First Edition of Thomas Merton's What are These Wounds?
What are These Wounds? The Life of a Cistercian Mystic: Saint Lutgart of Aywieres.
Item Number: 67983
Milwaukee: The Bruce Publishing Company, 1950.
First edition of Merton’s interpretation of the life of St. Lutgarde, a thirteenth centiry saint and mystic who chose the way of La Trappe as her path to God. Octavo, original cloth. Fine in a near fine dust jacket with light shelfwear.
In this work Merton gives to St. Lutgarde wider significance than is normally provided her by pointing out that she was the forerunner of St. Margaret Mary and the institution of the Feast of the Sacred Heart. The claim is based upon her mystical vision of the pierced Heart of the Savior. The story of St. Lutgarde as related by Merton abounds in mystical visions, stigmata and miracles.
Other Books by this Author
"Souls are like athletes, that need opponents worthy of them, if they are to be tried and extended and pushed to the full use of their powers, and rewarded according to their capacity": First Edition of The Authors Landmark Work The Seven Storey Mountain; signed by Thomas Merton
New York: Harcourt, Brace & World, 1948.
First edition, first-issue binding in white cloth and in the first-issue dust jacket with the photo on rear panel captioned: “Author is second from the left.” Signed by Thomas Merton on the half-title page. Fine in a very good dust jacket. Signed first editions are rare.
Original signed artwork from Thomas Merton. In the last decade of his life, while living as a hermit-monk in dialogue with the world, Thomas Merton created a body of visual art, drawing from the Zen Buddhist tradition. When he was a student at Columbia University, Merton sought out a Hindu monk named Bramachari for counsel. The monk advised Merton to follow his own Christian tradition to find what he was most deeply looking for. A strong admirer of Gandhi, Merton also noted how Gandhi, a Hindu, had found a congenial ‘ second home’ of sorts in the Christian Sermon on the Mount. In the 1950’s Merton began exploring Buddhism, especially Zen Buddhism. He thought he found some resonance between Zen and the Desert Fathers. Merton sent a copy of his study of the Desert Fathers to Daisetsu Suzuki, the leading exponent of Zen in the west. They began a long correspondence in the late 1950’s, and Suzuki’s influence can be seen in Merton’s artwork. Includes a letter from activist W.H. Ferry, which reads, “4/3/68 For Mary Sue Dilliard: Daisetsu Suzuki told Father Tom Merton in 1965 that the only way finally to understand Zen was to practice calligraphy. This is the result: one of Tom’s earliest calligraphs. W.H. Ferry.” On the Center for the Study of Democratic Institutions letterhead, which Ferry was the Vice President. Matted and framed, which measures 13 inches by 15 inches. Calligraphy drawing measures 9 inches by 12.5 inches. On the verso of the frame, it includes various Merton material including numerous clippings. Original artwork by Merton is exceptionally rare in the marketplace.
New York: Farrar, Straus & Cudahy, 1957.
First edition of this classic meditation by Merton. Octavo, original cloth, pictorial endpapers. illustrated with photographs. Boldly signed by Thomas Merton on the title page. Fine in a near fine dust jacket with a touch of wear. Jacket photograph showing the cloister of the Cistercian Abbey of Hauterive, Fribourg, Switzerland by Benedikt Rast. A very nice example, uncommon signed.
New York: HarperCollins, 1995.
Early printing of the 35th Anniversary edition of the author’s Pulitzer Prize-winning novel. Octavo, original half cloth. Presentation copy, inscribed by the author on the half-title page, “To Jary and Lola -best wishes, Harper Lee.” Fine in a fine dust jacket. Jacket design by Suzanne Noli.
New York: Harper & Brothers, Publishers, 1956.
First edition, early printing. Octavo, original half black cloth, with eight pages of black-and-white photogravures. Inscribed by the author on the front free endpaper, “To Anthony Amari best regards John Kennedy.” Light rubbing to the bottom cloth, near fine in a very good dust jacket with some rubbing. Jacket design by Phil Grushkin. Foreword by Allan Nevins. Housed in a custom half morocco clamshell box.
New York: Random House, 1954.
First edition. Quarto, original boards. Presentation copy, inscribed by the author on the verso of the front free endpaper, “For Greg Barrett with best wishes Dr. Seuss.” Near fine in a very good price-clipped second issue dust jacket.
"Without moral and intellectual independence, there is no anchor for national independence": Limited First Edition of Israel: A personal History, Signed by David Ben Gurion
New York: Funk and Wagnalls Inc, 1971.
Signed limited first edition, number 1787 of 2000 copies. Signed beneath the photographic frontispiece by David Ben-Gurion. Thick quarto, original full dark blue morocco, watered silk endpapers, top edge gilt. Fine in a fine slipcase. Also includes the original publisher’s cardboard box.