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“AMERICA’S SECOND DECLARATION OF INDEPENDENCE”: RARE FIRST EDITION OF WALT WHITMAN’S LEAVES OF GRASS, THE MOST IMPORTANT AND INFLUENTIAL VOLUME OF AMERICAN POETRY
Brooklyn, New York: For the author by Andrew & James Rome, 1855.
First edition of the most important volume in American poetry, which Whitman personally financed, supervised and even in some sections hand-set the type for the small printing of 795 copies. Small folio, frontispiece engraved portrait of the author by Hollyer after the daguerreotype by Gabriel Harrison, mounted opposite the title, bound in three quarters morocco over marbled boards by MacDonald, New York, gilt titles and tooling to the spine, marbled endpapers. In near fine condition. Housed in a custom full morocco clamshell chemise.
Price: $50,000.00 Item Number: 108540
Paris: Mercure de France, 1913.
First edition of Apollinaire’s first collection of poems, signed by him and Pablo Picasso. Octavo, bound in three quarter morocco with gilt titles and raised bands to the spine, patterned endpapers, frontispiece portrait of the poet by Pablo Picasso. Association copy, inscribed by both Apollinaire and Pablo Picasso on front free endpaper, “A A P.N. Roinard son admirateur Guillaume Apollinaire” and “et pour Robert Valançay Picasso Paris Janvier 1940 et I.” Apollinaire has also made five corrections to the text in ink on pages 71, 77, 92, 110 and 189. The recipient of Apollinaire’s inscription, Paul-Napoléon Roinard, was a French libertarian painter and poet whom Apollinaire befriended in 1903 and considered “one of the most powerful precursors of the new poetry.” Apollinaire dedicated his poem Le Brasier (included in the present volume on p. 129) to Roinard. The recipient of Picasso’s inscription, Robert Valançay, was a poet, translator and literary critic who worked with and admired many of the artists and poets of the surrealist group. He published two major volumes of poetry but was most appreciated and sought after for his translations. He was considered the official translator of Max Ernst and Hans Arp. In near fine condition. Original wrappers bound in. A remarkable association copy, linking four major figures of the literary and artistic avant-gardes of the 20th century.
Price: $35,000.00 Item Number: 128083
"unscrew the locks from the doors! Unscrew the doors themselves from their jambs!": Rare Mimeographed Sheets of The Howl Produced for its First Reading. Preceding the First Edition and signed by Ginsberg and five others present at the Six Gallery in October of 1955
Two sheets from an exceptionally rare privately produced mimeographed printing of Howl, preceding the first edition. One of 25 copies printed on rectos only in purple ink typed by the poet Robert Creeley and printed by Marthe Rexroth at S.F State, where she was a secretary, for the famous Six Gallery reading (also known as Six Angels in the Same Performance). This event, which took place at 3110 Fillmore Street in San Francisco on October 7, 1955 was the first important public poetry exhibition heralding the West Coast literary revolution of the Beat Generation. At the reading, five talented young poets—Allen Ginsberg, Philip Lamantia, Michael McClure, Gary Snyder, and Philip Whalen presented some of their latest works. They were introduced by Kenneth Rexroth, who was a kind of literary father-figure for the younger poets. It was at this reading that Allen Ginsberg performed the piece in public, which had been advertised by a postcard proclaiming: “Remarkable collection of angels all gathered at once in the same spot. Wine, music, dancing girls, serious poetry, free satori.” The exuberant audience included Neal Cassady, who passed around the wine jug and a collection plate and a drunken Jack Kerouac, who refused to read his own work but cheered the other poets on, and later wrote an account in his novel The Dharma Bums. He fictionalized the event with a description of circulating gallon jugs of California burgundy among the increasingly raucous crowd, “getting them all piffed so that by eleven o’clock when Alvah Goldbrook (Ginsberg’s stand-in in the novel) was reading his wailing poem ‘Wail’ (‘Howl’) drunk with arms outspread everybody was yelling ‘Go! Go! Go!’” Also in attendance was Lawrence Ferlinghetti, who telegrammed Ginsberg the following day offering to publish his work, saying ” I greet you at the beginning of a great career. When do I get the manuscript?” He published in 1956 through his City Lights Press, but customs agents seized Howl and Other Poems when it arrived from its London-based printer on grounds that it was indecent and obscene. Ferlinghetti and his store manager Shigeyoshi Murao were acquitted of the obscenity charges in October 1957. The title page is signed by Allen Ginsberg, with the signature and a note by Marthe Rexroth, which reads, “I cranked the ditto master at S F State the first time around -and! was at the reading.” On the verso of the title, McClure has written the lengthy note, “This first long poem of Allen’s was read at the Six Gallery in San Francisco in October 1955. I was 22 years old and gave my first reading also that night. I read a poem titled FOR THE DEATHS OF 100 WHALES and other poems of nature and new consciousness. Our co-readers that night were Whalen, Snyder, & Lamantia. Kenneth Rexroth was M.C. I met Jack Kerouac that night. The group of us – minus Lamantia – read again in Berkeley, March 1956, on a rainy evening. It was a fine evening for poetry and I remember my pleasure in Allen’s comic ‘America’. I read mostly from a huge notebook of experimental poems of consciousness. Michael McClure.” On the dedication page are the signatures of Philip Lamantia, Gary Snyder, Philip Whalen, Lawrence Ferlinghetti and an inscription by David Meltzer: ” When Allen first read Kaddish in SF, I read too. I was 22.” Double matted and framed, the entire piece measures 20 inches by 26 inches, with an opening in the back of the frame to view McClure’s statement. Only one other similar printing of this edition has surfaced, which fetched $118,750 at auction in 2013, although this copy did include all of the pages. An exceptionally rare item of this important work and cornerstone to American thought and culture.
Price: $35,000.00 Item Number: 40140
"My original soul seemed, at once, to take its flight from my body": Scarce first edition of Edgar Allan Poe's Tales; including the first appearance of The Gold-Bug, The Black Cat, The Fall of The House of Usher, and The Purloined Letter
New York: Wiley and Putnam, 1845.
First edition, first printing with the imprints of T. B. Smith and H. Ludwig on the copyright page of one of the most important works in the history of American literature. Several of the dozen stories in this remarkable collection are among the best known in fiction including The Gold-Bug, The Black Cat, The Fall of The House of Usher, and The Purloined Letter. Octavo, bound in three quarters contemporary calf over marbled boards. Housed in a custom clamshell and chemise box. In excellent condition with light browning to the text. BAL 16146; Grolier, 100 American, 55; Heartman and Canny, pp. 90-97; Yale/Gimbel 61. One of the nicest examples we have seen of this scarce highspot of American literature.
Price: $35,000.00 Item Number: 95139
The Constable Edition of The Works of Shakespeare; one of only 1,000 copies bound by BaynTun in cosway-style binding and elaborately illustrated with original watercolors
Edinburgh: T. and A. Constable; Grant Richards, 1903-1904.
The Constable edition of the works of Shakespeare. Folio, ten volumes. Elaborately bound in full blue morocco by Bayntun Riviere in Cosway-style binding with hand painted portrait medallions under glass to the front panel of each volume, gilt titles to the spine, gilt tooling to the spine and front panel, fleuron cornerpiece designs within gilt frames, raised gilt bands, inner dentelles, top edge gilt, silk endleaves, ribbon bound in. Illustrated with 479 tissue-guarded plates and 531 original illustrations, 525 of which are original watercolors. One of only 1,000 copies, this is number 149. Volume X is signed by Grant Richards, who produced that volume only, on the limitation page. Each volume contains four plays, with the exception of volume ten which contains two plays followed by Shakespeare’s narrative poems and sonnets. In near fine condition. Exceptionally rare and desirable. A stunning set.
Price: $35,000.00 Item Number: 95176
“I touch your book and dream of our odyssey in the supermarket and feel absurd": First Edition of The Howl and Other Poems; Inscribed by Allen Ginsberg to fellow poet José García Villa
San Francisco: City Lights, 1959.
First edition of this principal work of the Beat Generation. Small octavo, original wrappers as issued. Association copy, inscribed by the author on the title page to fellow poet, writer and artist José García Villa, “416 E 34 St Paterson Allen Ginsberg to Jose G Villa after years.” The recipient José García Villa was born in Manila in 1908, before moving to New Mexico to pursue his studies, and ultimately to Greenwich Village in New York City. There, he joined a community of modernist poets, including e.e. cummings, Marianne Moore, W.H. Auden, among others, and was affectionately known as “The Pope of Greenwich Village.” He wrote his poems under the pseudonym Doveglion (a composite of dove, eagle, and lion) and was admired, according to Marianne Moore, for “the reverence, the raptness, the depth of concentration in [his] bravely deep poems.” His 1933 story collection, Footnote to Youth: Tales of the Philippines and Others, was “the first work of fiction by a Filipino writer published by a major United States-based press.” Villa received “numerous honors and awards, including a Guggenheim Fellowship, a Philippines Heritage Award, a Poetry Award from the American Academy of Arts and Letters, a Rockefeller Foundation Fellowship, and a Shelley Memorial Award. In 1973 he was named a National Artist of the Philippines, and he also served as a cultural advisor to the Philippine government. In near fine condition. Introduction by William Carlos Williams. An exceptional association.
Price: $22,500.00 Item Number: 128745
"The passion spreads in wide tongues, choked and slow, meeting the gulf, hosanna silently below": First edition of Hart Crane's landmark modernist epic the bridge; inscribed by him to close friend Bob Thompson
New York: Horace Liveright, 1930.
First American edition of Crane’s landmark modernist epic. Octavo, original blue cloth with gilt titles to the spine and front panel, illustrated with three photographs by Walter Evans. Presentation copy, inscribed by the author on the front free endpaper one month after publication, “For Bob Thompson, from his friend always- Hart Crane, Brooklyn, April 30.” The recipient, Robert Thompson, was a close friend of Crane’s. During the early part of 1930, Thompson and Crane spent what John Unterecker described as “wild evenings” in New York. Thompson was “a good drinking companion whom Hart in the summer would recommend to Caresse Crosby as ‘a former sailor who has got tired of office work and expects to hit the deck again for awhile.'” With Thompson’s inscription to the pastedown recording the details of Crane’s suicide, “April 28,1932, S/S Orizaba, Capt. Blackadder.” In very good condition. Housed in a custom clamshell box. Crane presentation copies are of the utmost rarity, and this personal and significant association is of exceptional desirability.
Price: $22,500.00 Item Number: 123618
"When you come to observe faithfully the changes of each humblest plant, you find that each has sooner or later its peculiar autumnal tint, or tints": The Manuscript Edition of The Writings of Henry David Thoreau; In the Original Binding
Boston: Houghton Mifflin and Company, 1906.
The manuscript edition of the writings of Henry David Thoreau. With the original manuscript sheet by Thoreau from his journal tipped-in to volume 1. The two page manuscript fragment comprises 58 lines from “Autumnal Tints,” in altered form, published in the Atlantic Monthly, October 1862, and collected in Excursions the following year. The fragment concludes with the line containing the title phrase: “When you come to observe faithfully the changes of each humblest plant, you find that each has sooner or later its peculiar autumnal tint, or tints […].” Octavo, 20 volumes. Bound in the publisher’s three-quarter green morocco over marbled boards, spine elaborately tooled and lettered in gilt in compartments, raised bands, top edge gilt, marbled endpapers. Signed by the publisher. Illustrated in each volume with a photograph of flowers and a hand-colored scenes used as frontispieces and additional plates inserted throughout. In fine condition without wear.
Price: $18,500.00 Item Number: 97590
"To the few who love me and whom I love – to those who seek rather than to those who think – to the dreamers and those who put faith in dreams as in the only realities – I offer this book of truths" : Rare first edition of Edgar Allan Poe's Magnum Opus, Eureka, One of only 500 copies
New York: George P. Putnam, 1848.
First edition, first issue of Poe’s classic work. Duodecimo, original publishers blind stamped black cloth with gilt lettering to the spine. First issue, without the review for Eureka on page 2 of the 16 page catalogue at the end of the book, but reads simply: “Poe. — Eureka, A Prose Poem: Or the Physical and Metaphysical Universe. By Edgar A. Poe, Esq.” In very good condition, with some light rubbing to the extremities, contemporary inscription to the front free endpaper. Housed in a custom cloth box. A nice, bright example of this rare and important text.
Price: $17,500.00 Item Number: 37022
“Do not go gentle into that good night, Old age should burn and rage at close of day; Rage, rage against the dying of the light": First Edition of Dylan Thomas' In Country Sleep; Signed by Him
New York: New Directions, 1952.
First edition of this collection of poems, including the first book appearance of “Do not go gentle into that good night.” Octavo, original cloth. Signed and dated by the author in the year of publication on the front free endpaper, “Dylan Thomas 1952.” Fine in a very good dust jacket. Housed in a custom half morocco clamshell box. Rare and desirable signed as Thomas passed away one year after the publication.
Price: $15,000.00 Item Number: 106778
Fare First Edition of Dylan Thomas' First Book Thirteen Poems; Lengthily Inscribed by Him to literary editor and close friend Desmond Hawkins
London: Sunday Referee and the Parton Press, 1936.
First edition, first issue of Thomas’ first book, one of 250 copies. Octavo, original cloth. Association copy, inscribed by the author to Desmond Hawkins, who was Dylan’s literary editor and close friend, with a playful (and perhaps drunken) inscription which attempts to conflate their names, maybe in an effort to create a new single persona out of the two of them: “To and from Hawkins Dylan Desmond Thomas Dylan Desmond Dylan Desmond Hawkins Thomas Dylan Desmond.” He has also included a more conventional inscription, signed “Dylan Thomas 24th May 1936.” Near fine in a very good dust jacket with some small chips to the extremities. Housed in a custom clamshell box. Rare and desirable signed and inscribed.
Price: $15,000.00 Item Number: 111544
"O come, then, quickly come! We are budding, we are blowing; And the wind that we perfume Sings a tune that's worth the knowing": First Edition of Ralph Waldo Emerson's poems; Inscribed by Him
Boston: James Munroe & Co, 1847.
First edition with four pages of publisher’s ads dated January 1, 1847 bound before the title of this collection of poems. Octavo, bound in publisher’s boards covered in coated ivory-colored paper, with publisher’s label on spine. Inscribed by the author in the year of publication, “Elizabeth Burgess with the best wishes of R.W.E. 1 Jan. 1847.” In very good condition with some wear to the binding. Housed in a custom half morocco clamshell box. Rare and desirable signed and inscribed by Emerson in the year of publication.
Price: $15,000.00 Item Number: 70005
"I hope that this book ain't so silly and that it will always remain in the cas[s]a": First Edition of Where the Sidewalk Ends, Signed by Shel Silverstein; Inscribed to the Children of His Editor
New York: Harper & Row, Publishers, 1974.
First edition of the author’s first collection of children’s poetry. Stated first edition on the copyright page. Small quarto, original brown cloth, illustrated. Association copy, inscribed by Shel Silverstein with an original poem on the front free endpapers to the children of his editor and publicist William Cole, “For Alex and Rossa and Billy, I hope that this book ain’t so silly and that it will always remain in the cas[s]a (The superfluous ‘s’ has been scribbled out with footnote “Bill Cole’s Incessant Editorial Meddling”) of Billy and Alex Rossa (Not a bad rhyme for three such difficult names and if you don’t read Spanish, Learn it!) Love, Shel Silverstein.” American editor and anthologist William Rossa Cole edited over 50 anthologies of verse for children and adults throughout his career which included tenures at Knopf, Simon & Schuster and Viking, where he had his own imprint. He is thanked by Silverstein at the end of Where the Sidewalk Ends “for his continued encouragement” and many of Silverstein’s poems made their first appearance at Cole’s solicitation. Near fine in a very good dust jacket. Housed in a custom half morocco clamshell box. An exceptional association copy.
Price: $15,000.00 Item Number: 91344
“Do anything, but let it produce joy": RARE SECOND EDITION OF WALT WHITMAN’S LEAVES OF GRASS; ONE OF ONE THOUSAND COPIES
Brooklyn, New York: Fowler and Wells, 1856.
Rare second edition, one of a 1000 copies of the most important volume in American poetry, with an additional twenty poems not found in the first edition as well as a new section of correspondence and reviews entitled “Leaves-droppings” that begins with the famous letter from Emerson containing the salutation “I greet you at the beginning of a great career.” Small octavo, original green cloth. Engraved frontispiece portrait of Walt Whitman. Bookplate of Barrett Wendell to the inside panel. Barrett was an American academic and a trustee of the Boston Athenaeum, a member of the Massachusetts Historical Society, and a Fellow of the American Academy of Arts and Sciences and he was also elected to the Harvard Board of Overseers. Bookplate of William Whitwell Greenough. Greenough was a Boston merchant and politician, trustee of the Boston Public Library, 1856-1888, President of the Board of Trustees, 1866-1888. In very good condition with some toning to the spine and overall light wear. Housed in a custom half morocco clamshell box. A nice example of this rarity with noted provenance.
Price: $14,000.00 Item Number: 50052
"Who Is Content Only With The Right Word": First Edition of Death of a Naturalist; Inscribed by Seamus Heaney to his Aunt
London: Faber and Faber, 1966.
First edition of Heaney’s first major published volume. Octavo, original green cloth with titles to the spine in gilt. Association copy, inscribed by the author to his aunt in a contemporary hand, “For Aunt Annie: who is content only with the right word. Love, Seamus.” Additionally signed by Heaney in full on the title page. Fine in very good dust jacket with sunning to the pink portion of the spine and some overall wear. Housed in a custom half morocco clamshell box. Association copies of this caliber seldom enter the market.
Price: $12,500.00 Item Number: 3529
“Do not go gentle into that good night, Old age should burn and rage at close of day; Rage, rage against the dying of the light": Signed Limited First Edition of Dylan Thomas' In Country Sleep
New York: New Directions, 1952.
Signed limited edition, one of 100 copies of this collection of poems, including the first book appearance of “Do not go gentle into that good night,” published the year before his death, Octavo, original cloth. Signed by Dylan Thomas. Fine in a fine slipcase. An exceptional example.
Price: $12,500.00 Item Number: 109248
Buenos Aires: Sur, 1928.
First edition of Garcia Lorca’s classic work. Octavo, bound in three quarters calf over marbled boards. Signed on the title page by Federico Garcia Lorca, who has drawn a face next to his signature. Books signed by Garcia Lorca are exceedingly rare, as he was killed in 1936. In very good condition with a contemporary bookplate of Fernando Ortiz to the pastedown with light rubbing. Ortiz was a Cuban essayist, anthropologist, ethnomusicologist and scholar of Afro-Cuban culture. A very nice example, rare and desirable signed with desirable provenance.
Price: $12,500.00 Item Number: 53005
Montreal: McGill Poetry Series by Contact Press, 1956.
First edition of Cohen’s first book, which explores philosophy, sexuality, death, a world of violent contrasts that would define his future literary and musical careers. Octavo, original cloth. With five full-page line illustrations by Freda Guttman. Near fine in a near fine dust jacket. An excellent example of this rare first book, which reportedly, fewer than 400 copies of the first edition were printed (Nadel, 45).
Price: $10,000.00 Item Number: 107435
“Once upon a midnight dreary, while I pondered, weak and weary": First Edition of Edgar Allan Poe's The Raven
New York: Wiley and Putnam, 1845.
Rare first edition in book form of Poe’s famed work. Octavo, bound in three quarters morocco over marbled boards, gilt titles to the spine, raised bands. In very good condition with some light foxing and usual wear. BAL 16147.
Price: $10,000.00 Item Number: 111538
“For you know only a heap of broken images”: Rare First Edition of T.S. Eliot's The Waste Land; One of 460 Examples
Richmond: By Leonard and Virginia Woolf at the Hogarth Press, 1923.
First edition, first state of one of the most influential works of the 20th century. Octavo, original marbled blue boards; one of about 460 copies hand-printed by the Leonard and Virginia Woolf. In near fine condition with a small piece missing from the spine. An exceptional example, as most examples of this fragile work appear lacking the spine.
Price: $9,800.00 Item Number: 121343
"Education is not the filling of a pail, but rather the lighting of a fire": The Collected Works in Verse and Prose of William Butler Yeats; Finely bound by Riviere
Stratford-on-Avon: Printed at the Shakespeare Head Press, 1908.
The collected works of William Butler Yeats. Octavo, 8 volumes, bound in full polished calf by Riviere with burgundy morocco spine labels lettered in gilt, elaborate gilt tooling to the spine in six compartments within raised gilt bands, triple gilt ruling to the front and read panels, gilt turn-ins and inner dentelles, top edge gilt, marbled endpapers, tissue-guarded frontispiece to each volume. In fine condition, bookplate. An exceptional set.
Price: $9,500.00 Item Number: 127536
First edition of Walt Whitman's Two Rivulets: Including Democratic Vistas, Centennial Songs, and Passage to India; one of only 100 copies signed and dated by Walt Whitman and with an autograph note signed by him tipped in
Camden, New Jersey: Author's Edition, 1876.
Scarce first edition, first issue with the blank leaf between ‘As a Strong Bird’ and ‘Memoranda’ and single leaf of advertisements for Whitman’s books inserted between the back flyleaves. One of only 100 copies. Octavo, bound in full morocco with gilt titles and elaborate gilt tooling to the spine in six compartments within raised gilt bands, triple gilt ruling to the panels, gilt turn-ins and inner dentetlles, gilt top stain, marbled endpapers. With the frontispiece sepia photograph of Whitman signed and dated by him, “Walt Whitman 1881.” From the library of Richard Hoe Lawrence with an autograph note by Whitman tipped in. Addressed to Lawrence and dated March 11, 1881, the note reads, “Dear Sir yours of 10th enclosing #10 received – Walt Whitman.” Richard Hoe Lawrence served as president of the Grolier Club from 1906-1908. He was the great-nephew of Grolier Club co-founder and renowned bibliophile Robert Hoe III. With Lawrence’s bookplates to the pastedown. In near fine condition.
Price: $9,200.00 Item Number: 114654
"And the voice of his devotion filled my soul with strange emotion; for its tones by turns were glad, sweetly solemn, wildly-sad": First Edition of Henry Wadsworth Longfellow's Poems on Slavery; inscribed by him
Cambridge: John Owen, 1842.
First edition of Longfellow’s collection of poems published in support of the United States anti-slavery efforts. Small octavo, bound in full pebbled morocco by Bradstreet’s with gilt titles and raised bands to the spine, inner dentelles. Presentation copy, inscribed by Longfellow on the half-title page, “Rev. R. C. Waterston from the Author.” The recipient, Reverend Robert Cassie Waterston, was a noted Unitarian clergyman of Boston, the majority of his library is now housed in the Massachusetts Historical Society. In near fine condition. Bookplate. Housed in a custom clamshell box.
Price: $9,200.00 Item Number: 101568
Clandestine first Chilean edition of Pablo Neruda's Canto General; Inscribed by him to close friend and publisher Americo Zorilla
Santiago: Imprenta Juárez, 1950.
Clandestine first Chilean edition of Neruda’s stunning epic poem, published underground by the Communist party in Chile under a false imprint one month after the true first edition, published in Mexico from a different manuscript. Quarto, bound into contemporary red linen boards with parts of original printed wrappers serving as titles to the front panel and spine. Copyright leaf mounted to front pastedown bearing the false imprint “Imprenta Juárez, Reforma 75, Ciudad de México D.F.”, half tone portraits of Neruda tipped in at front and back. Inscribed by Neruda on the title page, “Al camarada Americo, Pablo Neruda.” The recipient Americo Zorilla was a close friend of Neruda’s and editor of the Chilean Communist daily newspaper, El Siglo. Zorilla facilitated the clandestine publication of five thousand copies of Neruda’s Canto General in Chile, published under a false imprint and based on a manuscript Neruda had left behind before he went into hiding with the banning of the Communist Party under the Ley de Defensa Permanente de la Democracia in 1948. Neruda had officially joined the Communist Party of Chile in 1945 and served as campaign manager for the radical party’s presidential candidate Gabriel Gonzalez Videal in 1946. Once in office, Gonzalez Videla turned against the Communist Party and Neruda was forced into hiding and later exile in Buenos Aires to avoid arrest. An exceptional association.
Price: $8,800.00 Item Number: 82604