Architecture + Process: Gehry Talks; Signed by Frank Gehry
Architecture + Process: Gehry Talks.
Item Number: 517
New York: Rizzoli, 2005.
First edition. Octavo, original illustrated wrappers. Signed by Frank Gehry on the title page. Illustrated and with commentary by Gehry throughout.
Gehry Talks: Architecture + Process documents Gehry's work from 1988 to the present, tracing his evolution from a Southern California architect known for his idiosyncratic use of materials, as well as his collaborations with local artists, to an international figure who is redefining modernism with his sculpturally expressionistic work.
Other Books by this Author
"the greatest building of our time" (Philip Johnson) First Edition of Frank Gehrys Monograph on the Guggenheim Museum Bilbao; Signed by Him
New York: Guggenheim Museum, 1998.
First edition. Quarto, original boards. Fine in fine dust jacket. Signed by Frank Gehry at the preface.
New York: Rizzoli, 1999.
First edition. Oblong quarto, original illustrated boards, illustrations throughout. Fine in a fine dust jacket. Signed by Frank Gehry on the title page. Edited by Mildred Friedman. Essay by Michael Sorkin. Commentary by Gehry throughout.
New York: Monacelli Press, 1998.
First edition.Quarto, original cloth. Signed by Frank Gehry on the title page. Fine in a fine dust jacket.
New York: Abrams, 2001.
First edition. Oblong quarto, original cloth. Fine in near fine jacket that is slightly bumped on the lower spine. Signed by Frank Gehry on the title page.
Cambridge, MA: MIT Press, 2004.
First edition of the Canadian-born American architect’s book of architectural drawings. Octavo, original cloth, silver endpapers, illustrated. Inscribed by the author on the title page, “For William, Frank Gehry 2005.” Fine in a fine dust jacket. Essays by Horst Bredekamp, Rene Daalder, and Mark Rappolt. Commentary by Frank Gehry, Edwin Chan, and Craig Webb. Edited by Mark Rappolt and Robert Violette.
First Edition of the First Monograph on Frank Gehry's Masterpiece The Walt Disney Concert Hall; Signed by Him
New York: Harry N. Abrams, 2003.
First edition of this volume on Gehry’s Walt Disney Concert Hall in Los Angeles. Quarto, original cloth, illustrated throughout. Signed by Frank Gehry on the title page. Fine in a fine dust jacket. Preface by Deborah Borda. Introduction by Frank Gehry. With essays by Richard Koshalek and Dana Hutt, Carol McMichael Reese, Esa-Pekka Salonen and Michael Wood. Photography by Grant Mudford.
New York: Electra, 2003.
First paperback edition. Quarto, original illustrated wrappers. In fine condition. Signed by Frank Gehry on the title page.
Engraved bust portrait of Albert Einstein by Hermann Struck. Signed at lower right by Albert Einstein and the artist Hermann Struck. This was the artist’s proof and is cited by him writing (“proof”) on the lower right, in pencil, next to Einstein’s signature. The engraving measures 7 inches by 10.5 inches. Matted and framed. The entire piece measures 16 inches by 20 inches. Rare and desirable.
Black and White photograph taken by Pach Brothers of architect Marcel Breuer. Boldly signed by Breuer on the lower left. In fine condition. Double matted and framed. The entire piece measures 16.8 inches by 21 inches. Rare and desirable.
"A seminal work on garden design": First Edition of Edith Wharton's Italian Villas and Their Gardens
New York: The Century Company, 1904.
First edition of Wharton’s classic treatise on “Italian garden-magic.” Quarto, original dark green cloth, top edge gilt. With 45 full-page plates, including 26 illustrations by Maxfield Parrish (15 in color), seven in-text and 19 black-and-white photographic illustrations. In very good condition with some light rubbing and wear. A nice example.
"Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision": First Edition of Dali; Signed by Salvador Dali with a Drawing of Don Quixote
New York: Harry N. Abrams, 1968.
First edition of this lavishly illustrated work on Salvador Dali. Quarto, original illustrated boards, 271 illustrations, with 80 color plates and 23 in toned gravure. Boldly signed on the title page and its integral leaf by Dali, with a large drawing of Don Quixote with his horse Rocinante. Arranged and edited by Max Gerard. Translated from the French Eleanor R. Morse. Near fine in a near fine dust jacket. Rare and desirable signed and with a drawing by Dali.