The Fountainhead.

“Integrity is the ability to stand by an idea": First Edition of Ayn Rand's Magnum Opus The Fountainhead; Inscribed by Her

The Fountainhead.

RAND, Ayn.


Item Number: 121447

Indianapolis: Bobbs-Merrill Company, 1943.

First edition, first issue with first edition stated on the copyright page of the author’s first major novel, as well as her first best-seller. Octavo, original red cloth. Association copy, inscribed by the author in the year of publication on the front free endpaper, “To Gertrude Lynneberg- – with my best wishes for long years of happiness- Ayn Rand November 16, 1943.” The recipient, Gertrude Lynneberg was the sister-in- law to Linda Lynneberg, also known as Aslaug Lynneberg, a lifelong friend of Rand. Near fine in a very good first issue dust jacket with some chips and wear. Housed in a custom half morocco clamshell box made by the Harcourt Bindery. First editions in the original dust jacket are uncommon, association copies rare.

Although Rand was a previously published novelist and had a successful Broadway play, she faced difficulty in finding a publisher she thought right for The Fountainhead. She let Macmillian Publishing go when they rejected her demand for better publicity (Branden, 1986), and when her agent criticized the novel, she fired him and handled submissions herself (Burns, 2009). After sifting through eleven more publishers, Rand finally released The Fountainhead with Bobbs-Merrill Company in 1943. The reception was instant, and The Fountainhead became a bestseller in two years. The protagonist, Howard Roark, whose character was thought to be inspired by Frank Lloyd Wright, is a young architect fighting against convention. Cited by numerous architects as an inspiration, Ayn Rand said the theme of the book was "individualism versus collectivism, not within politics but within a man's soul." Rand chose architecture as the analogy of her heady themes because of the context of the ascent of modern architecture. It provided an appropriate mode to make relevant her beliefs that the individual is of supreme value, the "fountainhead" of creativity, and that selfishness, properly understood as ethical egoism, is a virtue. Some critics consider The Fountainhead to be Rand's best novel (Merill, 1991). Indeed, philosopher Mark Kingwell described it as "Rand's best work" (Kingwell, 2006). In 1949 it was adapted to film, produced by Henry Blanke, directed by King Vidor, starring Gary Cooper, Patricia Neal, Raymond Massey, Robert Douglas, and Kent Smith.

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