Lengthily Inscribed by Allen Ginsberg
Allen Verbatim: Lectures on Poetry, Politics, Consciousness.
Item Number: 52037
New York: McGraw-Hill Company, 1974.
First edition. Octavo, original cloth. Inscribed by the author on the front free endpaper, “See paperback version for textual corrections Signed for Richard Lautz Nov 2 1978 La Salle, Phila Pa Allen Ginsberg.” Very good in a very good dust jacket. Edited by Gordon Ball.
Other Books by this Author
"unscrew the locks from the doors! Unscrew the doors themselves from their jambs!": Rare Mimeographed Sheets of The Howl Produced for its First Reading. Preceding the First Edition and signed by Ginsberg and five others present at the Six Gallery in October of 1955
Two sheets from an exceptionally rare privately produced mimeographed printing of Howl, preceding the first edition. One of 25 copies printed on rectos only in purple ink typed by the poet Robert Creeley and printed by Marthe Rexroth at S.F State, where she was a secretary, for the famous Six Gallery reading (also known as Six Angels in the Same Performance). This event, which took place at 3110 Fillmore Street in San Francisco on October 7, 1955 was the first important public poetry exhibition heralding the West Coast literary revolution of the Beat Generation. At the reading, five talented young poets—Allen Ginsberg, Philip Lamantia, Michael McClure, Gary Snyder, and Philip Whalen presented some of their latest works. They were introduced by Kenneth Rexroth, who was a kind of literary father-figure for the younger poets. It was at this reading that Allen Ginsberg performed the piece in public, which had been advertised by a postcard proclaiming: “Remarkable collection of angels all gathered at once in the same spot. Wine, music, dancing girls, serious poetry, free satori.” The exuberant audience included Neal Cassady, who passed around the wine jug and a collection plate and a drunken Jack Kerouac, who refused to read his own work but cheered the other poets on, and later wrote an account in his novel The Dharma Bums. He fictionalized the event with a description of circulating gallon jugs of California burgundy among the increasingly raucous crowd, “getting them all piffed so that by eleven o’clock when Alvah Goldbrook (Ginsberg’s stand-in in the novel) was reading his wailing poem ‘Wail’ (‘Howl’) drunk with arms outspread everybody was yelling ‘Go! Go! Go!’” Also in attendance was Lawrence Ferlinghetti, who telegrammed Ginsberg the following day offering to publish his work, saying ” I greet you at the beginning of a great career. When do I get the manuscript?” He published in 1956 through his City Lights Press, but customs agents seized Howl and Other Poems when it arrived from its London-based printer on grounds that it was indecent and obscene. Ferlinghetti and his store manager Shigeyoshi Murao were acquitted of the obscenity charges in October 1957. The title page is signed by Allen Ginsberg, with the signature and a note by Marthe Rexroth, which reads, “I cranked the ditto master at S F State the first time around -and! was at the reading.” On the verso of the title, McClure has written the lengthy note, “This first long poem of Allen’s was read at the Six Gallery in San Francisco in October 1955. I was 22 years old and gave my first reading also that night. I read a poem titled FOR THE DEATHS OF 100 WHALES and other poems of nature and new consciousness. Our co-readers that night were Whalen, Snyder, & Lamantia. Kenneth Rexroth was M.C. I met Jack Kerouac that night. The group of us – minus Lamantia – read again in Berkeley, March 1956, on a rainy evening. It was a fine evening for poetry and I remember my pleasure in Allen’s comic ‘America’. I read mostly from a huge notebook of experimental poems of consciousness. Michael McClure.” On the dedication page are the signatures of Philip Lamantia, Gary Snyder, Philip Whalen, Lawrence Ferlinghetti and an inscription by David Meltzer: ” When Allen first read Kaddish in SF, I read too. I was 22.” Double matted and framed, the entire piece measures 20 inches by 26 inches, with an opening in the back of the frame to view McClure’s statement. Only one other similar printing of this edition has surfaced, which fetched $118,750 at auction in 2013, although this copy did include all of the pages. An exceptionally rare item of this important work and cornerstone to American thought and culture.
San Francisco: City Lights Books, 1961.
First edition, later printing. Small octavo, original wrappers as issued. Inscribed by the author on the title page, “For Richard Lautz with thanks for hospitality Allen Ginsberg LaSalle Nov. 2, 1978.” Ginsberg has added a large drawing opposite his inscription and initials. In very good condition, with the recipients notes throughout the text.
New York: Harper & Row, Publishers, 1984.
First edition. Octavo, original cloth. Signed by the author on the title page, “Allen Ginsberg 1985 and initials AH New York.” Fine in a fine dust jacket.
First Edition of The (Mis)Behavior of Markets: A Fractal View of Risk, Ruin, and Reward; Inscribed By Benoit Mandelbrot
New York: Basic Books, 2004.
First edition. Octavo, original half cloth. Inscribed by Benoit Mandelbrot on the title page, “For William, with the compliments of the senior author Benoit Mandelbrot.” Fine in a fine dust jacket.
"A good portfolio is more than a long list of good stocks and bonds. It is a balanced whole, providing the investor with protections and opportunities with respect to a wide range of contingencies": Rare First Edition of Markowitzs Landmark Work Portfolio Selection; Inscribed by Him
New York: John Wiley & Sons, 1959.
First edition of the economist’s work, which revolutionized modern investment theory and practice. Octavo, original blue cloth. Inscribed by Harry Markowitz on the title page. Light wear, else near fine in a very good dust jacket. Housed in a custom half morocco clamshell box.
New York: Grossman, 1965.
First edition. Octavo, original red cloth. Warmly inscribed by Ralph Nader on the title page. Near fine in a very dust jacket.