Manuscript Leaf From the Book of Jermemiah
Medieval Manuscript Leaf From the Book of Jermemiah.
Item Number: 55093
Manuscript leaf from the book of Jeremiah, approximately 50 lines, in two columns with initial letters and decorative penwork in red and blue. Circa 14th century. The leaf measures 5.25 inches by 3.5 inches. Matted and framed. The entire piece measures 16 inches by 14 inches.
"I like complexity and contradiction in architecture": First Edition of Complexity and Contradiction in Architecture "an essential document in architectural literature"; Warmly Inscribed by Robert Venturi
New York: The Museum of Modern Art, 1966.
First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Presentation copy, inscribed by the author on the front free endpaper, “To Al, Friendship and respect Bob Venturi.” Fine in a near fine dust jacket with a touch of shelfwear.
"In the sunny Adriatic sea, we came to rest and play and bathe ourselves": Signed Limited First Edition of George Bradley's Where the Blue Begins; Signed by Him and Abstract Expressionist Elaine de Kooning
New York : Sea Cliff Editions, 1985.
Signed limited first edition of American poet George Bradley’s Where the Blue Begins. One of only 120 numbered copies signed by George Bradley and abstract expressionist Elaine de Kooning. Quarto, original blue illustrated wrappers by Claire Maziarczyk. Original silkscreen frontispiece by Elaine de Kooning with loose rice paper tissue guard present. In fine condition. An excellent example.
"France may be Paris, but Paris is not France": First Edition of Henry James' classic illustrated travel account: A Little Tour in France
Boston and New York: Houghton Mifflin Company, 1900.
First illustrated edition of James’ classic account of his six-week tour to provincial France between 1883 and 1884. Octavo, original illustrated cloth, gilt titles and tooling to the spine and front panel, top edge gilt, frontispiece of Old Street, Dijon with tissue guard present. Illustrated by Joseph Pennell. In near fine condition with light rubbing to the crown and foot of the spine. A beautiful example.
Portrait of George Washington after Gilbert Stuart, American School, late 19th century oil on canvas portrait of President George Washington, after the Athaneum portrait by Gilbert Stuart. Housed in a Victorian giltwood frame with floral carved corner ornaments and oval opening. The entire piece measures 35 inches by 40 inches. An exceptional piece.