerald, Hollywood, 1938.” In near fine condition with a touch of shelfwear. Housed in a custom half morocco clamshell box. Great Gatsby’s signed and inscribed by Fitzgerald are rare.

    Price: $92,000.00     Item Number: 93465

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  • "ALL 'CLASSES' FOR EXPERIENCE AND LEARNING – BUT I DO PREFER 'NON-LITERARY' PEOPLE LIKE WAITERS, TRUCKDRIVERS, GIRLS, CARPENTERS, CLAM DIGGERS, RAILROAD MEN, SEA MEN, OLD MILLIONAIRES, ALL THE 'CHARACTERS'”; SCARCE JACK KEROUAC AUTOGRAPHED SIGNED LETTER

    KEROUAC, Jack.

    Jack Kerouac Autographed Manuscript.

    1964.

    Jack Kerouac’s candid handwritten reply to a young man’s questions about being a “Beatnik,” his life philosophy, his thoughts on Montana, and more. Students in Robert Dodd’s ninth-grade class were given an assignment to contact their favorite writer with their own unique series of questions relating specifically to that writer. The young Dodd chose Jack Kerouac, and the author replied at length to his questionnaire, which includes queries about his classification as a “Beatnik” (his answer: “I never was a Beatnik – it was the newspapers and critics who tagged that label on me….”), life philosophy (“My philosophy is ‘No Philosophy,’ just ‘Things-As-They-Are’”), career goals (“Be a great writer making everybody believe in Heaven”), the ideal way of life (“Hermit in the woods…”), his thoughts on fame (“My name is like Crackerjacks, famous, but very few people buy my books…”), and segregation (“[t]he Irish and Italians of Massachusetts never paraded in protest, just worked hard and made it”). Interestingly, Kerouac is most expansive in response to the final question: whether he has visited Montana. His answer fills three-quarters of the page, beginning: “Great day, my favorite state! – I wrote about Montana in ‘On the Road’ but the publishers took it out behind my back… I stayed one night, but up all night, in a saloon in Butte, to keep out of the 40-below February cold, among sheep ranchers playing poker.” Two pages with Dodd’s questions type-written and Kerouac’s responses handwritten in full. The letter reads in full, “To Robert Dodd from Jack Kerouac Feb. 28th 1964.” 1. In Town and the Country (Kerouac crosses out Country for City) your style of writing is much different from The Lonesome Traveler. Do you change your style with the type of story? Kerouac responds: “‘The Town and the City’ was my first, youngman novel when I was just starting out, trying to write like Thomas Wolfe – ‘Lonesome Traveler’ is a product of my own style which I developed in later years, ‘spontaneous writing’ with no looking back, in my own laws of story telling – OUTERSPACE PROSE! My own original invention.” 2.  Many people have referred to you as a “beatnik” or a “way out” writer. Do you feel this way about yourself? “‘Way-out’ yes, but I never was a beatnik – it was the newspapers and critics who tagged that label on me – I never had a beard, never wore sandals, avoided the company of Bohemians and their politics and always had a job on the road like in ‘Lonesome T.’ on railroad, ships etc.” 3. Some people refer to your thinking as existentialism where man makes his own destiny. Just what is your philosophy of life? “My philosophy now is “no-philosophy,” just “Things – As – They – Are”. 4. What goal are you trying to reach in your career? “Be a great writer making everybody believe in Heaven.” 5. What do you think is the ideal way of life? “Hermit in the woods, one-room cabin, wood stove, oil lamp, books, food, outhouse, no electricity, just creek or brook water, sleep, hiking, nothing-to-do-(Chinese Wu Wei).” 6. Do you like fame or would you rather write and have only your works become famous? “My name is like Crackerjacks, famous, but very few people buy my books because they’ve been told by newspapers and critics that I’m crazy, so I’m almost broke now 1964 – I hate fame without fortune, which is really INFAMY AND RIDICULE, in my case.” 7. From your many books I see that you must travel a lot. Do you try to mix in with different classes or do you stick to one? “All ‘classes’ for experience and learning – but I do prefer ‘non-literary’ people like waiters, truckdrivers, girls, carpenters, clam diggers, railroad men, sea men, old millionaires, all the ‘characters’.” 8. Does the West coast influence an author’s style differently than the East coast? “No – I and the “Beats” came from the East Coast and just rode out there, no special difference in style except a little on subject matter, i.e. open-spaces country.” 9. What is your favorite subject matter? “That everybody goes to Heaven – read “Visions of Gerard” (about Lowell in 1926).” 10. Here in Boston there is much controversy over segregation of the negroes. What is your stand on the issue? “They need jobs, naturally, and education for better jobs – But the Irish and Italians of Massachusetts never paraded in protest, just worked harder, and made it.” 11. Do you plan to visit the East coast, especially the Boston area soon? “Yeh – “lecture” dinner at Harvard soon – I live in Long Island since 1958 so I can’t exactly “visit” the Ease Coast, hey,” –  12. Have you ever been to Montana and, if you have, what were your views on it? “Great day, my favorite state! – I wrote about Montana in “On the Road” but the publishers took it out behind my back – I stayed one night, up all night, in a saloon in Butte, to keep out of the 40- below February cold, among sheep ranchers playing poker (with sheep dogs at their feet), red-eyed drunken Indians drinking out of bottles in the john, Chinese gamblers, women, cowboys, miners – And outside of Butte, at Three Forks Montana, I saw the source of the Missouri River in the snowy valley – I also heard wolves howl in the Bitterroot Mountains – But I didn’t like Missoula much (skiers etc.) – I would like to have a summer cabin in Montana some day, the last truly “Western” state. Sincerely, Jack Kerouac.” In near fine condition. Matted and framed. The entire piece measures 31 inches by 18 inches. A rare and intimate glimpse into the thought an literary progression of one of the formative writers of the 20th century.

    Price: $75,000.00     Item Number: 79098

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  • "Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird"; First edition of To Kill A Mockingbird; Signed by Harper Lee and Truman Capote

    LEE, Harper (Truman Capote).

    To Kill a Mockingbird.

    Philadelphia: J.B. Lippincott Company, 1960.

    First edition of Lee’s Pulitzer Prize-winning novel which had an initial first printing of 5,000 copies. Octavo, original green cloth backed brown boards, titles to spine in gilt. Signed by both Harper Lee and Truman Capote on the front free endpaper. Truman Capote’s friendship with Harper Lee began in the summer of 1929 when the two became next door neighbors in Monroeville, Alabama; both were the age of five. They shared a love of reading and began collaborating when Lee was gifted a typewriter by her father as a child. Lee drew on their friendship as inspiration for the characters Lee and Scout in her masterpiece To Kill A Mockingbird; Capote based his tomboy character Idabel Thompkins in his first novel Other Voices, Other Rooms on Lee. They worked together on Capote’s true crime novel, In Cold Blood; Lee acted as his ‘assistant reasearchist’ and edited the final draft of the book. Upon its publication in 1965, Capote failed to acknowledge Lee’s contributions to the book, after which their relationship was never the same. Fine in a near fine dust jacket with light rubbing and wear to the extremities. Jacket design by Shirley Smith. Photograph by Truman Capote. Housed in a custom full morocco clamshell box. Exceptionally rare, this is the first example we have seen signed by both Lee and Capote.

    Price: $72,000.00     Item Number: 73100

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  • "It is not down on any map; true places never are": Rare First Edition Of Herman Melville's Moby Dick

    MELVILLE, Herman.

    Moby Dick; Or, The Whale.

    New York: Harper & Brothers, 1851.

    First edition, first issue binding, with the circular Harper’s device of Melville’s masterpiece. Octavo, original purple-brown cloth (BAL’s A grain), covers stamped in blind with the publisher’s circular device at the center within a heavy blind rule frame, original orange-coated endpapers. In near fine condition with some of the usual light foxing and light shelfwear to the spine tips. Housed in a custom half morocco clamshell box. A completely unrestored example of this cornerstone. A superior example.

    Price: $65,000.00     Item Number: 99735

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  • "If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith": First Edition of Tender Is the Night; Inscribed by F. Scott Fitzgerald To Hollywood Producer Harry Joe Brown

    FITZGERALD, F. Scott.

    Tender Is The Night. A Romance. Decorations by Edward Shenton.

    New York: Charles Scribner's Sons, 1934.

    First edition of the work which Fitzgerald considered to be his finest. Octavo, original green cloth. Presentation copy, inscribed by the author on the front free endpaper with a full page inscription, “For Harry Joe Brown – late of the 17th Infantry Brigade. Wounded in Hollywood 1920-1940. – from his fellow dough boy F Scott Fitzgerald Encino, 1939.” The recipient, Harry Joe Brown was a Hollywood producer, who Fitzgerald noted meeting in late 1939: “Somewhere around this time [September 1939] Harry Joe Brown called me over to Twentieth Century Fox on a Sonja Heine picture” (Letter to the Berg-Allenberg Agency, 23 February 1940). Fitzgerald had been contracted as a writer by Metro Goldwyn Meyer Studios in the July of 1937, initially for six months. His contract was then extended for another year, but when this lapsed in December 1938 MGM did not renew it. Over the next two years, Fitzgerald freelanced for numerous studios on a number of films, including Everything Happens at Night for which Brown was an associate producer. An excellent near fine example in a very good first issue dust jacket with some light wear. Housed in a custom half morocco clamshell box.

    Price: $65,000.00     Item Number: 7340

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  • “What does the brain matter compared with the heart?”: First Edition of Virginia Woolf's Mrs Dalloway; In the Rare Original Dust Jacket

    WOOLF, Virginia.

    Mrs Dalloway.

    London: Hogarth Press, 1925.

    First edition of one of Woolf’s best-known novels, one of only 2000 copies. Octavo, original orange cloth. Fine in a near fine dust jacket with some light wear to the extremities. From the library of Virginia bibliophile and historian Christopher Clark Geest with his bookplate to the pastedown. Housed in a custom half morocco clamshell box. An exceptional example, scarce and desirable in the original dust jacket and in this condition.

    Price: $56,000.00     Item Number: 99750

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  • First Edition of George Orwell's Burmese Days; Inscribed by Him

    ORWELL, George.

    Burmese Days.

    New York: Harper & Brothers, 1934.

    First American edition and true first preceding the British edition by one year of Orwell’s first novel. Octavo, original cloth. Presentation copy, inscribed by the author on the verso of the front free endpaper to Mabel Fierz, “With very best wishes from Eric Blair.” It was Mabel Fierz who introduced Orwell to Leonard Moore (who would later become his literary agent) after salvaging the manuscript for Down and Out from the writer’s discarded papers. After first meeting Orwell in Southwold, Suffolk, Mabel and her husband Francis became close friends with the writer and often invited him to stay at their house in Golders Green. On one such occasion, Orwell gave Mabel the manuscript, which had just been rejected by Faber, and telling her to save only the paperclips, said she should throw it away. Instead she took it in person to Moore who in turn took it to Gollancz. In gratitude, thereafter Orwell presented Mabel with signed copies of all his published works. Mabel Fierz, authorial inscription, typed letter signed by Mabel’s son Adrian Fierz loosely inserted. Near fine in a very good dust jacket. Housed in a custom half morocco clamshell box.

    Price: $55,000.00     Item Number: 67096

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  • "The truth is rarely pure and never simple": Signed limited large-paper edition of The Importance of Being Earnest

    WILDE, Oscar.

    The Importance of Being Earnest: A Trivial Comedy for Serious People.

    London: Leonard Smithers and Co, 1899.

    Signed limited large-paper edition of the author’s masterpiece, number 68 of 100 copies signed by Oscar Wilde on the limitation page. Octavo, original pale purple cloth, gilt titles to the spine, gilt floral motifs from designs by Charles Shannon on spine and covers, edges untrimmed.  Presentation copy, with an autograph letter signed by the third and final wife of Nobel Prize-winning playwright Eugene O’Neill, actress Carlotta Monterey O’Neill, to stage actor Harrison K. Ford laid in which reads, “To Harrison Ford Do hope you will enjoy this!- All good wishes Carlotta Monterey O’Neill Dec 6th 31 1095 Park Ave.-” From the library of Harrison K. Ford with his bookplate to the front pastedown. Housed in a custom half morocco clamshell box. In near fine condition. An exceptional example with noted provenance.

    Price: $50,000.00     Item Number: 110755

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  • “People generally see what they look for, and hear what they listen for": First edition of To Kill A Mockingbird; Inscribed by Harper Lee

    LEE, Harper.

    To Kill a Mockingbird.

    Philadelphia: J.B. Lippincott Company, 1960.

    First edition of Lee’s Pulitzer Prize-winning novel which had an initial first printing of 5,000 copies. Octavo, original green cloth backed brown boards, titles to spine in gilt. Presentation copy, inscribed by the author on the front free endpaper in a contemporary hand, “To Jennie with my best wishes Nelle Lee.” The recipient must have been a person close to the author, as Lee reserved inscriptions using the name Nelle family members and close friends. Near fine in a near fine dust jacket with light rubbing and wear to the extremities. Jacket design by Shirley Smith. Photograph of Lee on the back panel by Truman Capote. Housed in a custom full morocco clamshell box.

    Price: $50,000.00     Item Number: 99740

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  • “AMERICA’S SECOND DECLARATION OF INDEPENDENCE”: RARE FIRST EDITION OF WALT WHITMAN’S LEAVES OF GRASS, THE MOST IMPORTANT AND INFLUENTIAL VOLUME OF AMERICAN POETRY

    WHITMAN, Walt.

    Leaves of Grass.

    Brooklyn, New York: For the author by Andrew & James Rome, 1855.

    First edition of the most important volume in American poetry, which Whitman personally financed, supervised and even in some sections hand-set the type for the small printing of 795 copies. Small folio, frontispiece engraved portrait of the author by Hollyer after the daguerreotype by Gabriel Harrison, mounted opposite the title, bound in three quarters morocco over marbled boards by MacDonald, New York, gilt titles and tooling to the spine, marbled endpapers. In near fine condition. Housed in a custom full morocco clamshell chemise.

    Price: $50,000.00     Item Number: 108540

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  • “Don't you know that everybody's got a Fairyland of their own?”: Rare First Edition of Mary Poppins; Signed by P.L. Travers

    TRAVERS, P.L.

    Mary Poppins.

    London: Gerald Howe, 1934.

    First edition of this children’s classic. Octavo, original cloth, illustrated with 27 line cuts (13 full-page) and chapter tailpieces by Mary Shepard. Signed by P.L. Travers on the front free endpaper. Fine in a near fine dust jacket with light rubbing and wear to the crown of the spine. Housed in a custom half morocco clamshell box. Signed first editions are of exceptional rarity, with none having appeared at auction since the time of publication.

    Price: $48,000.00     Item Number: 54060

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  • “I am a poet in deeds-not often in words": FIRST EDITION OF IAN FLEMING’S GOLDFINGER; WARMLY INSCRIBED BY HIM

    FLEMING, Ian.

    Goldfinger.

    London: Jonathan Cape, 1959.

    First edition of the seventh novel in Ian Fleming’s James Bond series. Octavo, original black cloth. Association copy, inscribed by the author on the front free endpaper in the year of publication, “From Ian with love for Jo. May 6, 1959.” The recipient is Josephine Hartford Bryce, husband Ivar Bryce, often cited as one of the primary models for James Bond. Fleming named the character Felix Leiter, Bond’s friend and CIA operative, in part after Ivar Bryce, whose middle name was Felix. The Bryce’s spent their summers at Black Hole Hollow Farm in Vermont, where Fleming was frequently a guest. He spent summers there hiking and plotting his Bond novels. Fleming first conceived the plot for Diamonds are Forever at the farm, and the primary setting of For Your Eyes Only, Echo Park in Vermont, is based on the farm. Fine in a fine dust jacket. Jacket design by Richard Chopping. Housed in a custom half morocco clamshell box. A significant association copy.

    Price: $45,000.00     Item Number: 4430

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  • First edition of the Ian Fleming’s first book Casino Royale

    FLEMING, Ian.

    Casino Royale.

    London: Jonathan Cape, 1953.

    First edition of the first novel in Ian Fleming’s James Bond series. Octavo, original black cloth. Near fine in a near fine first state dust jacket (without the Sunday Times review on the inner front flap) with some rubbing and wear to the spine. Housed in a custom half morocco clamshell box. A very nice example.

    Price: $45,000.00     Item Number: 99350

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  • "In the midst of winter, I found there was, within me, an invincible summer": First American Edition of Albert Camus’ Classic Novel The Stranger; Inscribed by Him to fellow novelist Vincent Sheean

    CAMUS, Albert.

    The Stranger.

    New York: Alfred A. Knopf, 1946.

    First American edition of Camus’ first novel and masterpiece. Octavo, original beige cloth. Presentation copy, inscribed by the author on the half-title page, “A Vincent Sheean pour le remercier de savoir si bien parler de Stendhal Sympathiquement Albert Camus.” The recipient, Vincent Sheean was an American journalist and novelist. Sheean’s most famous work was Personal History, which won one of the inaugural National Book Awards: the Most Distinguished Biography of 1935. Film producer Walter Wanger acquired the political memoir and made it the basis for his 1940 film production Foreign Correspondent, directed by Alfred Hitchcock. Sheean wrote the narration for the feature-length documentary Crisis (1939) directed by Alexander Hammid and Herbert Kline. He translated Ève Curie’s biography of her mother, Madame Curie (1939), into English. Sheean wrote Oscar Hammerstein I: Life and Exploits of an Impresario (1955) as well as a controversial biography of Dorothy Thompson and Sinclair Lewis, Dorothy and Red (1963). He studied at the University of Chicago, becoming part of a literary circle which included Glenway Wescott, Yvor Winters, Elizabeth Madox Roberts and Janet Lewis while he was there. Near fine in a near fine dust jacket. Jacket design by Warren Chappell. Translated by Stuart Gilbert. Housed in a custom half morocco clamshell box. Presentation copies of The Stranger are rare, with only one appearing at auction in the past 70 years. Exceedingly scarce and desirable.

    Price: $45,000.00     Item Number: 97850

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  • “If they can get you asking the wrong questions, they don’t have to worry about answers”: First Edition of Thomas Pynchon's Gravity's Rainbow; Inscribed by Him

    PYNCHON, Thomas.

    Gravity’s Rainbow.

    New York : The Viking Press, 1973.

    First edition of Pynchon’s National Book Award-winning novel. Octavo, original cloth. Presentation copy, inscribed by the author on the front free endpaper, “To Herb Yellin- Regards, Thomas Pynchon.” The recipient Herb Yellin, was the publisher and founder of Lord John Press, considered by many to be one of the most important small presses of the 20th century. He formed a friendship with the author, Thomas Pynchon. Fine in a near fine dust jacket with some light wear to the extremities and a closed tear to the rear panel. Jacket design by Marc Getter. Housed in a custom half morocco clamshell box. Books signed and inscribed by Pynchon are one of the great rarities of twentieth century literature.

    Price: $42,000.00     Item Number: 7202

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  • Large Signed Portrait Photograph Signed by Charles Dickens

    DICKENS, Charles.

    Charles Dickens Signed Portrait Photograph.

    1868.

    Signed “Charles Dickens (with a large flourish) Washington, D.C. Seventh February 1868.” Large oval portrait photograph measures 13 inches by 13 inches. Matted in a walnut frame which measures 24 inches by 27 inches.  On his Washington tour Dickens met President Andrew Johnson and signed this photograph on the date of that meeting, February 7, which also happened to be Dickens’ birthday. He discussed in a letter to his friend and agent John Foster regarding that day, “This scrambling scribblement is resumed this morning, because I have just seen the President: who had sent to me very courteously asking me to make my own appointment. He is a man with a remarkable face.” From the Library of The Cosmos Club in Washington, D.C. Portrait photographs of this size signed by Dickens are exceptionally rare, especially with such noted provenance.

    Price: $42,000.00     Item Number: 5825

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