The Works of Joseph Conrad; Inscribed by Joseph Conrad
The Works of Joseph Conrad.
Item Number: 22019
London: J.M. Dent & Sons, 1923.
Octavo, original cloth, 22 volumes. Inscribed by the author on the front free endpaper of Almayer’s Folly and Tales of Unrest, “To Claudine and Allan Wade from their friend Joseph Conrad 1923.” The recipients, Allan and Claudine Wade was an actor, director, bibliophile and founder of The Phoenix Society. In excellent condition.
Joseph Conrad was a Polish-British writer regarded as one of the greatest novelists to write in the English language. He joined the British merchant marine in 1878, and was granted British nationality in 1886. Though he did not speak English fluently until he was in his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. Conrad is considered an early modernist, though his works still contain elements of 19th-century realism. "His narrative style and anti-heroic characters have influenced many authors, including T. S. Eliot, William Faulkner, Graham Greene, and Salman Rushdie" (John Stape, The Many Lives of Joseph Conrad).
Other Books by this Author
"Sleep after toyle, port after stormie seas, Ease after warre, death after life, does greatly please": First Edition of Joseph Conrad's The Rover
London: T. Fisher Unwin Ltd, 1923.
First British edition of the last complete novel by Joseph Conrad. Octavo, original cloth. Fine in a very good dust jacket with light rubbing.
“HE WHO HATH KNOWN THE BITTERNESS OF THE OCEAN SHALL HAVE ITS TASTE FOREVER IN HIS MOUTH”: FIRST EDITION OF JOSEPH CONRAD'S FALK, AMY FOSTER, TO-MORROW THREE STORIES
New York: McClure, Phillips and Company, 1903.
First edition. Octavo, original cloth, gilt titles to the spine and front panel. In near fine condition with light rubbing.
“Never test another man by your own weakness": First Edition of Joseph Conrad's Lord Jim; Inscribed by Him
New York: Doubleday & McClure Co, 1901.
First American edition of one of Conrad’s finest novels. Octavo, original cloth. Presentation copy, inscribed by the author on the front free endpaper, “Signed for Richard Curle by Joseph Conrad this 24 January 1920.” Laid into this volume is also a letter from Curle, dated November 11th, 1922, which begins, “I saw in a catalogue a copy of a book signed to me by Conrad and thought to discover how it had got there…” Curle was a Scottish author, traveler and bibliophile and was a frequent correspondent of Conrad’s, for whom he acted as an assistant during the novelist’s later years. In excellent condition with some minor toning to the spine and light wear to the extremities. Housed in a custom half morocco clamshell box. An exceptional association copy, most rare and desirable signed and inscribed and with noted provenance.
“One must not make too much of anything in life, good or bad": First Edition of Joseph Conrad's The Shadow-Line: A Confession
London: J. M. Dent & Sons Ltd, 1917.
First edition, first issue of this Conrad novel, based at sea. Octavo, original cloth, with the Aldine House logo to the front panel. In near fine condition with light rubbing.
Garden City, NY: Doubleday, Page & Company, 1923.
First edition, later printing of this classic sea yarn by Conrad. Octavo, original blue cloth, gilt stamped to the front panel, gilt titles to the spine, frontispiece. Boldly inscribed by Joseph Conrad on the front free endpaper. In near fine condition with some light offsetting to the endpapers.
London: J.M. Dent & Sons, 1925.
First edition of Conrad’s last novel. Octavo, original cloth. With the original 4 pp. advertising pamphlet laid in, “A Selection from our 1925 Autumn List.” Very good in a very good dust jacket with some wear and rubbing. With an Introduction by Richard Curle. Jacket art by Thomas Derrick.
“The calm was absolute, a dead, flat calm, the stillness of a dead sea and of a dead atmosphere": Joseph Conrad's The Rescue; Inscribed by Him
Garden City, NY: Doubleday, Page and Company, 1922.
First edition, early printing of this later Conrad work. Octavo, original blue cloth, gilt stamped to the front panel, gilt titles to the spine, frontispiece. Boldly inscribed by Joseph Conrad on the front free endpaper. In near fine condition with light rubbing to the extremities.
"My task, which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel--it is, before all, to make you see": First Edition of Joseph Conrads Masterpiece Lord Jim
London: William Blackwood & Sons, 1900.
First edition of one of Conrad’s finest novels. Octavo, original cloth. A near fine example with some wear to the extremities and the endpapers ever so slightly browned. First printing with the first issue points including the misprints “anyrate” p. 77, l. 5, “cure” (instead of “cured”) p. 226, 7 lines from the bottom, the omission of “keep” after “can” p. 226, 7 lines from the bottom, and “his” p. 319, last line, being printed below the line.
“Love and regret go hand in hand in this world of changes swifter than the shifting of the clouds reflected in the mirror of the sea": First Edition of Joseph Conrad's The Mirror of the Sea: Memories and Impressions
London: Methuen & Company, 1906.
First British edition of Conrad’s first volume of autobiographical non-fiction. Octavo, original cloth, gilt titles and tooling to the spine. In very good condition.
"Words, as is well known, are the great foes of reality": First edition of Joseph Conrad's Under Western Eyes
London: Methuen & Co. Ltd, 1911.
First edition of one of Conrad’s major works. Octavo, bound in contemporary boards with the gilt title from the original cloth spine adhered as a spine label. In very good condition.
First Editions of Each Book in Andrew Lang's Fairy Books; Each Bound Uniformly by Sangorski and Sutcliffe
The Fairy Books: Blue (1889); Red (1890); Green (1892); Yellow (1894); Pink; (1897); Grey (1900); Violet (1901); Crimson (1903); Brown (1904); Orange (1906); Olive (1907); Lilac (1910) [with The Blue Poetry Book (1891); The True Story Book (1893); The Red True Story Book (1895); The Animal Story Book (1896); The Arabian Nights Entertainments (1898); The Red Book of Animal Stories (1899); The Book of Romance (1902); The Red Romance Book (1905)].
London: Longmans, Green & Company, 1889-1910.
First editions of each volume in Andrew Lang’s Fairy Books: Blue (1889); Red (1890); Green (1892); Yellow (1894); Pink; (1897); Grey (1900); Violet (1901); Crimson (1903); Brown (1904); Orange (1906); Olive (1907); Lilac (1910) (12 volumes), along with eight of his other works: The Blue Poetry Book (1891); The True Story Book (1893); The Red True Story Book (1895); The Animal Story Book (1896); The Arabian Nights Entertainments (1898); The Red Book of Animal Stories (1899); The Book of Romance (1902); The Red Romance Book (1905). Bound in full leather by Sangorski and Sutcliffe, gilt titles and tooling to the spine, raised bands, gilt ruled to the front and rear panels, each volume with a different motif to the front and rear panel, all edges gilt, gilt turn-ins, marbled endpapers, book marks. Each volume bound with the original cloth spine and front panel. With numerous illustrations by H. J. Ford. In near fine condition with a few volumes with some light cracking at the hinges. An exceptional set bound by Sangorski and Sutcliffe.
FIRST EDITION, FIRST ISSUE OF CHARLES DARWIN'S THE DESCENT OF MAN; From the library of Egyptologist Percy E. Newberry
London: John Murray, 1871.
First edition, first issue of both volumes (with “transmitted” the first word on p. 297 in the first volume; in the second, the printer’s note on the verso of the half-title, errata on title verso, and the postscript leaf after p. viii. Both volumes have the January ads). Octavo, two volumes, original green cloth. In good condition, rebacked, marbled board slipcase. Publisher’s embossed presentation stamp on titles; contemporary signature of Neville Goodman on half-titles; bookplates of the Egyptologist Percy E. Newberry. Newberry served on the Tutankhamun excavation team for several seasons. His speciality was the botanical specimens from the tomb, on which he would briefly report in the second volume of Carter’s The Tomb of Tutankhamen. on the front pastedowns. With noted provenance.
Philadelphia: C. Sherman, 5605, 1845-46.
First edition of the “first English translation of the Pentateuch in America,” the 1845 Hebrew-English Bible by one of the most prominent and influential figures in American Jewish history. Octavo, 5 volumes. Translated by Isaac Leeser. Bound in contemporary polished calf, gilt titles and tooling to the spine, rebacked. Lightly rubbed, moderate wear. A very nice example of a scarce and important work.
“It's in vain to recall the past, unless it works some influence upon the present": First Edition of Charles Dickens' David Copperfield
London: Bradbury and Evans, 1850.
First edition of “the most perfect of all the Dickens novels” (Virginia Woolf). Octavo, bound by Bayntun Bindery in three quarters morocco over cloth, gilt titles and tooling to the spine, all edges gilt, marbled endpapers. With frontispiece, engraved title-page and 38 plates inserted throughout. Plates by H.K. Browne. In very good condition.