First Edition of Jack Kerouac's First Book The Town and the City; lengthily inscribed by him to legendary jazz musician Artie Shaw
The Town and the City.
Item Number: 95194
New York: Harcourt, Brace and Company, 1950.
First edition of Kerouac’s first book. Octavo, original red cloth. Association copy, inscribed by the author on the front free endpaper to “one of jazz’s finest clarinetists” Artie Shaw, “To Artie – in fond remembrance of our long talk, and that ‘sound in the night’ all of us hear even though it is only the poor machine that takes it to us, from you – Yours Jack Kerouac And Thanks for the advice.” The recipient, Artie Shaw was an influential American clarinetist, composer, actor, and writer. He led one of the United States’ most popular big bands in the late 1930s through the early 1940s, had numerous hit records, and recorded with a number of small jazz groups drawn from within the ranks of the various big bands he led. He became best known for his 1938 recording of Cole Porter’s “Begin the Beguine” which became one of the era’s defining recordings. Kerouac’s spontaneous literary method borrowed heavily from the structure of improvisational jazz licks. His style came to be characterized by limited revision and short phrases occurring between dashes (as opposed to periods) which took on a certain rhythm much like the rapid tempo of Bebop jazz, a subject Kerouac enjoyed describing in many of his works. Very good in a very good dust jacket with some rubbing and wear to the extremities. Jacket design by Leo Manso. An exceptional association.
Jack Kerouac began writing The Town and the City in late 1945, according to Ellis Amburn, who edited Kerouac's last two novels and wrote the biography Subterranean Kerouac. Heavily influenced by Thomas Wolfe, he sent the completed manuscript to Wolfe's publisher, Charles Scribner's Sons, in 1948. Allen Ginsberg lobbied his former teacher at Columbia University (Kerouac had also attended Columbia), Mark Van Doren for help, and Van Doren set up an interview with Alfred Kazin, who worked as a scout for Harcourt Brace. Kerouac was unable to make the interview with Kazin but Ginsberg introduced Kerouac to New Yorker editor Ed Stringham, who arranged a meeting between Kerouac and the editor-in-chief of Viking Press. Kazin eventually decided to read the manuscript and if he liked it, he would pass it to the top publishers in New York. His contacts also included Houghton Mifflin, Alfred A. Knopf, Little Brown and Company, and Random House. Kazin recommended the book. In December 1948, Scribner's again rejected the manuscript, despite changes that Kerouac had made to the text. Little Brown also rejected the book that same month, declining publication due to its excessive length, which meant the book would be prohibitively expensive for a first novel. (Most of the costs of publishing a first novel are the costs of paper and binding, and a long book makes it harder for the publisher to recoup its costs.) After reading sample chapters of The Town and the City (along with Kerouac's work-in-progress Dr. Sax), Mark Van Doren recommended the novel to Robert Giroux at Harcourt Brace in March 1949. Giroux, like Van Doren and Kerouac, was associated with Columbia. Giroux was impressed with the 1,100-page-long manuscript, which he thought comparable to Wolfe's Look Homeward, Angel in terms of its lyricism and poetry, and offered Kerouac a $1,000 advance against royalties. Publication eventually was pushed back to March 2, 1950. It received good notices from Charles Poore, reviewing the book for the daily New York Times, and John Brooks, reviewing it for the Sunday Times Book Review.