Finely Bound Set of The Works of Victor Hugo
The Works of Victor Hugo Includes Les Misérables, The Hunchback of Notre-Dame.
Item Number: 7315
New York: The Nottingham Society.
Edition de luxe. Octavo, 10 volumes. Bound in three quarters red morocco, gilt titles and tooling to the spine, raised bands, gilt lined to the front and rear panels, top edge gilt, marbled endpapers. Includes a twelve page introduction by Robert Louis Stevenson. In very good to near fine condition.
Other Books by this Author
“Love has no middle term; either it destroys, or it saves. All human destiny is this dilemma": Rare First French Edition of Victor Hugo's Les Miserables
Paris: Pagnerre, 1862.
Parisian first edition of this classic work of literature, published on April 3rd, 1862 (three days after of first printing in Brussels on March 31st of 1862). Large octavos, half crushed red morocco over marbled boards, gilt titles and tooling to the spine, marbled endpapers. False mention of “Septième Edition” on the title pages of volumes I-III, and “Huitième Edition” on the title page of volume IV, which were spurious and meant to help boost sales. In near fine condition. A nice presentation.
New York : Carleton, Publisher, 1862.
First American edition and first edition in English of Victor Hugo’s masterpiece. Complete in five large octavo volumes. Fantine (171 pages plus four-page publisher’s advertisement), Cosette (164 pages plus four-page publisher’s advertisement), Marius (150 pages plus two-page publisher’s advertisement), Saint Denis (184 pages), and Jean Valjean (165 pages plus two-page publisher’s advertisement). Publisher’s matching cloth with gilt spine titles. In near condition with light rubbing. Housed in a custom cloth clamshell box. Uncommon in this condition.
Bruxelles : Lacroix, Verboeckhoven & Ce, 1862.
Scarce first printing of this classic work of literature, published in Brussels on the 30th or 31st March 1862. Large octavos, contemporary calf, gilt decorated compartments to the spine, red and green morocco spine labels, marbled endpapers, all edges gilt. The question of priority has been intensely debated in bibliographic circles for years. The findings of Michaux and Lacretelle definitively established primacy of this edition over the one distributed four or five days later in Paris by Pagnerre. The initial confusion stemmed from two sources: first was the prominent appearance of Pagnerre’s name–and none other–in the French edition as a “Libraire-editeur,” when in fact he was a distributing agent only; second was general acceptance of Vicaire’s claim that Hugo corrected only from the proofs for the French edition. Michaux postulated that Hugo used the Belgian editions of his works as models for the Parisian printings. To ensure publication in France, Hugo was forced to amputate certain phrases from Les Misérables that would have offended the French censor. Lacretelle later confirmed Michaux’s hypothesis. With the bookplates of Witley Court. Witley Court in Worcestershire, England is an Italianate mansion that was built for the Foleys in the seventeenth century on the site of a former manor house, it was enormously expanded in the early nineteenth century by the architect John Nash. Subsequently sold to the Earls of Dudley, a second massive reconstruction by the architect Samuel Daukes took place in the mid nineteenth century, creating one of the great pleasure palaces of Victorian and Edwardian England and contained a large library. Volume IV is the First Paris Edition. The “Septième” Edition” on the title page was spurious and meant to help boost sales. Rare and desirable with noted provenance.
Boston: Estes and Lauriat, c. 1890.
International limited edition, One of a 1,000 copies. Octavo, thirty volumes. Bound in contemporary three-quarter morocco over cloth. Top edge gilt, marbled endpapers. In near fine condition with a touch of rubbing and extremity wear, spot of leather affected, some loss on top gilt edges.
London: H.S. Nichols, 1895.
Limited edition, number 50 of 1,000 sets on Holland paper. 12 mo, 28 volumes. Bound in three quarters morocco by Sangorski and Sutcliffe, gilt titles and tooling to the spine, gilt lined to the front and rear panel, inner dentelles. Top edge gilt, marbled endpapers. Each volume is illustrated with engraved plates, tissue guards present. In near fine condition with a touch of rubbing.
First Editions of Each Book in Andrew Lang's Fairy Books; Each Bound Uniformly by Sangorski and Sutcliffe
The Fairy Books: Blue (1889); Red (1890); Green (1892); Yellow (1894); Pink; (1897); Grey (1900); Violet (1901); Crimson (1903); Brown (1904); Orange (1906); Olive (1907); Lilac (1910) [with The Blue Poetry Book (1891); The True Story Book (1893); The Red True Story Book (1895); The Animal Story Book (1896); The Arabian Nights Entertainments (1898); The Red Book of Animal Stories (1899); The Book of Romance (1902); The Red Romance Book (1905)].
London: Longmans, Green & Company, 1889-1910.
First editions of each volume in Andrew Lang’s Fairy Books: Blue (1889); Red (1890); Green (1892); Yellow (1894); Pink; (1897); Grey (1900); Violet (1901); Crimson (1903); Brown (1904); Orange (1906); Olive (1907); Lilac (1910) (12 volumes), along with eight of his other works: The Blue Poetry Book (1891); The True Story Book (1893); The Red True Story Book (1895); The Animal Story Book (1896); The Arabian Nights Entertainments (1898); The Red Book of Animal Stories (1899); The Book of Romance (1902); The Red Romance Book (1905). Bound in full leather by Sangorski and Sutcliffe, gilt titles and tooling to the spine, raised bands, gilt ruled to the front and rear panels, each volume with a different motif to the front and rear panel, all edges gilt, gilt turn-ins, marbled endpapers, book marks. Each volume bound with the original cloth spine and front panel. With numerous illustrations by H. J. Ford. In near fine condition with a few volumes with some light cracking at the hinges. An exceptional set bound by Sangorski and Sutcliffe.
Philadelphia: C. Sherman, 5605, 1845-46.
First edition of the “first English translation of the Pentateuch in America,” the 1845 Hebrew-English Bible by one of the most prominent and influential figures in American Jewish history. Octavo, 5 volumes. Translated by Isaac Leeser. Bound in contemporary polished calf, gilt titles and tooling to the spine, rebacked. Lightly rubbed, moderate wear. A very nice example of a scarce and important work.
"When you've seen beyond yourself, then you may find, peace of mind is waiting there": Signed Limited First Edition of George Harrison's I, Me, Mine
Guildford Surrey, England: Genesis Publications Limited, 1980.
Signed first limited edition of Harrison’s autobiography. Octavo, original three quarters green calf over cloth, red morocco spine label, mounted red morocco gilt cover design, pictorial endpapers, raised bands, all edges gilt, cloth slipcase with paper label. With 17 in-text illustrations, 49 photographic plates, including one folding, and facsimiles of original manuscript lyrics for 83 songs. One of 2000 copies signed by George Harrison. Fine in a fine slipcase.
The Works of Washington Irving: The Autograph Edition [The Legend of Sleepy Hollow; Rip Van Winkle].
New York: G.P. Putnam's Sons, 1895–97.
The Works of Washington Irving: The Author’s Autograph edition. Octavo, bound in the publisher’s three quarters morocco over marbled boards, gilt titles and tooling to the spine, top edge gilt, marbled endpapers, with one folding map and two folding charts. One of 500 sets, this set contains a page of original manuscript by Irving and an autograph note signed, both tipped in to volume one of The Alhambra. The manuscript leaf is page 216 of The Alhambra manuscript, with several deletions and corrections in ink. In the autograph note, signed “Washington Irving” and dated “Tuesday May 1,” the author regrets not being able to accept an invitation as he is dining with “Mr. Murray”. In near fine condition with light wear. A very nice set.