Rare original Walt Disney Donald Duck Drawing; inscribed by Walt Disney
Original Walt Disney Donald Duck Drawing Signed.
Item Number: 96235
Rare original Walt Disney Studios production drawing of Donald Duck posing as a hunter. Inscribed by Walt Disney in the lower right corner of the original presentation mat, “To Paul Conrad, with best wishes, Walt Disney” with the Walt Disney Studios copyright insignia in the lower right corner. The entire piece measures 16.5 inches by 15.5 inches.
Founded as the Disney Brothers Cartoon Studio in 1923 and incorporated as Walt Disney Productions in 1929, Walt Disney Animation Studios has produced 57 feature films. For much of its existence, the studio was recognized as the premier American animation studio; it developed many of the techniques, concepts and principles that became standard practices of traditional animation. Donald Duck's first appearance was in 1934 in The Wise Little Hen, and throughout the next several decades he appeared in over 150 theatrical films, several of which were recognized at the Academy Awards.
Other Books by this Author
New York: Simon and Schuster, 1953.
First edition of Lady and the Tramp. Octavo, original cloth, with charming illustrations by Joe G. Rinaldi. Foreword by Walt Disney. Fine in a good dust jacket with some chips and wear.
Boston: D.C. Heath and Company, 1944.
First edition of Mickey’s tour of America, with numerous color illustrations. Octavo, original cloth, pictorial endpapers. In near fine condition.
Rare First Edition Little Golden Book of Walt Disney's Mickey Mouse and Pluto Pup; inscribed by Walt Disney
New York: Simon and Schuster, 1953.
Rare first edition Little Golden Book of this Disney tale of a fishing trip with Mickey Mouse and his loyal pup Pluto. Octavo, original illustrated boards with gilt spine label and elaborate full-color illustrations throughout. Presentation copy, inscribed by Walt Disney on the title page, “To Frank Hart – Best Wishes – Walt Disney.” In near fine condition. Rare and desirable.
"Star light, star bright - first star I've seen tonight. I wish I may - I wish I might - Have the wish I wish tonight!" First edition of Walt Disney's Version of Pinocchio: Based on the Story by Collodi, with Illustrations from the Motion Picture
Walt Disney’s Version of Pinocchio: Based on the Story by Collodi, with Illustrations from the Motion Picture.
New York: Random House, 1939.
First edition of the book version of Walt Disney’s second feature-length animated motion picture. Quarto, original half cloth over illustrated boards, pictorial endpapers, illustrated. Near fine in a near fine dust jacket. A very nice example.
"In no time at all she was princess of the land. And she and her husband, the charming Prince, rode to their palace in a golden coach to live happily ever after!": First Edition of Walt Disney's Big Golden Book Cinderella
New York: Simon and Schuster, 1950.
First edition of The Big Golden Book retelling of one of the most celebrated Disney films. Folio, original illustrated boards with gilt detailing, pictorial endpapers, illustrated with full page color illustrations throughout. Illustrations by the Walt Disney Studio adapted by Retta Scott Worcester. Story adapted by Jane Werner from the Walt Disney motion picture Cinderella. Designed and produced by The Sandpiper Press and Artists and Writers Guild, Inc. In very good condition. A very nice example.
Boston : D.C. Heath and Company, 1939.
First edition of this collection of stories. Octavo, original illustrated cloth, pictorial endpapers. Boldly signed by Walt Disney on the half-title page. Illustrated throughout by the Walt Disney Studio. Story by Margaret Wise Brown. In very good condition with some rubbing to the extremities. Rare and desirable signed by Walt Disney.
New York: Simon and Schuster, 1940.
First edition of the lavishly illustrated companion volume to Disney’s animated musical masterpiece. Quarto, original cloth, pictorial endpapers, illustrated with 16 mounted color plates. Presentation copy, signed and inscribed by thirteen people (including Walt Disney); all who worked at Walt Disney studios in the 1940s. All of the inscriptions are to Jodie Ferguson Brudge, who was a secretary at Disney Studios, and upon her leaving to get married, raise family, she asked those that she worked with to inscribe her copy of Fantasia. This work contains the following inscriptions and illustrations, inscribed by Walt Disney on the title page, “To Jodie Best Wishes Walt Disney.” Page 10 has an original full-color illustration by Milt Banta of a card game between Mickey Mouse, Donald Duck and Milt Banta, with the inscription “Best Wishes Always Milt Banta.” Page 14 has a full page original illustration by Russ Dyson of a “ye olde family tree” for the Ferguson [Jodie] and Dyson branches. On the Dyson branch is a self-portrait of Dyson as a bird, with the inscription, “I Hope the Ferguson Branch Doesn’t grow any Larger! Good Luck – Russ Dyson 1/18/46.” Page 57 has an original watercolor of a tree branch and paint container, and the inscription: “Jodie – If you ever run across any automatic paint brushes like these – let me know. – Claude Coats.” Page 82 has a twenty-six line inscription that is warm and thoughtful from Ben [Sharpsteen]. Page 95 has an original color illustration of a frog fishing and the inscription, “An ‘Good Fishin’ to you all the time – Jodie. Hugh Hennesy” Page 102 has an original color illustration of a self-portrait of Bill Berg, with the inscription “Good Bye Jodie – We’ll Miss You!!! Bill Berg.” Page 118 has an original illustration of a self-portrait of Jerry Hathcock waking from a nightmare, with the inscription, “Gad!! What a Nightmare! Maybe Jodie is smart to leave. Good Bye + Good Luck, Jerry Hathcock.” Page 119 has an original illustration of a bouquet of flowers, that has been drawn into the hand/wing of the printed ostrich, with the inscription: “Best Luck and Good Wishes Jodie. Phil Barber.” Page 121 has an original illustration of a self-portrait of J. Eric Gurney who is holding a banner that reads, “Best Wishes to Jodie.” The opposite end of the banner is being held by the printed hippopotamus. Page 126 has an original illustration of a self-portrait of Nick Nichols (being held aloft by the printed elephant), with the inscription: “Bye Bye Jodie Come Back And Work For Me Again. Best Nick Nichols.” Page 159 has an original full-page illustration of Jodie as a centaurette, with the inscription, “G’bye Now. Lots of Luck an’ Stuff to Jodie. George Rowley.” The verso of the rear free endsheet contains an original illustration of a guitar player in a pancho and sombrero with the inscription, ” Good Luck Jodie. William de la Torre.” An excellent example in a very good dust jacket. A unique piece of Disney history.
"Vogue has sometimes been called a civilizing force. If that is true, perhaps it is because a civilization, to endure, needs voices to sing its praise": The World in Vogue; inscribed to actress Vivien Leigh from Cecil Beaton
New York: The Viking Press, 1963.
First edition of this work on the groundbreaking publication Vogue. Quarto, original cloth, illustrated. Association copy, inscribed on the front free endpaper to actress Vivien Leigh from Cecil Beaton, “Merry Xmas, Vivien darling, with all my love always – Dec. 25/’63.” Near fine in a fine dust jacket with a few tears.
Cairo, Egypt: Cairo Postcard Trust, c. 1920.
Accordion-fold album of photographic views, showing landmarks of old Cairo, including: General View and the Great Mosque Sultan Hassan; Procession of the Holy Carpet; Blue Mosque; Soliman Pasha Street; British Soldiers Traversing Kamel Street; Kursaal Casino; Continental Hotel; Shepheard’s Hotel and The Matarieh Holy Tree. Small octavo, original maroon morocco, stamped in white and gilt, mounted view on cover.
Portland, Maine: Chisholm Bros, c. 1890.
First edition. Contains 26 large panels of views in leporello (accordion-fold) format. Based on photographs, the views include: Birdseye view of Jacksonville (double-plate); 13 more views of Jacksonville, including St. James Hotel, Bay Street, Windsor Hotel, Palmetto Building, Everett House, Sub-tropical Exposition Buildings, Carleton House; 41 views of St. Augustine, including Hotel Ponce de Leon (court, dining room, parlor, casino, bathing pool, etc), Anastasia Island (triple-plate), St. Francis Street, San Marco Hotel, Charlotte Street, Old Slave Market, Magnolia House, Hotel Cordova, The Alcazar, Villa Zorayda, Fort Marion, St. George Street, tropical plants, etc.; Green Cove Springs, including Hotel Ormond, Thaddeus David’s Winter Residence, street views; Magnolia, including Magnolia Hotel and Landing, Welcome Gate, Wonder Gate, etc.; Palatka, including Hart’s Orange Grove, Putnam House, St. John River; Steamer and views on the Ocklawaha River; Pensacola; Tallahassee; Lake Monroe; Uncle Tom’s Cabin, and several other black stereotypes; Tampa, including New City Hall, Tampa Bay Hotel, etc.; Key West, including Front Street, Marine Hospital, Cuban Quarter, Fort Taylor, etc. Bound in decorative brown cloth, stamped in white, gilt, and blind, with floral bouquet and alligators on cover. Rare.
"I like complexity and contradiction in architecture": First Edition of Complexity and Contradiction in Architecture "an essential document in architectural literature"; Warmly Inscribed by Robert Venturi
New York: The Museum of Modern Art, 1966.
First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Presentation copy, inscribed by the author on the front free endpaper, “To Al, Friendship and respect Bob Venturi.” Fine in a near fine dust jacket with a touch of shelfwear.