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FIRST EDITION OF ANDREAS VESALIUS'S MAGNUM OPUS, THE MOST MONUMENTAL ACHIEVEMENT IN THE HISTORY OF MEDICAL EDUCATION AND "ONE OF THE MOST BEAUTIFUL SCIENTIFIC BOOKS EVER PRINTED": DE HUMANI CORPORIS FABRICA LIBRI SEPTUM; ON THE FABRIC OF THE HUMAN BODY IN SEVEN BOOKS
Basel: Ex Officina Joannis Oporini 1543.
First edition of the most important and influential book in the study of human anatomy and “one of the most beautiful scientific books ever printed”(Grolier). Folio, bound in full 18th century calf, woodcut title page with Vesalius performing a dissection, woodcut portrait of the author, over 200 woodcut anatomical illustrations, including 21 full page and 2 folding-sheet figural woodcuts of the skeletal, muscular, vascular and nervous systems. In very good condition with some light dampstaining to some page edges. Rare and desirable, especially in contemporary calf. A splendid example of Vesalius’ masterpiece, one of the most monumental achievements in the history of both medical education and printing.
"To My Daughter Love Pappy": Collection of Faulkner's Works; Inscribed to his Only Daughter Jill Faulkner
William Faulkner Collection [25 Uniformly Bound Volumes Signed to His Only Daughter, Jill: Including Soldiers’ Pay; Mosquitos; Sartoris; The Sound and the Fury; Sanctuary; Light In August; A Green Bough; Absalom, Absalom!; Pylon; The Unvanquished; The Wild Palms; The Hamlet; Go Down, Moses; As I Lay Dying; Intruder in the Dust; Knight’s Gambit; Light In August; A Fable; The Faulkner Reader; Big Woods; The Town; Sanctuary; The Mansion; Selected Short Stories; The Reivers].
New York and London: Various Publishers 1926–1962.
Here we present a collection of Faulkner books that were specially bound at his direction for his only child, Jill Faulkner as a gift. Octavo, 25 volumes. Uniformly bound in full morocco by Maupin, gilt titles to the spine, raised bands, gilt supralibros of Jill Faulkner in the lower right corner of the front cover of each volume, marbled endpapers. The first eighteen volumes are all inscribed on the front free endpaper, “To my dear daughter. Pappy. Xmas 1953” and signed “William Faulkner” on the title page. The remaining volumes of the set were added as they were published. His last book, The Reivers, was inscribed and signed less than one month before Faulkner’s death on July 6, 1962. Random House undertook finding a binder and having the books bound to the author’s specifications and returning them to him for inscribing. The set consists of first editions, first British editions, Modern Library editions and early printings. Mosquitoes may have been Faulkner’s own copy, as it bears his signature and the date “9 May 1927” on the half-title page, the novel had been published nine days earlier. The following is a complete list of the included books in this collection. Additional inscriptions and signatures are noted. Soldiers’ Pay (1926 first edition, also signed on the half-title page); Mosquitoes (1927 first edition and also signed and dated on the half-title page, “William Faulkner. 9 May 1927”); Sanctuary (1932 Modern Library edition); A Green Bough (1933 first edition); Pylon (1935 first British edition); The Unvanquished (1938 First British edition); The Wild Palms (1935 early printing); The Hamlet (1940 first edition); Go Down, Moses (1942 early printing); The Sound and the Fury & As I Lay Dying (1946 Modern Library edition); Intruder in the Dust (1948 first edition, also signed on the front flyleaf following the flyleaf with the Christmas inscription); Knight’s Gambit (1949 first edition); Light in August (1950 Modern Library edition); Collected Stories (1950 first edition with the title signed “William Faulkner. Oxford Miss.”); Absalom, Absalom! (1951 Modern Library edition); Requiem for a Nun (1951 first edition); Sartoris (1951 early printing); A Fable (1954 first edition, the Dedicatee’s copy); The Faulkner Reader (1954 first edition); Big Woods (1955 first edition); The Town (1957 first edition); Sanctuary (1958 early printing); The Mansion (1959 first edition); Selected Short Stories (1961 first edition); The Reivers (1962 first edition with the front flyleaf inscribed, “To my dearest daughter. Pappy” and title-page signed and dated “William Faulkner. Oxford Miss. 12 June 1962). Easily the nicest collection of Faukner titles ever assembled by the author who inspired such authors as Gabriel Garcia Marquez, Borges, and even Cormac McCarthy.
"THE MOST FAMOUS AND INFLUENTIAL AMERICAN POLITICAL WORK”: VERY RARE AND IMPORTANT FIRST EDITION OF THE FEDERALIST
The Federalist: A Collection of Essays, Written in Favour of the New Constitution, Agreed Upon By the Federal Convention, September 17, 1787.
New York: Printed and Sold by J. and A. McLean 1788.
First edition of The Federalist, one of the rarest and most significant books in American political history, which “exerted a powerful influence in procuring the adoption of the Federal Constitution.” 12 mo, bound in full contemporary calf. In very good condition with volume one with an old inscription and repaired, scattered spotting. A very nice example of this landmark book.
"The Most Important Work of Modern Times": One of the Earliest Presentation Copies of James Joyce's Ulysses; Inscribed by Joyce to Lewis Galantiere
Paris: Shakespeare and Company 1922.
First edition, one of 750 numbered copies, this example is number 282. Quarto, original blue wrappers as issued. Association copy, inscribed by the author on the half-title page, “To Lewis Galantiere James Joyce Paris 11 February 1922.” Ulysses was scheduled for publication on Joyce‘s fortieth birthday (February 2, 1922), but only two copies were ready on that date due to technical difficulties in printing the cover, the color of which Joyce wanted to match with the blue of the Greek flag. One of these was the copy delivered by Sylvia Beach to Joyce on February 2, which he then inscribed to his wife Nora, being the only known presentation copy to predate Galantiere’s. The present copy in turn predates by two days the three copies presented to Sylvia Beach, Harriet Shaw Weaver and Margaret Anderson, and by three days the copy inscribed to Robert McAlmon, who helped Joyce prepare the final typescript. Galantiere was an American translator of French literature, writer, playwright and journalist. From 1920 to 1927 he was secretary of the International Chamber of Commerce in Paris, and came to know most of the literary figures of the day, including Hemingway. In a letter to Harriet Weaver of 17 April 1926, Joyce writes: “I am to read [from Finnegans Wake] … to a small group, this time including … a young American Galantiere who is preparing a course of lectures of Ulysses” (Joyce Letters vol 3, p 140). Slocum & Cahoon A17; Connolly The Modern Movement 42. In excellent condition with light rubbing, rebacked without the folding flaps. With Galantiere’s marginal markings in pencil and in ink. Housed in a custom full morocco clamshell box. An exceptional rarity of this twentieth century milestone.
First edition of the Ian Flemings first book Casino Royale which introduced the world to 007: Inscribed by Ian Fleming to Classmate and Novelist Ralph Arnold
London: Jonathan Cape 1953.
First edition of the first novel in Ian Fleming’s James Bond series. Octavo, original black cloth. Presentation copy, inscribed by the author on the front free endpaper, “To Ralph, We have now both reduced our remainders by one copy! Ian.” With a note of explanation by the recipient underneath, “I having told Ian, from the depths of my publishing experience, that he would be lucky if he made £200 out of this, his first thriller!! R.A.” The recipient Ralph Arnold was a novelist, historical writer and publisher who joined Constable in 1936 and was chairman from 1958 to 1962. Arnold and Fleming studied together at the Tennerhof School in Kitzbühel, Austria, and it was there that both made their first forays into story-writing. Having left Sandhurst without obtaining a commission, Fleming “was sent to ‘sort himself out’ at a quasi-finishing school for men in Kitzbühel … There, while skiing and climbing mountains, he came under the benevolent tutelage of Ernan Forbes Dennis, a former British spy turned educationalist, and his wife, Phyllis Bottome, an established novelist. Forbes Dennis brought out Fleming’s aptitude for languages and introduced him to literature, while his wife encouraged him to write his first stories.” (Oxford DNB). Near fine in a near fine first state dust jacket (without the Sunday Times review on the inner front flap) with the lightest of rubbing to the extremities. Housed in a custom half morocco clamshell box.
Basel: Eusebius Episcopius 1572.
First edition of Alhazen’s fundamental work on optics and vision, which influenced Galileo and Kepler and paved the way for the modern science of physical optics. Folio, bound in full contemporary Basel vellum with central arabesques blind-stamped to the front and rear panels, titles stamped in black and five raised bands to the spine, woodcut printer’s device to the title page, woodcut initials, diagrams and full page illustration to the verso of the title page. Translated from Arabic into Latin by Gerard of Cremona. In very good condition. From the library of American physician Chester Tilton Stone with his bookplate to the pastedown. A superior example of this significant work, rare and desirable in contemporary vellum.
“SMITH HIMSELF RANKED IT ABOVE THE WEALTH OF NATIONS”: ADAM SMITH’S LANDMARK RARE FIRST EDITION OF THEORY OF MORAL SENTIMENTS
London: For A. Milar, and A. Kincaid and J. Bell 1759.
Rare first edition of Adam Smith’s first book, with a recorded “print run of 1,000 copies” (Sher, “Editions of Adam’s Smith’s Books,” 13). Octavo, bound in full contemporary leather. In near fine condition. Housed in a custom half morocco clamshell box. Easily one of the nicest examples extant of this landmark work.
“YOU ONLY LIVE TWICE: ONCE WHEN YOU ARE BORN AND ONCE WHEN YOU LOOK DEATH IN THE FACE”: COMPLETE SET OF IAN FLEMING'S JAMES BOND NOVELS; IN THE RARE ORIGINAL DUST JACKETS; WITH FIVE SIGNED BY SEAN CONNERY
Complete Set of 14 First Edition James Bond Novels: Casino Royale, Live and Let Die, Moonraker, Diamonds are Forever, From Russia with Love, Dr. No, Goldfinger, For Your Eyes Only (short stories including A View to a Kill and Quantum of Solace), Thunderball, The Spy Who loved Me, On Her Majesties Secret Service, You Only Live Twice, The Man with the Golden Gun, Octopussy and The Living Daylights.
London: Jonathan Cape 1953-66.
First editions of each volume in Ian Fleming’s James Bond series. Octavo, 14 volumes, original cloth. Each volume is fine in near fine to fine first-issue dust jackets, with five signed by Sean Connery, which include: From Russia With Love, Dr. No, Diamonds Are Forever, Goldfinger and Thunderball each signed by Sean Connery. Each volume is housed in a custom half morocco clamshell box. An exceptional collection of first editions, most rare in this condition and signed.
"SO WE BEAT ON, BOATS AGAINST THE CURRENT, BORNE BACK CEASELESSLY INTO THE PAST": FIRST EDITION OF THE GREAT GATSBY; IN THE RARE ORIGINAL DUST JACKET
New York: Charles Scribner's Sons 1925.
First edition, first printing with “chatter” on p. 60, line 16, “northern” on p. 119, line 22, “it’s” on p. 165, line 16, “away” on p. 165, line 29, “sick in tired” on p. 205, lines 9-10, and “Union Street station” on p. 211, lines 7-8. Octavo, original dark green cloth. Fine in a near fine first issue dust jacket, with the lowercase “j” in “jay Gatsby” on the back panel, hand-corrected in ink. The dust jacket has had some expert restoration to the folds and extremities. Jacket art by Francis Cugat. An excellent example, rare in the original dust jacket. Housed in a custom half morocco clamshell box.
London: Printed for H. Herringman, and are to be sold by Joseph Knight and Francis Saunders 1685.
First edition of the Fourth Folio of Shakespeare. Bound in full brown morocco, elaborately gilt-decorated spine. The fourth folio is the final and most magnificent of the four 17th-century folio editions of Shakespeare’s plays. The Fourth Folio “contains the additional seven plays that first appeared in the 1663 edition [including the authentic Pericles, Prince of Tyre], as well as a good deal of correction and modernization of the text designed to make it easier to read and understand” (Folger’s Choice). Old paper repair to verso of title-page, several other very minor paper repairs. Some browning and minimal staining, a very good example. As in some other copies, as Greg notes, number of errors in signatures have been corrected in manuscript, presumably at the time of publication. Although there is no accurate census of the number of folios still extant today, it is believed that copies of each printing number only in the hundreds. The rarest form of the fourth folio. This is the rare Knight and Saunders issue, with their names on the title-page. W. W. Greg observes, “Since the title is entirely reset it is presumably a cancel printed after the volume was complete and perhaps republished, and designed for those copies that Herringman chose to issue through his own booksellers” (Greg III, 1121). In 1684, Herringman turned over the retail side of his business to Francis Saunders and his partner Joseph Knight. Fourth Folios almost invariably bear the imprints “Herringman-Brewster-Bentley” or “Herringman-Brewster-Chiswell-Bentley.”
New York: Charles Scribner’s Sons 1925.
First edition, second printing of the author’s masterpiece. Octavo, original green cloth, gilt titles to the spine. Inscribed by the author on the front free endpaper,“For Esther Sidman on her 21st birthday from her admirer. F Scott Fitzgerald, Hollywood, 1938.” In near fine condition with a touch of wear. Housed in a custom half morocco clamshell box. Great Gatsby’s signed and inscribed by Fitzgerald are rare.
“FOUNDED THE SCIENCE OF MODERN POLITICS”: RARE 1640 FIRST EDITION IN ENGLISH OF MACHIAVELLI’S THE PRINCE
Nicholas Machiavel’s Prince. Also, The life of Castruccio Castracani of Lucca. And The meanes Duke Valentine us’d to put to death Vitellezzo Vitelli… Translated out of Italian into English by E.D.
London: R. Bishop for Wil: Hils 1640.
Rare first edition in English of Machiavelli’s Prince, a seminal work in the foundation of modern political theory, and the great classic of political science. 12 mo, bound in full contemporary calf. From the library of William Constable, Baronet with his bookplate, in near fine condition. Housed in a custom full morocco clamshell box. An exceptional example, most rare and desirable in this condition.
"ALL 'CLASSES' FOR EXPERIENCE AND LEARNING – BUT I DO PREFER 'NON-LITERARY' PEOPLE LIKE WAITERS, TRUCKDRIVERS, GIRLS, CARPENTERS, CLAM DIGGERS, RAILROAD MEN, SEA MEN, OLD MILLIONAIRES, ALL THE 'CHARACTERS'”; SCARCE JACK KEROUAC AUTOGRAPHED SIGNED LETTER
Jack Kerouac’s candid handwritten reply to a young man’s questions about being a “Beatnik,” his life philosophy, his thoughts on Montana, and more. Students in Robert Dodd’s ninth-grade class were given an assignment to contact their favorite writer with their own unique series of questions relating specifically to that writer. The young Dodd chose Jack Kerouac, and the author replied at length to his questionnaire, which includes queries about his classification as a “Beatnik” (his answer: “I never was a Beatnik – it was the newspapers and critics who tagged that label on me….”), life philosophy (“My philosophy is ‘No Philosophy,’ just ‘Things-As-They-Are’”), career goals (“Be a great writer making everybody believe in Heaven”), the ideal way of life (“Hermit in the woods…”), his thoughts on fame (“My name is like Crackerjacks, famous, but very few people buy my books…”), and segregation (“[t]he Irish and Italians of Massachusetts never paraded in protest, just worked hard and made it”). Interestingly, Kerouac is most expansive in response to the final question: whether he has visited Montana. His answer fills three-quarters of the page, beginning: “Great day, my favorite state! – I wrote about Montana in ‘On the Road’ but the publishers took it out behind my back… I stayed one night, but up all night, in a saloon in Butte, to keep out of the 40-below February cold, among sheep ranchers playing poker.” Two pages with Dodd’s questions type-written and Kerouac’s responses handwritten in full. The letter reads in full, “To Robert Dodd from Jack Kerouac Feb. 28th 1964.” 1. In Town and the Country (Kerouac crosses out Country for City) your style of writing is much different from The Lonesome Traveler. Do you change your style with the type of story? Kerouac responds: “‘The Town and the City’ was my first, youngman novel when I was just starting out, trying to write like Thomas Wolfe – ‘Lonesome Traveler’ is a product of my own style which I developed in later years, ‘spontaneous writing’ with no looking back, in my own laws of story telling – OUTERSPACE PROSE! My own original invention.” 2. Many people have referred to you as a “beatnik” or a “way out” writer. Do you feel this way about yourself? “‘Way-out’ yes, but I never was a beatnik – it was the newspapers and critics who tagged that label on me – I never had a beard, never wore sandals, avoided the company of Bohemians and their politics and always had a job on the road like in ‘Lonesome T.’ on railroad, ships etc.” 3. Some people refer to your thinking as existentialism where man makes his own destiny. Just what is your philosophy of life? “My philosophy now is “no-philosophy,” just “Things – As – They – Are”. 4. What goal are you trying to reach in your career? “Be a great writer making everybody believe in Heaven.” 5. What do you think is the ideal way of life? “Hermit in the woods, one-room cabin, wood stove, oil lamp, books, food, outhouse, no electricity, just creek or brook water, sleep, hiking, nothing-to-do-(Chinese Wu Wei).” 6. Do you like fame or would you rather write and have only your works become famous? “My name is like Crackerjacks, famous, but very few people buy my books because they’ve been told by newspapers and critics that I’m crazy, so I’m almost broke now 1964 – I hate fame without fortune, which is really INFAMY AND RIDICULE, in my case.” 7. From your many books I see that you must travel a lot. Do you try to mix in with different classes or do you stick to one? “All ‘classes’ for experience and learning – but I do prefer ‘non-literary’ people like waiters, truckdrivers, girls, carpenters, clam diggers, railroad men, sea men, old millionaires, all the ‘characters’.” 8. Does the West coast influence an author’s style differently than the East coast? “No – I and the “Beats” came from the East Coast and just rode out there, no special difference in style except a little on subject matter, i.e. open-spaces country.” 9. What is your favorite subject matter? “That everybody goes to Heaven – read “Visions of Gerard” (about Lowell in 1926).” 10. Here in Boston there is much controversy over segregation of the negroes. What is your stand on the issue? “They need jobs, naturally, and education for better jobs – But the Irish and Italians of Massachusetts never paraded in protest, just worked harder, and made it.” 11. Do you plan to visit the East coast, especially the Boston area soon? “Yeh – “lecture” dinner at Harvard soon – I live in Long Island since 1958 so I can’t exactly “visit” the Ease Coast, hey,” – 12. Have you ever been to Montana and, if you have, what were your views on it? “Great day, my favorite state! – I wrote about Montana in “On the Road” but the publishers took it out behind my back – I stayed one night, up all night, in a saloon in Butte, to keep out of the 40- below February cold, among sheep ranchers playing poker (with sheep dogs at their feet), red-eyed drunken Indians drinking out of bottles in the john, Chinese gamblers, women, cowboys, miners – And outside of Butte, at Three Forks Montana, I saw the source of the Missouri River in the snowy valley – I also heard wolves howl in the Bitterroot Mountains – But I didn’t like Missoula much (skiers etc.) – I would like to have a summer cabin in Montana some day, the last truly “Western” state. Sincerely, Jack Kerouac.” In near fine condition. Matted and framed. The entire piece measures 31 inches by 18 inches. A rare and intimate glimpse into the thought an literary progression of one of the formative writers of the 20th century.
"Think you're escaping and run into yourself. Longest way round is the shortest way home": First Edition of Ulysses; One of 750 Numbered Copies
Paris: Shakespeare & Company 1922.
First edition, one of 750 numbered copies on handmade paper from a total edition of 1000 copies, this is number 992. Thick quarto, original blue and white wrappers. A near fine example, internally fresh and largely unopened, completely unrestored. Housed in a custom half morocco clamshell box. This example contains the original prospectus with the tipped-on reproduction of the 1918 photo of Joyce by C. Ruf. The front panel of the prospectus has been amended, as often, to indicate the book “is now ready,” and the original buyer must have jumped at the opportunity, as the order panel of the prospectus has been neatly cut away. Sisley Huddleston’s 5 March 1922 review from The Observer is also laid in (though both items are in prophylactic sleeves that have prevented any offsetting). Also laid into the slipcase is some correspondence relating to the sale of this copy in 1972 by Duschnes in New York City. An exceptional example with noted provenance.
"The book that introduced France to Newtonian physics": First Edition of Voltaire's Elements of the Philosophy of Newton; Inscribed by him to the surgeon who attended Newton in his final illness
Londres [Paris]: Prault 1738.
First French edition of one of the most elegantly illustrated science books ever printed and the book that introduced France to Newtonian physics; a scarce presentation copy inscribed by Voltaire. Octavo, bound in full contemporary calf with gilt tooling to the spine in six compartments within raised gilt bands, red morocco spine label lettered in gilt, gilt ruling to the panels, inner dentelles, all edges gilt, marbled endpapers. Illustrated with two frontispiece portraits of both Newton and Voltaire, six full page plates, one folding plate, and illustrations throughout the text. Presentation copy, inscribed by Voltaire on the front free endpaper to William Cheselden, one of the most influential surgeons of 18th century England who attended Newton in his final illness. Although it is unknown if Voltaire and Newton met, Voltaire attended Newton’s funeral in 1727 while living in exile in England. During this exile he became an adherent of Newtonian physics and philosophy which he saw as the embodiment of the Enlightenment victory over Christian dogma and as the destroyer of the errors of Cartesianism. Voltaire dedicated the work to his mistress, La Madame la Marquise du Chastellet, who was a fellow scholar of Newton and completed the first French translation of the Principia in 1759. From the library of Dr. Adrian Pollock. A graduate of the University of Cambridge, Pollock was a leader in the field of non-destructive acoustic emission testing, an approach to emission testing which addresses dynamic processes in materials by listening to the energy released by objects. He amassed a large book collection covering the history of science which he acquired throughout his travels between the United States and United Kingdom and from international catalogs. Newton was a particular favorite of Pollock’s as the two scientists worked in the same field and shared an alma mater. In very good condition with light shelfwear. Housed in a custom half morocco clamshell box. Exceedingly rare, surely one of the most significant examples of this work.