First Edition

First Edition Books for Sale Online

Raptis Rare Books maintains an extensive collection of rare and first-edition books from a variety of authors and publishers. Navigate through our full selection of first-editions below to find a particular item you're looking for, ask a question, or order online today!

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  • First edition of the second book on architecture published in America: Owen Biddle's The Young Carpenter's Assistant

    BIDDLE, Owen.

    The Young Carpenter’s Assistant; Or, A System Of Architecture, Adapted To The Style Of Building In The United States.

    Philadelphia: Benjamin Johnson, 1805.

    First edition of the second book on architecture published in America, second only to Asher Benjamin’s Country Builder’s Assistant’ published in 1797( Shaw & Shoemaker, 8018). Quarto, bound in full calf, gilt titles and tooling to the spine, gilt ruled to the front and rear panels, illustrated with 44 engraved plates, 2 folding. In very good condition. Scarce with only 2 copies having appeared at auction in the past 50 years.

    Price: $15,000.00     Item Number: 117672

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  • First Edition of Walt Disney's Fantasia; Inscribed by Disney and with Twelve original drawings

    DISNEY, Walt; Deems Taylor .

    Walt Disney’s Fantasia. With a Foreword by Leopold Stokowski.

    New York: Simon and Schuster, 1940.

    First edition of the lavishly illustrated companion volume to Disney’s animated musical masterpiece. Quarto, original cloth, pictorial endpapers, illustrated with 16 mounted color plates. Presentation copy, signed and inscribed by thirteen people (including Walt Disney); all who worked at Walt Disney studios in the 1940s. All of the inscriptions are to Jodie Ferguson Brudge, who was a secretary at Disney Studios, and upon her leaving to get married, raise family, she asked those that she worked with to inscribe her copy of Fantasia. This work contains the following inscriptions and illustrations, inscribed by Walt Disney on the title page, “To Jodie Best Wishes Walt Disney.” Page 10 has an original full-color illustration by Milt Banta of a card game between Mickey Mouse, Donald Duck and Milt Banta, with the inscription “Best Wishes Always Milt Banta.” Page 14 has a full page original illustration by Russ Dyson of a “ye olde family tree” for the Ferguson [Jodie] and Dyson branches. On the Dyson branch is a self-portrait of Dyson as a bird, with the inscription, “I Hope the Ferguson Branch Doesn’t grow any Larger! Good Luck – Russ Dyson 1/18/46.” Page 57 has an original watercolor of a tree branch and paint container, and the inscription: “Jodie – If you ever run across any automatic paint brushes like these – let me know. – Claude Coats.” Page 82 has a twenty-six line inscription that is warm and thoughtful from Ben [Sharpsteen]. Page 95 has an original color illustration of a frog fishing and the inscription, “An ‘Good Fishin’ to you all the time – Jodie. Hugh Hennesy” Page 102 has an original color illustration of a self-portrait of Bill Berg, with the inscription “Good Bye Jodie – We’ll Miss You!!! Bill Berg.” Page 118 has an original illustration of a self-portrait of Jerry Hathcock waking from a nightmare, with the inscription, “Gad!! What a Nightmare! Maybe Jodie is smart to leave. Good Bye + Good Luck, Jerry Hathcock.” Page 119 has an original illustration of a bouquet of flowers, that has been drawn into the hand/wing of the printed ostrich, with the inscription: “Best Luck and Good Wishes Jodie. Phil Barber.” Page 121 has an original illustration of a self-portrait of J. Eric Gurney who is holding a banner that reads, “Best Wishes to Jodie.” The opposite end of the banner is being held by the printed hippopotamus. Page 126 has an original illustration of a self-portrait of Nick Nichols (being held aloft by the printed elephant), with the inscription: “Bye Bye Jodie Come Back And Work For Me Again. Best Nick Nichols.” Page 159 has an original full-page illustration of Jodie as a centaurette, with the inscription, “G’bye Now. Lots of Luck an’ Stuff to Jodie. George Rowley.” The verso of the rear free endsheet contains an original illustration of a guitar player in a pancho and sombrero with the inscription, ” Good Luck Jodie. William de la Torre.” An excellent example in a very good dust jacket. A unique piece of Disney history.

    Price: $14,000.00     Item Number: 96808

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  • First Edition of Walt Disney's Fantasia; Inscribed by Walt Disney

    DISNEY, Walt; Deems Taylor .

    Walt Disney’s Fantasia. With a Foreword by Leopold Stokowski.

    New York: Simon and Schuster, 1940.

    First edition of the lavishly illustrated companion volume to Disney’s animated musical masterpiece. Quarto, original cloth, pictorial endpapers, illustrated with 16 mounted color plates. Presentation copy, inscribed by Walt Disney on the title page, “To Robert Fraser from Walt Disney B.A. 1941.” Near fine in a very good dust jacket. 

    Price: $8,000.00     Item Number: 122482

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  • "Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision": First Edition of Dali; Signed and dated by him

    DALI, Salvador; Edited by Max Gerard.

    Dali.

    France: Draeger, 1968.

    First edition of this lavishly illustrated work by Salvador Dali. Quarto, original illustrated boards, 271 illustrations, with 80 color plates and 23 in toned gravure. Boldly signed by Salvador Dali opposite the title page in red paint, “Dali, 1971.” Dali has added a crown to the flourish in the letter ‘D’. Arranged and edited by Max Gerard. Near fine in a very good dust jacket. Housed in the original slipcase.

    Price: $6,000.00     Item Number: 95382

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  • Guest Book With Drawings by Architect Addison Mizner

    MIZNER, Addison.

    Farmholme Guest Book: With Drawing by Addison Mizner.

    London: Doves Bindery, 1906.

    Quarto, bound in full green morocco, gilt titles and tooling to the spine, all edges gilt. With original caricature and artwork by architect Addison Mizner. Entries dated between 1906 and 1929 and about two-thirds of the leaves remaining blank. Mizner’s contributions include to the guestbook include three self-caricature sketches and also a watercolor, each signed by Mizner. Besides Mizner’s contributions, there are two other watercolors, one a cameo of a bucolic classical ruin, another, a dog looking out onto a panoramic view of pines and the coast, undoubtedly a view from a Farmholme prospect, or nearby, before it was overrun with suburban development. And there are several other fun drawings, including ones of a race car and of a plane. Mizner is credited with pioneering the Mediterranean and Spanish Colonial stucco architectural style in Southern Florida, and also Southern California and Beverly Hills. As virtually integral as this style has become to these places and elsewhere, before Mizner designed the Everglades Country Club’s clubhouse in Palm Beach in 1918, the prevailing style there was Victorian Queen Anne and Colonial Revival shingle homes such as one would have found in Northeastern resorts. Admiration for the Everglades clubhouse made Mizner the go-to architect for millionaires who competed against one another through the 1920s for the most impressive mansion in Palm Beach, formerly primarily a hotel resort, and his style was emulated by other architects hired to build less august developments. Among his legacy is the Boca Raton Resort & Club. Mizner, though, was not your typical nose-to-the-grindstone architect but also a highly colorful figure, famed as a raconteur, a co-author of the satiric “The Cynic’s Calendar of Revised Wisdom for 1903” and many sequels, and a bit of a scoundrel, who with his brother was implicated in some shady transactions relating to the Florida land boom of the 1920s, and this served as the basis for the Stephen Sondheim 2008 musical, “Road Show”. It is the social animal that Mizner was, someone who was able to exploit social connections, that should give this guest book a certain resonance to those fascinated by him and his career. Also, Mizner was a somewhat unconventionally trained architect. He didn’t go to a modern sort of architecture school, but apprenticed in an architectural office, and perhaps it was unorthodox training that later made him so much an original, and eccentric, architect, famous for glitches in his designs such as stairways that went nowhere. But he was regarded as a highly proficient draftsman and talented artist, abilities perhaps all too in short supply in the architectural profession, and here are examples of his quick dash art that provide some delightful corroboration of this reputation. Another guest at Farmholme was Ethel Watts Mumford (Grant), his co-author, who in one place contributed four lines of comic verse and a drawing of two monkeys. Other guests included Elisabeth Marbury, the prominent theatrical agent and lesbian lover of Elsie de Wolfe; Mary Livingston Hunt, of the Old Knickerbocker Livingstons; and many others who were undoubtedly secure in their Social Register bona fides — people with names such as de Forest, Alsop, Callander, Ogden, Hotchkiss. Whoever many of these people were, the same people came back again and again over the two decades, suggesting a close knit group of friends. While many of the entries are just autographs, sometimes accompanied by an anodyne sentiment, not a few are accompanied with a few lines of appreciative verse or snippets of musical notation. One guest, an Eduardo Bucco  left several entries in Italian verse. The painter of the watercolor cameo signed in reverse — one needs a mirror to make out the name, which looks something like Raymond Tumball. As august as Farmholme must have been, based on its guests, bits and pieces hinted at in the text of entries, the painted view, the exquisiteness of the guest book itself, we were not able to discover anything definitive about the estate.

    Price: $4,800.00     Item Number: 81005

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  • First edition of Maus: A Survivors Tale; both volumes signed by Art Spigelman

    SPIEGELMAN, Art.

    Maus: A Survivor’s Tale.

    New York: Pantheon Books, 1991.

    First edition of Spiegelman’s Pulitzer Prize-winning Maus books based on his father’s experiences as a Polish Jew and Holocaust survivor. Octavo, two volumes, pictorial endpapers, illustrated. Signed by Art Spiegelman on the half-title page in each volume. Both volumes are fine in fine dust jackets. Housed in the original pictorial slipcase which is in near fine condition.

    Price: $975.00     Item Number: 95828

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