First edition of Allen Ginsberg's Collected Poems 1947-1980; Signed by Him
Collected Poems 1947-1980.
Item Number: 52009
New York: Harper & Row, Publishers, 1984.
First edition. Octavo, original cloth. Signed by the author on the title page, “Allen Ginsberg 1985 and initials AH New York.” Fine in a fine dust jacket.
Gathered here for the first time is the verse of three decades of one of America's greatest poets, Collected Poems 1947-1980 includes all writings in the groundbreaking paperback volumes published by City Lights Books, the contents of many rare pamphlets issued by small presses, and, finally, some notable texts hitherto unpublished—one, "Many Loves," withheld "for reasons of prudence and modesty," is an erotic rhapsody dating from the historic "San Francisco Renaissance" era.
Other Books by this Author
New York: McGraw-Hill Company, 1974.
First edition. Octavo, original cloth. Inscribed by the author on the front free endpaper, “See paperback version for textual corrections Signed for Richard Lautz Nov 2 1978 La Salle, Phila Pa Allen Ginsberg.” Very good in a very good dust jacket. Edited by Gordon Ball.
San Francisco: City Lights Books, 1961.
First edition, later printing. Small octavo, original wrappers as issued. Inscribed by the author on the title page, “For Richard Lautz with thanks for hospitality Allen Ginsberg LaSalle Nov. 2, 1978.” Ginsberg has added a large drawing opposite his inscription and initials. In very good condition, with the recipients notes throughout the text.
"unscrew the locks from the doors! Unscrew the doors themselves from their jambs!": Rare Mimeographed Sheets of The Howl Produced for its First Reading. Preceding the First Edition and signed by Ginsberg and five others present at the Six Gallery in October of 1955
Two sheets from an exceptionally rare privately produced mimeographed printing of Howl, preceding the first edition. One of 25 copies printed on rectos only in purple ink typed by the poet Robert Creeley and printed by Marthe Rexroth at S.F State, where she was a secretary, for the famous Six Gallery reading (also known as Six Angels in the Same Performance). This event, which took place at 3110 Fillmore Street in San Francisco on October 7, 1955 was the first important public poetry exhibition heralding the West Coast literary revolution of the Beat Generation. At the reading, five talented young poets—Allen Ginsberg, Philip Lamantia, Michael McClure, Gary Snyder, and Philip Whalen presented some of their latest works. They were introduced by Kenneth Rexroth, who was a kind of literary father-figure for the younger poets. It was at this reading that Allen Ginsberg performed the piece in public, which had been advertised by a postcard proclaiming: “Remarkable collection of angels all gathered at once in the same spot. Wine, music, dancing girls, serious poetry, free satori.” The exuberant audience included Neal Cassady, who passed around the wine jug and a collection plate and a drunken Jack Kerouac, who refused to read his own work but cheered the other poets on, and later wrote an account in his novel The Dharma Bums. He fictionalized the event with a description of circulating gallon jugs of California burgundy among the increasingly raucous crowd, “getting them all piffed so that by eleven o’clock when Alvah Goldbrook (Ginsberg’s stand-in in the novel) was reading his wailing poem ‘Wail’ (‘Howl’) drunk with arms outspread everybody was yelling ‘Go! Go! Go!’” Also in attendance was Lawrence Ferlinghetti, who telegrammed Ginsberg the following day offering to publish his work, saying ” I greet you at the beginning of a great career. When do I get the manuscript?” He published in 1956 through his City Lights Press, but customs agents seized Howl and Other Poems when it arrived from its London-based printer on grounds that it was indecent and obscene. Ferlinghetti and his store manager Shigeyoshi Murao were acquitted of the obscenity charges in October 1957. The title page is signed by Allen Ginsberg, with the signature and a note by Marthe Rexroth, which reads, “I cranked the ditto master at S F State the first time around -and! was at the reading.” On the verso of the title, McClure has written the lengthy note, “This first long poem of Allen’s was read at the Six Gallery in San Francisco in October 1955. I was 22 years old and gave my first reading also that night. I read a poem titled FOR THE DEATHS OF 100 WHALES and other poems of nature and new consciousness. Our co-readers that night were Whalen, Snyder, & Lamantia. Kenneth Rexroth was M.C. I met Jack Kerouac that night. The group of us – minus Lamantia – read again in Berkeley, March 1956, on a rainy evening. It was a fine evening for poetry and I remember my pleasure in Allen’s comic ‘America’. I read mostly from a huge notebook of experimental poems of consciousness. Michael McClure.” On the dedication page are the signatures of Philip Lamantia, Gary Snyder, Philip Whalen, Lawrence Ferlinghetti and an inscription by David Meltzer: ” When Allen first read Kaddish in SF, I read too. I was 22.” Double matted and framed, the entire piece measures 20 inches by 26 inches, with an opening in the back of the frame to view McClure’s statement. Only one other similar printing of this edition has surfaced, which fetched $118,750 at auction in 2013, although this copy did include all of the pages. An exceptionally rare item of this important work and cornerstone to American thought and culture.
San Francisco: City Lights Books, 1972.
First edition, early printing. Small octavo, original wrappers. Inscribed by Allen Ginsberg on the title page. In near fine condition.
“I touch your book and dream of our odyssey in the supermarket and feel absurd": The Howl and Other Poems; Signed by Allen Ginsberg
San Francisco: City Lights, 1956.
First edition, sixth printing of Howl, of this principal work of the Beat Generation. Small octavo, original wrappers as issued. In very good condition. Signed by Allen Ginsberg in a contemporary hand. Introduction by William Carlos Williams.
San Francisco: City Lights Books, 1977.
First edition. Small octavo, original wrappers. Signed by the author on the title page, “Allen Ginsberg 1984 Philadelphia April 28.” Ginsberg has also initialed “AH” above his name. In near fine condition.
"Pretend to be good always, and even God will be fooled": First Edition of God Bless You, Mr. Rosewater; Signed by Kurt Vonnegut with a Self-Caricature
New York: Holt, Rinehart, Winston, 1965.
First edition of the author’s fifth novel, a classic satire, which introduces the reader to Kilgore Trout. Octavo, original half cloth. Signed by the author on the half-title page with a self-caricature. Fine in a near fine dust jacket that shows just a touch of wear. A very sharp example.
"This is one of those books which makes a permanent difference to ones view of the world": Arabian Sands; Signed by Wilfred Thesiger
London: Longmans, Green and Co, 1959.
First edition, second printing of the author’s masterpiece. Octavo, original cloth. Signed by Wilfred Thesiger on the title page. Fine in a very good price-clipped dust jacket with some rubbing and wear to the extremities. Map unopened in the inside pocket of the rear pastedown.
"There's no one thing that's true. It's all true": First Edition of For Whom The Bell Tolls in the Original First-Issue Dust Jacket
New York: Charles Scribner's Sons, 1940.
First edition with the Scribners A of the novel that is regarded as one of Hemingway’s best works. Octavo, original beige cloth. Fine in a near fine first issue dust jacket without the photographer’s name on the rear panel, with a touch of rubbing and a closed tear to the rear panel. A very nice example.
First Edition of Edward Whymper's Scrambles Amongst the Alps in the Years 1860-69; Inscribed by Him to Fellow Alpinist Thomas Bonney
London: John Murray, 1871.
First edition of the author’s classic work on mountaineering, the first to help promote the very notion that peaks are meant to be climbed. Octavo, original cloth, 23 plates and numerous illustrations after drawings by Whymper; 5 folding maps. Inscribed by the author to the geologist and Alpinist Thomas Bonney , “from his obedient servant–the Author.” Also tipped in is a cordial 2 1/2-page letter signed from Whymper dated London, 15 June 1871, presenting this copy to Bonney, with additional comments on geological topics and book reviewing (“If I am asked to suggest reviewers, could you spare time to cut up ‘Scrambles’?”).
New York: Boni & Liveright, 1931.
First edition. Octavo, original cloth. Inscribed by the author to the actress Erinna Herts on the front free endpaper, “To Erinna Herts with all good wishes Eugene O’Neill Nov. 1931.” Additionally, signed below O’Neill’s inscription, are the signatures of the ten members of the play’s original cast. Jack Moeller, the play’s director has added a short inscription at the bottom. Housed in a custom clamshell box.