Art and Architecture
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Raptis Rare Books maintains an extensive selection of rare art books and rare books on architecture in our library. Browse through our entire collection below, view details about individual books and contact us to ask a question or find out more information.
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"He was totally unlike anybody else" (Judy Collins); First Edition of Dance Me To The End of Love; Inscribed by Leonard Cohen to Judy Collins
New York: Welcome Enterprises, 1995.
First edition of Cohen’s work, a lyrical tribute to love. Thin quarto, original illustrated boards. Paintings by Henri Matisse. Edited by Linda Sunshine. Association copy, inscribed by the author to Judy Collins on the front free endpaper, “Dear Judy thank-you for shameless love, as always Leonard Los Angeles 1995” with Cohen’s “Order of the Unified Heart” ink stamp, his embossed stamp, and Collins’ signature above. Collins was essentially responsible for Cohen’s musical career. As she writes in her autobiography Trust Your Heart, “I met Leonard Cohen in 1966, when my Canadian friend Mary Martin arranged for us to meet. Leonard had been a published and successful writer and poet for many years, and had recently written his first songs. He came down from Canada one night, and I listened to his songs in my living room. He sang ‘Suzanne’ and ‘Dress Rehearsal Rag’ that night, sitting on the couch, holding the guitar on his knee. I was moved by his singing voice, and by the songs, and by his whole presence. There was something very ethereal and at the same time earthy about his voice. When Leonard sang, I was entranced. I became immediately devoted to him, and we soon were friends… I recorded ‘Suzanne’ and ‘Dress Rehearsal Rag’ on In My Life in 1966, and it went gold in 1967. With the record’s success, Leonard became known as a songwriter. I suggested he make his debut and sing in public, but he was terribly shy. I knew once he got over his fear, he would be powerful on stage. I was going to appear at a concert for Sane against the Vietnam War at Town Hall, on April 30, 1967. I asked Leonard if he would sing Suzanne there. ‘I can’t do it, Judy, I would die from embarrassment.’ ‘Leonard, you are a great writer and a fine singer, people want to hear you.’ He finally agreed, reluctantly. When I introduced him, he walked onto the stage hesitantly, his guitar slung across his hips, and from the wings I could see his legs shaking inside his trousers. He began ‘Suzanne,’ with the hushed audience leaning forward in their seats; he got halfway through the first verse and stopped. ‘I can’t go on,’ he said, and left the stage, while the audience clapped and shouted, calling for him to come back. ‘We love you, you’re great!’ Their voices followed him backstage, where he stood with his head on my shoulder, my arms around him. ‘I can’t do it, I can’t go back.’… He looked about ten years old. His mouth drew down at the sides, he started to untangle himself from his guitar strap. I stopped him, touching him on the shoulder. ‘But you will,’ I said. He shook himself and drew his body up and put his shoulders back, smiled again, and walked back onto the stage. He finished ‘Suzanne,’ and the audience went wild. He has been giving concerts ever since. I have loved and recorded so many of his songs… His songs carried me through dark years like mantras or stones that you hold in your hand while the sun rises or the fire burns. They kept me centered as I stood in front of thousands of people, my eyes closed, my hands around the neck of a guitar, my voice singing his ethereal lyrics. The audience responded to his writing, the songs were like water to a person dying of thirst. They were songs for the spirit when our spirits were strained to the breaking point.” An exceptional association, perhaps the finest possible as without Collins, Leonard Cohen musical career may not have been discovered. Near fine in a near fine dust jacket. From the library of Judy Collins.
Price: $8,800.00 Item Number: 98477
Original First edition Exhibition Flyer from the 1959 Hartigan and Rivers With O'Hara Show at the Tibor de Nagy Gallery; inscribed by Rivers to fellow New York School member Willem de Kooning
New York: Tibor de Nagy Gallery, 1959.
First edition of this exhibition flyer for the 1959 Tibor de Nagy exhibition of works by Larry Rivers and Grace Hartigan inspired by O’Hara’s poetry. Octavo, original wrappers as issued, illustrated with twelve black and white lithographs. Association copy, inscribed by Larry Rivers on the verso of the front cover to fellow member of the informal New York School of artists Willem de Kooning, “For Bill de Kooning much admiration Larry Rivers.” Musician, artist and filmmaker Larry Rivers took up painting in 1945 and lived in the the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol’s Factory. A part of the New York School of the 1950s (of which Frank O’Harra was the crux due to his position at the MOMA), Rivers’ paintings drew inspiration from the contemporary avant-garde movement, in particular abstract expressionism. De Kooning too was a part of the New York School, his well-known The Woman Series notable for its powerful expression of the frustrations and desires of the post-World War II era. In near fine condition. An intimate association copy, linking these great artists of the 20th century.
Price: $2,000.00 Item Number: 90478
Rare etched portrait of American poet Robert Frost, signed by him and artist Richard Hood. American artist and designer Thomas Richard Hood served as President of the American Color Print society and director of the Pennsylvania Art Program in the Works Progress Administration. In fine condition. The etching measures 7.25 by 6.5 inches.
Price: $950.00 Item Number: 110684
"This faint resemblance of thy charms, though strong as mortal art could give": Finely bound collection of the Poems of Lord Byron, each accompanied by an elaborately engraved plate
London: A. Fullarton, And Co, c.1830.
Finely bound example of the poems of Lord Byron, each accompanied by a period engraving. Quarto, bound in three quarters morocco over decorative boards, gilt titles and tooling to the spine, raised gilt bands, inner dentelles, all edges gilt, frontispiece engraved portrait of Lord Byron. Illustrated with 36 full page engraved plates. In very good condition with the plates bright and crisp.
Price: $750.00 Item Number: 95864
"I give you the end of a golden string, only wind it into a ball, it will lead you in at Heaven's gate built in Jerusalem's wall": First Edition of William Blake's Jerusalem
New York: The Beechwood Press, 1955.
First complete edition of Blake’s great prophetic poem containing the text of Jerusalem in letterpress. Small quarto, original cloth, top edge gilt, illustrated with 100 plates, tissue-guarded frontispiece in collotype. Fine in a near fine dust jacket. Foreword by Geoffrey Keynes. Uncommon in this condition.
Price: $225.00 Item Number: 112337