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Mr. William Shakespeare’s Comedies, Histories, and Tragedies. Published according to the true Originall Copies. The Second Impression.
London: Printed by Tho. Cotes, for Robert Allot, 1632.
The Bishop-Stockhausen copy of the extraordinarily rare first issue of Shakespeare’s Second Folio. Of the nine imprint variants of this edition noted by ESTC, this is the first (Todd 1a). Among the other variants are title-page imprints for the four other publishers (Smethwick, Aspley, Hawkins and Meighen) and two reissues of the edition ca. 1641 or later. Folio, bound in full eighteenth century blue morocco with gilt titles and elaborate gilt tooling to the spine in seven compartments with raised gilt bands, gilt cornerpieces within gilt frames with central bevels and gilt fleuroned inner frames to the front and rear panels, all edges gilt, slate gray endpapers. Binding attributed by Bishop and Stockhausen to Christian Samuel Kalthoeber, the leading and most highly-sought after artist-bookbinder in late eighteenth century London. A German émigré, Kalthoeber create his own ornamental designed which were quickly copied and was patronized by King George III, novelist William Beckford and Catherine the Great. Engraved portrait or Shakespeare by Droeshout to the title page printed from the same plate as the First Folio opposite the initial leaf of Jonson’s verses, woodcut head and tail pieces. Todd’s imprint setting “A,” State 1b. It is believed there are fewer than 200 extant copies of the second folio which notably contains John Milton’s first appearance in print with “An Epitaph on the admirable Dramaticke Poet, W. Shakespeare” (A5r). In near fine condition. Provenance: Cortland Field Bishop (morocco label; AAA/Anderson, 14 November 1938, lot 2077) — Henry Walker & Nancy Reynolds Bagley (bookplate featuring their Greenwich residence) — William E. Stockhausen (Sotheby Parke Bernet, 19 November 1974, lot 399). Housed in a full custom morocco clamshell box. An extraordinary example, in terms of both condition and scarcity, easily the nicest example obtainable.
FIRST EDITION OF ANDREAS VESALIUS'S MAGNUM OPUS, THE MOST MONUMENTAL ACHIEVEMENT IN THE HISTORY OF MEDICAL EDUCATION AND "ONE OF THE MOST BEAUTIFUL SCIENTIFIC BOOKS EVER PRINTED": DE HUMANI CORPORIS FABRICA LIBRI SEPTUM; ON THE FABRIC OF THE HUMAN BODY IN SEVEN BOOKS
Basel: Ex Officina Joannis Oporini, 1543.
First edition of the most important and influential book in the study of human anatomy and “one of the most beautiful scientific books ever printed”(Grolier). Folio, bound in full 18th century calf, woodcut title page with Vesalius performing a dissection, woodcut portrait of the author, over 200 woodcut anatomical illustrations, including 21 full page and 2 folding-sheet figural woodcuts of the skeletal, muscular, vascular and nervous systems. In very good condition with some light dampstaining to some page edges. Rare and desirable, especially in contemporary calf. A splendid example of Vesalius’ masterpiece, one of the most monumental achievements in the history of both medical education and printing.
First edition of the Ian Flemings first book Casino Royale which introduced the world to 007: Inscribed by Ian Fleming to Classmate and Novelist Ralph Arnold
London: Jonathan Cape, 1953.
First edition of the first novel in Ian Fleming’s James Bond series. Octavo, original black cloth. Presentation copy, inscribed by the author on the front free endpaper, “To Ralph, We have now both reduced our remainders by one copy! Ian.” With a note of explanation by the recipient underneath, “I having told Ian, from the depths of my publishing experience, that he would be lucky if he made £200 out of this, his first thriller!! R.A.” The recipient Ralph Arnold was a novelist, historical writer and publisher who joined Constable in 1936 and was chairman from 1958 to 1962. Arnold and Fleming studied together at the Tennerhof School in Kitzbühel, Austria, and it was there that both made their first forays into story-writing. Having left Sandhurst without obtaining a commission, Fleming “was sent to ‘sort himself out’ at a quasi-finishing school for men in Kitzbühel … There, while skiing and climbing mountains, he came under the benevolent tutelage of Ernan Forbes Dennis, a former British spy turned educationalist, and his wife, Phyllis Bottome, an established novelist. Forbes Dennis brought out Fleming’s aptitude for languages and introduced him to literature, while his wife encouraged him to write his first stories.” (Oxford DNB). Near fine in a near fine first state dust jacket (without the Sunday Times review on the inner front flap) with the lightest of rubbing to the extremities. Housed in a custom half morocco clamshell box.
"The Most Important Work of Modern Times": One of the Earliest Presentation Copies of James Joyce's Ulysses; Inscribed by Joyce to Lewis Galantiere
Paris: Shakespeare and Company, 1922.
First edition, one of 750 numbered copies, this example is number 282. Quarto, original blue wrappers as issued. Association copy, inscribed by the author on the half-title page, “To Lewis Galantiere James Joyce Paris 11 February 1922.” Ulysses was scheduled for publication on Joyce‘s fortieth birthday (February 2, 1922), but only two copies were ready on that date due to technical difficulties in printing the cover, the color of which Joyce wanted to match with the blue of the Greek flag. One of these was the copy delivered by Sylvia Beach to Joyce on February 2, which he then inscribed to his wife Nora, being the only known presentation copy to predate Galantiere’s. The present copy in turn predates by two days the three copies presented to Sylvia Beach, Harriet Shaw Weaver and Margaret Anderson, and by three days the copy inscribed to Robert McAlmon, who helped Joyce prepare the final typescript. Galantiere was an American translator of French literature, writer, playwright and journalist. From 1920 to 1927 he was secretary of the International Chamber of Commerce in Paris, and came to know most of the literary figures of the day, including Hemingway. In a letter to Harriet Weaver of 17 April 1926, Joyce writes: “I am to read [from Finnegans Wake] … to a small group, this time including … a young American Galantiere who is preparing a course of lectures of Ulysses” (Joyce Letters vol 3, p 140). Slocum & Cahoon A17; Connolly The Modern Movement 42. In excellent condition with light rubbing, rebacked without the folding flaps. With Galantiere’s marginal markings in pencil and in ink. Housed in a custom full morocco clamshell box. An exceptional rarity of this twentieth century milestone.
"The Road goes ever on and on down from the door where it began. Now far away the Road was gone and I must follow if I can": J.R.R. Tolkien Signed Calligraphic Quote and Autograph Letter
Exceptionally rare calligraphic quotation signed and entirely in the hand of J.R.R. Tolkien of The Road Goes Ever On, also known as A Walking Song, fictionally composed by Bilbo Baggins and first appearing in The Hobbit and later thrice in slightly differing versions throughout The Lord of the Rings. With the original autograph transmittal letter signed by Tolkien at the conclusion of which he has practiced his calligraphy for the final draft of the calligraphic quote. On Tolkien’s Merton College letterhead the letter reads, ‘Dear Mr. Hodgson, I am sorry that this letter dictated to my London secretary was not forwarded to you at once. It was sent to me for signature while I was away on a brief convalescence after being ill during January and February and the beginnings of March, and I regret that it came back with me, to become included in a heavy correspondence awaiting my return. With regard to the copy of the verses: I expect that it is only the first version L.R. I 44,82 and that also from version III 226 that you wish for. Do you wish for a copy in my normal hand in a more careful form (as here); or something more “calligraphic” in intention? But I warn you that neither will be very beautiful. My ageing hands are now losing their steadiness and such moderate skill as they ever had. “Yours sincerely J.R.R. Tolkien. The Road does ever on and on…The Road goes ever on and on down from the door where is began.” The letter is in fine condition and measures 7 inches by 5.25 inches. Double matted and framed, the final quotation, entirely in Tolkien’s hand reads, “The Road goes ever on and on down from the door where it began. Now far away the Road was gone and I must follow if I can. Pursuing it with eager feet, until it finds some larger way Where many paths and errands meet. And whither then? I cannot say. J.R.R. Tolkien.” Matted with a notation which reads, ‘From the Lord of the Rings by J.R.R. Tolkien Written Out by the Author 1973.’ In fine condition. Double matted and elaborately framed, the entire piece measures 21 inches by 18.5 inches. Exceptionally rare and desirable.
Basel: Eusebius Episcopius , 1572.
First edition of Alhazen’s fundamental work on optics and vision, which influenced Galileo and Kepler and paved the way for the modern science of physical optics. Folio, bound in full contemporary Basel vellum with central arabesques blind-stamped to the front and rear panels, titles stamped in black and five raised bands to the spine, woodcut printer’s device to the title page, woodcut initials, diagrams and full page illustration to the verso of the title page. Translated from Arabic into Latin by Gerard of Cremona. In very good condition. From the library of American physician Chester Tilton Stone with his bookplate to the pastedown. A superior example of this significant work, rare and desirable in contemporary vellum.
“YOU ONLY LIVE TWICE: ONCE WHEN YOU ARE BORN AND ONCE WHEN YOU LOOK DEATH IN THE FACE”: COMPLETE SET OF IAN FLEMING'S JAMES BOND NOVELS; IN THE RARE ORIGINAL DUST JACKETS; WITH FIVE SIGNED BY SEAN CONNERY
Complete Set of 14 First Edition James Bond Novels: Casino Royale, Live and Let Die, Moonraker, Diamonds are Forever, From Russia with Love, Dr. No, Goldfinger, For Your Eyes Only (short stories including A View to a Kill and Quantum of Solace), Thunderball, The Spy Who loved Me, On Her Majesties Secret Service, You Only Live Twice, The Man with the Golden Gun, Octopussy and The Living Daylights.
London: Jonathan Cape, 1953-66.
First editions of each volume in Ian Fleming’s James Bond series. Octavo, 14 volumes, original cloth. Each volume is fine in near fine to fine first-issue dust jackets, with with five signed by Sean Connery, which include: From Russia With Love, Dr. No, Diamonds Are Forever, Goldfinger and Thunderball each signed by Sean Connery. Each volumes is housed in a custom half morocco clamshell box. An exceptional collection of first editions, most rare in this condition and signed.
London: Printed for H. Herringman, and are to be sold by Joseph Knight and Francis Saunders, 1685.
First edition of the Fourth Folio of Shakespeare. Bound in full brown morocco, elaborately gilt-decorated spine. The fourth folio is the final and most magnificent of the four 17th-century folio editions of Shakespeare’s plays. The Fourth Folio “contains the additional seven plays that first appeared in the 1663 edition [including the authentic Pericles, Prince of Tyre], as well as a good deal of correction and modernization of the text designed to make it easier to read and understand” (Folger’s Choice). Old paper repair to verso of title-page, several other very minor paper repairs. Some browning and minimal staining, a very good example. As in some other copies, as Greg notes, number of errors in signatures have been corrected in manuscript, presumably at the time of publication. Although there is no accurate census of the number of folios still extant today, it is believed that copies of each printing number only in the hundreds. The rarest form of the fourth folio. This is the rare Knight and Saunders issue, with their names on the title-page. W. W. Greg observes, “Since the title is entirely reset it is presumably a cancel printed after the volume was complete and perhaps republished, and designed for those copies that Herringman chose to issue through his own booksellers” (Greg III, 1121). In 1684, Herringman turned over the retail side of his business to Francis Saunders and his partner Joseph Knight. Fourth Folios almost invariably bear the imprints “Herringman-Brewster-Bentley” or “Herringman-Brewster-Chiswell-Bentley.”
New York: Charles Scribner’s Sons, 1925.
First edition, second printing of the author’s masterpiece. Octavo, original green cloth, gilt titles to the spine. Inscribed by the author on the front free endpaper,“For Esther Sidman on her 21st birthday from her admirer. F Scott Fitzgerald, Hollywood, 1938.” In near fine condition with a touch of wear. Housed in a custom half morocco clamshell box. Great Gatsby’s signed and inscribed by Fitzgerald are rare.
“FOUNDED THE SCIENCE OF MODERN POLITICS”: RARE 1640 FIRST EDITION IN ENGLISH OF MACHIAVELLI’S THE PRINCE
Nicholas Machiavel’s Prince. Also, The life of Castruccio Castracani of Lucca. And The meanes Duke Valentine us’d to put to death Vitellezzo Vitelli… Translated out of Italian into English by E.D.
London: R. Bishop for Wil: Hils, 1640.
Rare first edition in English of Machiavelli’s Prince, a seminal work in the foundation of modern political theory, and the great classic of political science. 12 mo, bound in full contemporary calf. From the library of William Constable, Baronet with his bookplate, in near fine condition. Housed in a custom full morocco clamshell box. An exceptional example, most rare and desirable in this condition.
"The book that introduced France to Newtonian physics": First Edition of Voltaire's Elements of the Philosophy of Newton; Inscribed by him to the surgeon who attended Newton in his final illness
Londres [Paris]: Prault, 1738.
First French edition of one of the most elegantly illustrated science books ever printed and the book that introduced France to Newtonian physics; a scarce presentation copy inscribed by Voltaire. Octavo, bound in full contemporary calf with gilt tooling to the spine in six compartments within raised gilt bands, red morocco spine label lettered in gilt, gilt ruling to the panels, inner dentelles, all edges gilt, marbled endpapers. Illustrated with two frontispiece portraits of both Newton and Voltaire, six full page plates, one folding plate, and illustrations throughout the text. Presentation copy, inscribed by Voltaire on the front free endpaper to William Cheselden, one of the most influential surgeons of 18th century England who attended Newton in his final illness. Although it is unknown if Voltaire and Newton met, Voltaire attended Newton’s funeral in 1727 while living in exile in England. During this exile he became an adherent of Newtonian physics and philosophy which he saw as the embodiment of the Enlightenment victory over Christian dogma and as the destroyer of the errors of Cartesianism. Voltaire dedicated the work to his mistress, La Madame la Marquise du Chastellet, who was a fellow scholar of Newton and completed the first French translation of the Principia in 1759. From the library of Dr. Adrian Pollock. A graduate of the University of Cambridge, Pollock was a leader in the field of non-destructive acoustic emission testing, an approach to emission testing which addresses dynamic processes in materials by listening to the energy released by objects. He amassed a large book collection covering the history of science which he acquired throughout his travels between the United States and United Kingdom and from international catalogs. Newton was a particular favorite of Pollock’s as the two scientists worked in the same field and shared an alma mater. In very good condition with light shelfwear. Housed in a custom half morocco clamshell box. Exceedingly rare, surely one of the most significant examples of this work.
"All 'classes' for experience and learning – but I do prefer 'non-literary' people like waiters, truckdrivers, girls, carpenters, clam diggers, railroad men, sea men, old millionaires, all the 'characters'”; Scarce Jack Kerouac Autographed Signed Letter
Jack Kerouac’s candid handwritten reply to a young man’s questions about being a “Beatnik,” his life philosophy, his thoughts on Montana, and more. Students in Robert Dodd’s ninth-grade class were given an assignment to contact their favorite writer with their own unique series of questions relating specifically to that writer. The young Dodd chose Jack Kerouac, and the author replied at length to his questionnaire, which includes queries about his classification as a “Beatnik” (his answer: “I never was a Beatnik – it was the newspapers and critics who tagged that label on me….”), life philosophy (“My philosophy is ‘No Philosophy,’ just ‘Things-As-They-Are’”), career goals (“Be a great writer making everybody believe in Heaven”), the ideal way of life (“Hermit in the woods…”), his thoughts on fame (“My name is like Crackerjacks, famous, but very few people buy my books…”), and segregation (“[t]he Irish and Italians of Massachusetts never paraded in protest, just worked hard and made it”). Interestingly, Kerouac is most expansive in response to the final question: whether he has visited Montana. His answer fills three-quarters of the page, beginning: “Great day, my favorite state! – I wrote about Montana in ‘On the Road’ but the publishers took it out behind my back… I stayed one night, but up all night, in a saloon in Butte, to keep out of the 40-below February cold, among sheep ranchers playing poker.” Two pages with Dodd’s questions type-written and Kerouac’s responses handwritten in full. The letter reads in full, “To Robert Dodd from Jack Kerouac Feb. 28th 1964.” 1. In Town and the Country (Kerouac crosses out Country for City) your style of writing is much different from The Lonesome Traveler. Do you change your style with the type of story? Kerouac responds: “‘The Town and the City’ was my first, youngman novel when I was just starting out, trying to write like Thomas Wolfe – ‘Lonesome Traveler’ is a product of my own style which I developed in later years, ‘spontaneous writing’ with no looking back, in my own laws of story telling – OUTERSPACE PROSE! My own original invention.” 2. Many people have referred to you as a “beatnik” or a “way out” writer. Do you feel this way about yourself? “‘Way-out’ yes, but I never was a beatnik – it was the newspapers and critics who tagged that label on me – I never had a beard, never wore sandals, avoided the company of Bohemians and their politics and always had a job on the road like in ‘Lonesome T.’ on railroad, ships etc.” 3. Some people refer to your thinking as existentialism where man makes his own destiny. Just what is your philosophy of life? “My philosophy now is “no-philosophy,” just “Things – As – They – Are”. 4. What goal are you trying to reach in your career? “Be a great writer making everybody believe in Heaven.” 5. What do you think is the ideal way of life? “Hermit in the woods, one-room cabin, wood stove, oil lamp, books, food, outhouse, no electricity, just creek or brook water, sleep, hiking, nothing-to-do-(Chinese Wu Wei).” 6. Do you like fame or would you rather write and have only your works become famous? “My name is like Crackerjacks, famous, but very few people buy my books because they’ve been told by newspapers and critics that I’m crazy, so I’m almost broke now 1964 – I hate fame without fortune, which is really INFAMY AND RIDICULE, in my case.” 7. From your many books I see that you must travel a lot. Do you try to mix in with different classes or do you stick to one? “All ‘classes’ for experience and learning – but I do prefer ‘non-literary’ people like waiters, truckdrivers, girls, carpenters, clam diggers, railroad men, sea men, old millionaires, all the ‘characters’.” 8. Does the West coast influence an author’s style differently than the East coast? “No – I and the “Beats” came from the East Coast and just rode out there, no special difference in style except a little on subject matter, i.e. open-spaces country.” 9. What is your favorite subject matter? “That everybody goes to Heaven – read “Visions of Gerard” (about Lowell in 1926).” 10. Here in Boston there is much controversy over segregation of the negroes. What is your stand on the issue? “They need jobs, naturally, and education for better jobs – But the Irish and Italians of Massachusetts never paraded in protest, just worked harder, and made it.” 11. Do you plan to visit the East coast, especially the Boston area soon? “Yeh – “lecture” dinner at Harvard soon – I live in Long Island since 1958 so I can’t exactly “visit” the Ease Coast, hey,” – 12. Have you ever been to Montana and, if you have, what were your views on it? “Great day, my favorite state! – I wrote about Montana in “On the Road” but the publishers took it out behind my back – I stayed one night, up all night, in a saloon in Butte, to keep out of the 40- below February cold, among sheep ranchers playing poker (with sheep dogs at their feet), red-eyed drunken Indians drinking out of bottles in the john, Chinese gamblers, women, cowboys, miners – And outside of Butte, at Three Forks Montana, I saw the source of the Missouri River in the snowy valley – I also heard wolves howl in the Bitterroot Mountains – But I didn’t like Missoula much (skiers etc.) – I would like to have a summer cabin in Montana some day, the last truly “Western” state. Sincerely, Jack Kerouac.” In near fine condition. Matted and framed. The entire piece measures 31 inches by 18 inches. A rare and intimate glimpse into the thought an literary progression of one of the formative writers of the 20th century.
"Think you're escaping and run into yourself. Longest way round is the shortest way home": First Edition of Ulysses; One of 750 Numbered Copies
Paris: Shakespeare & Company, 1922.
First edition, one of 750 numbered copies on handmade paper from a total edition of 1000 copies, this is number 992. Thick quarto, original blue and white wrappers. A near fine example, internally fresh and largely unopened, completely unrestored. Housed in a custom half morocco clamshell box. This example contains the original prospectus with the tipped-on reproduction of the 1918 photo of Joyce by C. Ruf. The front panel of the prospectus has been amended, as often, to indicate the book “is now ready,” and the original buyer must have jumped at the opportunity, as the order panel of the prospectus has been neatly cut away. Sisley Huddleston’s 5 March 1922 review from The Observer is also laid in (though both items are in prophylactic sleeves that have prevented any offsetting). Also laid into the slipcase is some correspondence relating to the sale of this copy in 1972 by Duschnes in New York City. An exceptional example with noted provenance.
First Edition of Ernest Hemingway's The Sun Also Rises, In The Rare Original First-Issue Dust Jacket
New York: Charles Scribner's Sons, 1926.
First edition, first issue of the first printing, with the misprint (“stoppped”) on page 181 line 26, in the first issue dust jacket with the misprint on the front panel (“In Our Times” vs. “In Our Time”). Octavo, original black cloth. Fine in a near fine first issue dust jacket without any restoration. The Annette Campbell-White copy brought $120,000 at Sotheby’s in 2007. Housed in a custom half morocco clamshell box. An exceptional example.
"Shoot all the bluejays you want, if you can hit em, but remember its a sin to kill a mockingbird"; First edition of To Kill A Mockingbird; Signed by Harper Lee and Truman Capote
Philadelphia: J.B. Lippincott Company, 1960.
First edition of Lee’s Pulitzer Prize-winning novel which had an initial first printing of 5,000 copies. Octavo, original green cloth backed brown boards, titles to spine in gilt. Signed by both Harper Lee and Truman Capote on the front free endpaper. Truman Capote’s friendship with Harper Lee began in the summer of 1929 when the two became next door neighbors in Monroeville, Alabama; both were the age of five. They shared a love of reading and began collaborating when Lee was gifted a typewriter by her father as a child. Lee drew on their friendship as inspiration for the characters Lee and Scout in her masterpiece To Kill A Mockingbird; Capote based his tomboy character Idabel Thompkins in his first novel Other Voices, Other Rooms on Lee. They worked together on Capote’s true crime novel, In Cold Blood; Lee acted as his ‘assistant reasearchist’ and edited the final draft of the book. Upon its publication in 1965, Capote failed to acknowledge Lee’s contributions to the book, after which their relationship was never the same. Fine in a near fine dust jacket with light rubbing and wear to the extremities. Jacket design by Shirley Smith. Photograph by Truman Capote. Housed in a custom full morocco clamshell box. Exceptionally rare, this is the first example we have seen signed by both Lee and Capote.
"If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith": First Edition of Tender Is the Night; Inscribed by F. Scott Fitzgerald To Hollywood Producer Harry Joe Brown
New York: Charles Scribner's Sons, 1934.
First edition of the work which Fitzgerald considered to be his finest. Octavo, original green cloth. Presentation copy, inscribed by the author on the front free endpaper with a full page inscription, “For Harry Joe Brown – late of the 17th Infantry Brigade. Wounded in Hollywood 1920-1940. – from his fellow dough boy F Scott Fitzgerald Encino, 1939.” The recipient, Harry Joe Brown was a Hollywood producer, who Fitzgerald noted meeting in late 1939: “Somewhere around this time [September 1939] Harry Joe Brown called me over to Twentieth Century Fox on a Sonja Heine picture” (Letter to the Berg-Allenberg Agency, 23 February 1940). Fitzgerald had been contracted as a writer by Metro Goldwyn Meyer Studios in the July of 1937, initially for six months. His contract was then extended for another year, but when this lapsed in December 1938 MGM did not renew it. Over the next two years, Fitzgerald freelanced for numerous studios on a number of films, including Everything Happens at Night for which Brown was an associate producer. An excellent near fine example in a very good first issue dust jacket with some light wear. Housed in a custom half morocco clamshell box.
"It is not down on any map; true places never are": Rare First Edition Of Herman Melville's Moby Dick
New York: Harper & Brothers, 1851.
First edition, first issue binding, with the circular Harper’s device of Melville’s masterpiece. Octavo, original purple-brown cloth (BAL’s A grain), covers stamped in blind with the publisher’s circular device at the center within a heavy blind rule frame, original orange-coated endpapers. A near fine condition with some of the usual light foxing and light shelfwear to the spine tips. Housed in a custom half morocco clamshell box. A completely unrestored example of this cornerstone. A superior example.
Rare collection of the works of Thomas Paine; finely bound with a rare early printing of John Quincy Adams' response to Paine's Rights of Man
Common Sense: Addressed to the Inhabitants of America, Plain Truth, Rights of Man Parts I & II, and An Answer to Pain’s Rights of Man.
J. Almon, J.S. Jordan, and J. Stockdale: London, 1776-1793.
Finely bound collection of the works of Thomas Paine, including the rare first British editions of Common Sense and Plain Truth (London: J. Almon, 1776), second editions of Rights of Man Parts I & II (London: J.S. Jordan, 1791-1792), complete with half-titles present, and a rare early printing of John Quincy Adams’ response to Paine’s Rights of Man (London: J. Stockdale, 1793), attributed to his father John Adams and written when John Quincy Adams was 26 years old. Octavo, bound in three quarters morocco over marbled boards with gilt titles and tooling to the spine, red morocco spine label, all edges speckled black. In near fine condition. A rare and desirable collection.
"One need not be a prophet to be aware of impending dangers. An accidental combination of experience and interest will often reveal events to one man under aspects which few yet see": Rare First English Edition of The Road To Serfdom; Signed by F.A. Hayek
London: Routledge & Sons, 1944.
First edition of one of the most influential and popular expositions of classical liberalism ever published. Octavo, original black cloth. Signed by F.A. Hayek on the title page. Light rubbing, near fine in a very good dust jacket with some expert restoration. The British edition (which this example is) was published in March of 1944, preceding its American counterpart, which was published later that same year in September. Housed in a custom half morocco clamshell box. Rare signed.
Edinburgh: J. Cochran and Company, 1743.
First edition of the first book devoted to golf. Thin octavo, bound in contemporary calf. In very good condition with some light browning to the text. A cornerstone of any golf library. Rare and desirable.
"If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith": First Edition of Tender Is the Night; Inscribed by F. Scott Fitzgerald
New York: Charles Scribner's Sons, 1934.
First edition of the work which Fitzgerald considered to be his finest. Octavo, original green cloth. Presentation copy, lengthily inscribed by the author on the front free endpaper, “For the unknown, unmet parents of Clare (note: double underlined). Knowing her, I hope you will find something to like in this present. Best wishes, F. Scott Fitzgerald.” A very good example with some wear to the crown of the spine and extremities of the cloth in a very good unrestored first issue dust jacket that has some rubbing and wear. Housed in a custom half morocco clamshell and chemise case.
“What does the brain matter compared with the heart?”: First Edition of Virginia Woolf's Mrs Dalloway; In the Rare Original Dust Jacket
London: Hogarth Press, 1925.
First edition of one of Woolf’s best-known novels, one of only 2000 copies. Octavo, original orange cloth. Fine in a near fine dust jacket with some light wear to the extremities. From the library of Virginia bibliophile and historian Christopher Clark Geest with his bookplate to the pastedown. Housed in a custom half morocco clamshell box. An exceptional example, scarce and desirable in the original dust jacket and in this condition.
New York: Harper & Brothers, 1934.
First American edition and true first preceding the British edition by one year of Orwell’s first novel. Octavo, original cloth. Presentation copy, inscribed by the author on the verso of the front free endpaper to Mabel Fierz, “With very best wishes from Eric Blair.” It was Mabel Fierz who introduced Orwell to Leonard Moore (who would later become his literary agent) after salvaging the manuscript for Down and Out from the writer’s discarded papers. After first meeting Orwell in Southwold, Suffolk, Mabel and her husband Francis became close friends with the writer and often invited him to stay at their house in Golders Green. On one such occasion, Orwell gave Mabel the manuscript, which had just been rejected by Faber, and telling her to save only the paperclips, said she should throw it away. Instead she took it in person to Moore who in turn took it to Gollancz. In gratitude, thereafter Orwell presented Mabel with signed copies of all his published works. Mabel Fierz, authorial inscription, typed letter signed by Mabel’s son Adrian Fierz loosely inserted. Near fine in a very good dust jacket. Housed in a custom half morocco clamshell box.
FIRST EDITION OF RICARDOS FUNDAMENTAL CONTRIBUTION TO THE SCIENCE OF ECONOMICS: ON THE PRINCIPLES OF POLITICAL ECONOMY AND TAXATION
London: John Murray, 1817.
First edition, without the publishers advertisements at the end. One of 750 copies. Octavo, contemporary half calf. Bookplate of John Hales Calcraft, member of Parliament in the late 18th century. Calf lightly rubbed, a near fine example. Rare in contemporary calf.
"THE STUDY OF COOK IS THE ILLUMINATION OF ALL DISCOVERY": first edition complete set of Cooks Voyages
Cook’s Voyages: An Account of the Voyages Discoveries in the Southern Hemisphere; South Pole and Round the World; A Voyage to the Pacific Ocean and the Discoveries in the Northern Hemisphere. The First, Second and Third Voyages.
London: W. Strahan and T. Cadell, 1773, 1777, 1784.
Rare first edition set of the official accounts of Captain James Cook’s voyages, “the foundation of modern knowledge of the Pacific and a cornerstone of the literature of travel and exploration” (Beddie 648, 1216, 1543; Hill 782, 358, 361). Nine volumes altogether. Quarto, bound in full calf with morocco spine labels, elaborate gilt titles to the spine, front and rear panels, raised bands. Large folio atlas bound in the same manner. The First Voyage is comprised of three volumes edited by John Hawkesworth. “An Account of the Voyages… for making Discoveries in the Southern Hemisphere… In the Dolphin, the Swallow, and the Endeavour.” The Second Voyage includes two volumes, published in 1777: “A Voyage Towards the South Pole, and Round the World. Performed in His Majesty’s Ships Resolution and Adventure, In the Years 1772, 1773, 1774, and 1775”. First edition. Portrait frontispiece and 63 plates and charts (several folding or double-page). The Third Voyage was published in 1784: “A Voyage to the Pacific Ocean. Undertaken, by the command of His Majesty, for making Discoveries in the Northern Hemisphere. To determine The Position and Extent of the West Side of North America; its Distance from Asia; and the Practicability of a Northern Passage to Europe.” Four volumes, first edition. The text with 24 plates and charts as called for, with two large folding maps and 61 plates. An exceptional set.
Rare First Edition of Ernest Hemingway's First Book Three Stories and Ten Poems; One of an Edition of Only 300; In Fine Condition
Paris: Contact Publishing Company, 1923.
First edition, one of only 300 published. Small octavo, original blue-gray wrappers as issued. In fine condition without wear. Housed in a custom half morocco clamshell box.
“People generally see what they look for, and hear what they listen for": First edition of To Kill A Mockingbird; Inscribed by Harper Lee
Philadelphia: J.B. Lippincott Company, 1960.
First edition of Lee’s Pulitzer Prize-winning novel which had an initial first printing of 5,000 copies. Octavo, original green cloth backed brown boards, titles to spine in gilt. Presentation copy, inscribed by the author on the front free endpaper in a contemporary hand, “To Jennie with my best wishes Nelle Lee.” The recipient must have been a person close to the author, as Lee reserved inscriptions using the name Nelle family members and close friends. Near fine in a near fine dust jacket with light rubbing and wear to the extremities. Jacket design by Shirley Smith. Photograph of Lee on the back panel by Truman Capote. Housed in a custom full morocco clamshell box.
“Give me liberty, or give me death": Scarce 1776 separate edition of the Large Additions to Common Sense
Philadelphia: Printed and sold, by R. Bell in Third-Street, 1776.
Scarce 1776 separate edition of the Large Additions to Common Sense. The title reads in full: Large Additions To Common Sense: Addressed To The Inhabitants Of America On The Following Interesting Subjects. I. The American Patriot’s Prayer. II. American Independancy, defended by Candidus. III. The Propriety of Independancy, by Demophilus The dread of Tyrants, and the sole resource Of those that under grim Oppression groan. Thomson. IV. A Review of the American Contest with some Strictures on the King’s Speech. Addressed to All Parents in the Thirteen United Colonies by a Friend To Posterity And Mankind. V. Letter to Lord Dartmouth, by an English American. VI. Observations on Lord North’s Conciliatory Plan, by Sincerus. To Which Is Added And Given An Appendix to Common Sense; Together with an Address to the People Called Quakers on their Testimony concerning Kings and Government and the Present Commotions in America. Octavo, bound in three quarters morocco over boards, gilt titles and five raised bands to the spine, marbled endpapers. In very good condition, internally very clean. Rare with only two examples appearing at auction in the last 80 years.
“To President Kennedy per your request – here are our hands, our hearts, our votes": Inscribed by Presidents Lyndon B. Johnson and Harry S. Truman to President John F. Kennedy
Photograph of Presidents John F. Kennedy, Harry S. Truman and Lyndon B. Johnson in a three-way handshake, taken on January 20, 1962 at the Grand Staircase, Entrance Hall at the White House. Inscribed by both Johnson and Truman to Kennedy, “To President Kennedy per your request – here are our hands, our hearts, our votes – Lyndon B. Johnson.” Inscribed by Truman “From Harry Truman to a great president, John F. Kennedy, February 19, 1962.” A rare photograph capturing three significant figureheads of the Democratic Party. In fine condition. Photograph by Robert L. Knudsen. From the collection of President Kennedy, later owned by his friend and special assistant, David Powers. Double matted and framed. The entire piece measures 18.5 inches by 24 inches. An exceptional piece of history, inscribed by two Presidents to another President.
"I have come home at last! This is my real country! I belong here. This is the land I have been looking for all my life, though I never knew it till now...Come further up, come further in!": COMPLETE FIRST EDITION SET OF the CHRONICLES OF NARNIA; The Silver Chair Signed by Lewis
The Chronicles of Narnia Set: The Lion, the Witch and The Wardrobe, Prince Caspian, The Voyage of the Dawn Treader, The Silver Chair, The Horse and His Boy, The Magician’s Nephew, The Last Battle.
London: Geoffrey Bles, 1950-1956.
First editions of each book in the Chronicles of Narnia series. Octavo, 7 Volumes, illustrated by Pauline Baynes. The set comprises of The Lion, the Witch and the Wardrobe, Prince Caspian, The Voyage of the Dawn Treader, The Silver Chair, The Horse and His Boy, The Magician’s Nephew, and The Last Battle. The Silver Chair is signed by C.S. Lewis on the half-title page. Each are in near fine with only light wear in their original dust jackets. Housed in a custom half morocco clamshell box. An exceptional set, rare and desirable signed.
“Don't you know that everybody's got a Fairyland of their own?”: Rare First Edition of Mary Poppins; Signed by P.L. Travers
London: Gerald Howe, 1934.
First edition of this children’s classic. Octavo, original cloth, illustrated with 27 line cuts (13 full-page) and chapter tailpieces by Mary Shepard. Signed by P.L. Travers on the front free endpaper. Fine in a near fine dust jacket with light rubbing and wear to the crown of the spine. Housed in a custom half morocco clamshell box. Signed first editions are of exceptional rarity, with none having appeared at auction since the time of publication.
"The Bible Of Investing"; Rare First Edition Of Graham and Dodds Security Analysis; Warmly Inscribed by David L. Dodd
New York: Whittlesey House/ McGraw Hill, 1934.
First edition of Graham and Dodd’s seminal work, considered the Bible of modern financial analysis. Octavo, original black cloth. Warmly inscribed by David Dodd on the front free endpaper. In fine condition with a touch of rubbing. Examples of the first edition are known to exist both in black cloth binding, with “Whittlesey House-McGraw Hill” in gilt at the foot of the spine (which this example is) and in red cloth binding, with “McGraw-Hill Book Company” in gilt at the foot of the spine. No priority of issue has been established, both are exceptionally rare and desire. Housed in a custom half morocco clamshell box. Signed and inscribed first editions of Security Analysis are exceptionally rare.
"What Happens to a Dream Deferred? Does it Dry Up Like A Raisin in the Sun?" Rare Original A Raisin in the Sun Script; Lorainne Hansberry's Copy with her ownership signature
New York: Hart Stenographic Bureau, 1959.
Lorriane Hansberry’s copy of the original script for the groundbreaking play which made its debut on Broadway in 1959. Quarto, bound in the original post binder. With Hansberry’s ownership signature to the title page, “Lorriane’s Copy” and her notes throughout. The title page notes: * Title pending permission of Mr. Langston Hughes. With his poem “A Dream Deferred” which inspired the title of the play in full on the second page. In near fine condition with both covers detached. An exceptional example displaying the very origin of this groundbreaking work.
"There are darknesses in life and there are lights, and you are one of the lights, the light of all lights": Rare First Edition, First Issue of Bram Stoker's Dracula
Westminster: Archibald Constable and Company, 1897.
First edition, first issue with the May 1897 and with no advertisements as issued and printed on thicker stock. Octavo, original yellow cloth. In near fine condition, without the usual restoration. Housed in a custom half morocco clamshell box. First issues are scarce.
“There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle”: First Edition of Albert Einstein's Masterpiece Relativity; Signed by Him
New York: Henry Holt and Company, 1920.
First edition of Einstein’s ground-breaking work. Octavo, original blue cloth. Signed by the author on the half-title page, “A. Einstein 50.” In near fine condition with light rubbing and wear. Translated by Robert Lawson. Housed in a custom half morocco clamshell box. First editions signed by Einstein of this cornerstone of scientific thought are exceptionally rare.
“I am a poet in deeds-not often in words": FIRST EDITION OF IAN FLEMINGS GOLDFINGER; WARMLY INSCRIBED BY HIM
London: Jonathan Cape, 1959.
First edition of the seventh novel in Ian Fleming’s James Bond series. Octavo, original black cloth. Association copy, inscribed by the author on the front free endpaper in the year of publication, “From Ian with love for Jo. May 6, 1959.” The recipient is Josephine Hartford Bryce, husband Ivar Bryce, often cited as one of the primary models for James Bond. Fleming named the character Felix Leiter, Bond’s friend and CIA operative, in part after Ivar Bryce, whose middle name was Felix. The Bryce’s spent their summers at Black Hole Hollow Farm in Vermont, where Fleming was frequently a guest. He spent summers there hiking and plotting his Bond novels. Fleming first conceived the plot for Diamonds are Forever at the farm, and the primary setting of For Your Eyes Only, Echo Park in Vermont, is based on the farm. Fine in a fine dust jacket. Jacket design by Richard Chopping. Housed in a custom half morocco clamshell box. A significant association copy.
"In the midst of winter, I found there was, within me, an invincible summer": First American Edition of Albert Camus Classic Novel The Stranger; Inscribed by Him to fellow novelist Vincent Sheean
New York: Alfred A. Knopf, 1946.
First American edition of Camus’ first novel and masterpiece. Octavo, original beige cloth. Presentation copy, inscribed by the author on the half-title page, “A Vincent Sheean pour le remercier de savoir si bien parler de Stendhal Sympathiquement Albert Camus.” The recipient, Vincent Sheean was an American journalist and novelist. Sheean’s most famous work was Personal History, which won one of the inaugural National Book Awards: the Most Distinguished Biography of 1935. Film producer Walter Wanger acquired the political memoir and made it the basis for his 1940 film production Foreign Correspondent, directed by Alfred Hitchcock. Sheean wrote the narration for the feature-length documentary Crisis (1939) directed by Alexander Hammid and Herbert Kline. He translated Ève Curie’s biography of her mother, Madame Curie (1939), into English. Sheean wrote Oscar Hammerstein I: Life and Exploits of an Impresario (1955) as well as a controversial biography of Dorothy Thompson and Sinclair Lewis, Dorothy and Red (1963). He studied at the University of Chicago, becoming part of a literary circle which included Glenway Wescott, Yvor Winters, Elizabeth Madox Roberts and Janet Lewis while he was there. Near fine in a near fine dust jacket. Jacket design by Warren Chappell. Translated by Stuart Gilbert. Housed in a custom half morocco clamshell box. Presentation copies of The Stranger are rare, with only one appearing at auction in the past 70 years. Exceedingly scarce and desirable.
London: Jonathan Cape, 1953.
First edition of the first novel in Ian Fleming’s James Bond series. Octavo, original black cloth. Near fine in a near fine first state dust jacket (without the Sunday Times review on the inner front flap) with some rubbing and wear to the spine. Housed in a custom half morocco clamshell box. A very nice example.
Contributions to the Theory of Games Volumes I-IV; Signed by John Von Neumann, John Nash, Kenneth Arrow and Others
von Neumann, John; John F. Nash; Kenneth J. Arrow; Robert J. Aumann; Philip Wolfe; John Milnor; Martin Shubik; W.H. Fleming, et al. Edited by Harold W. Kuhn & A.W. Tucker.
Princeton, New Jersey: Princeton University Press, 1950-1959.
First edition of each work in this ground-breaking four volume work on game theory. Octavo, 4 volumes, original orange wrappers. Volume one is signed by contributors John von Neumann and John Nash on the title page. Contains the article by the Nobel Prize-winning economist entitled, “A Simple Three Person Poker Game.” Volume II is signed by contributors Kenneth J. Arrow and John Milnor. Volume III is signed by contributors W.H. Fleming and Philip Wolfe on the title page. Volume IV is signed by contributors Robert J. Aumann and Martin Shubik. In near fine condition with some rubbing and wear. Housed in a custom half morocco clamshell box. An exceptional set, most rare and desirable signed by von Neumann and other contributors.