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New York: Bobbs-Merrill Company & Random House 1943 & 1957.
First editions of The Fountainhead and Atlas Shrugged. Octavo, 2 volumes. Finely bound in full morocco; The Fountainhead in red morocco; Atlas Shrugged in green morocco. Gilt titles and tooling to the spine, front and rear panels, raised bands, marbled endpapers, all edges gilt. Housed in a custom half morocco slipcase with ribbon. Both are in fine condition.
New York: Charles L. Webster and Company 1885.
First edition of Mark Twain’s masterpiece. Octavo, original publisher’s decorated green cloth gilt to the spine and front panel, with 174 illustrations by Edward Kemble. A near fine example with just a touch of rubbing. Laid in is an original pen and ink drawing by Edward W. Kemble, titled in pencil in another hand, “The Pirate Chief carries off Sweet Marie,” pin-holes, light wear. Housed in a custom half morocco clamshell box. With “88” on p 13 and “with the was” on p 57. As to issue points resulting from damaged plates (e.g. the dropped “5” on p 155, present here), Kevin MacDonnell concludes, “they are of no significance in determining the sequence of the printing of the sheets. All of these occur at random in relation to each other within copies of the first printing, a strong indicator of the use of multiple plates, and possibly mixed sheets within the collating process” (“Huck Finn among the Issue-Mongers,” Firsts, Vol 8, No 9, Sept 1998, pp 28-35). A very sharp example of this literary highspot.
"It was the best of times, it was the worst of times": First Edition, First Issue of Charles Dickens' A Tale Of Two Cities
London: Chapman and Hall 1859.
First edition, first issue of one of Dickens’ most enduring works, with p. 213 misnumbered “113,” the signature mark “b” at the foot of the plate list, and the misspelling “affetcionately” on line 12, p. 134. Octavo, bound in full leather, gilt titles to the spine, elaborate gilt tooling to the spine, gilt ruled to the front and rear panels, gilt embossed portrait of Dickens to the front panel, gilt signature to the rear panel, all edges gilt, marbled endpapers, inner dentelles. Sixteen plates after H.K. Browne including frontispiece and title vignette. In fine condition.
"My Dear Stoker.....I don't know how to thank you enough. Sincerely Yours S.L. Clemens": Mark Twain Autographed Letter Signed To Bram Stoker
Autograph letter signed from Mark Twain to Bram Stoker, who he thanks for a photograph of Henry Irving, “My Dear Stoker: It is a wonderful picture. I have never seen one of Irving before that could at all compare with it. I don’t know how to thank you enough. Sincerely Yours S.L. Clemens December 27, 93.” With the transmittal envelope in Twain’s, signed “From S.L. Clemens To Bram Stoker, Abby’s Theatre.” The famous British actor Henry Irving was one of the inspirations for Count Dracula, the title character of the 1897 novel Dracula. Matted and framed. The entire piece measures 14 inches by 18 inches. A nice association linking these two great writers.
New York: Charles Scribner’s Sons 1926.
First edition of Hemingway’s first novel, one of 1250 printed. Octavo, original cloth. Near fine in a near fine dust jacket with light rubbing. Housed in a custom half morocco clamshell box. A very sharp example.
“One believes things because one has been conditioned to believe them": First Edition of Aldous Huxley's Brave New World
London: Chatto & Windus 1932.
First edition of Huxley’s masterpiece. Octavo, original blue cloth. Fine in a near fine dust jacket with light rubbing and a small chip. A very nice example.
NASA color photograph from the May 1969 press release printed on verso, showing the astronauts in space suits without helmets, the moon in the background. Boldly signed by Neil Armstrong, Michael Collins and Buzz Aldrin. Matted and framed.
“Working on the right things is what makes knowledge work effective": First Edition of Peter F. Drucker's The Effective Executive; Signed by Him
New York: Harper & Row, Publishers 1967.
First edition of Drucker’s classic work. Octavo, original cloth. Boldly signed by Peter F. Drucker on the front free endpaper. Fine in a near fine dust jacket with light rubbing. Housed in a custom half morocco clamshell box. Rare and desirable signed.
SIGNED LIMITED FIRST EDITION OF PORGY AND BESS; SIGNED BY GEORGE AND IRA GERSHWIN, DUBOSE HEYWARD, AND ROUBEN MAMOULIAN
GEORGE GERSHWIN. LIBRETTO BY DUBOSE HEYWARD. LYRICS BY DUBOSE HEYWARD AND IRA GERSHWIN. PRODUCTION DIRECTED BY ROUBEN MAMOULIAN,.
New York: Random House 1935.
Deluxe limited edition of Porgy and Bess, number 55 of only 250 copies signed by George Gershwin, Ira Gershwin, DuBose Heyward and director Rouben Mamoulian. Folio, original full red morocco, raised bands, top edge gilt, illustrated. In very good condition with light rubbing and wear.
“In the University library he wandered through the stacks, among the thousands of books, inhaling the musty odor of leather, cloth, and drying page as if it were an exotic incense": First Edition of Stoner; Inscribed by John Williams
New York: The Viking Press 1965.
First edition of the author’s classic work. Octavo, original half cloth. Presentation copy, inscribed by the author on the half-title page, “Happy Birthday to Jason from Sheila and the author- John Williams.” Near fine in a very good price-clipped dust jacket with some light toning to the spine and a few small closed tears. Jacket design by Ellen Raskin. Housed in a custom half morocco clamshell box.
"Tune in, freak out, get beaten": First Edition of Fear and Loathing in Las Vegas; Signed by Hunter S. Thompson and Ralph Steadman
New York: Random House 1971.
First edition of Thompson’s second book. Octavo, original half cloth. Boldly signed by Hunter S. Thompson and Ralph Steadman on the half-title page. Near fine in a near fine dust jacket. Illustrations by Ralph Steadman. An exceptional example.
"I am Eloise. I am six. I live at the Plaza hotel": First Edition of Eloise; Signed by both Kay Thompson and Illustrator Hilary Knight
New York: Simon and Schuster 1955.
First edition of the author’s first book. Slim quarto, original illustrated white cloth. Light toning, else near fine in a near fine first issue dust jacket with a small closed tear to the rear panel. Inscribed by the author, “For my dear Paul- from/ Eloise herself and The Author” and also signed by the illustrator, “and Hilary Knight in 2007.” A very sharp example, rare signed and inscribed by both Kay Thompson and Hilary Knight.
“It's been my experience that you can nearly always enjoy things if you make up your mind firmly that you will": First Edition of Anne of Green Gables in the Rare Brown Cloth
Boston: L.C. Page 1908.
First edition dated “April 1908” on the verso of title page. Octavo, original brown cloth, titles to the spine in gilt and front panel. Mounted pictorial label on front panel. Illustrations by M.A. and W.A.J. Claus. First edition copies are generally found in the more common green cloth bindings. (Peter Parley to Penrod, p. 124) In good condition, showing wear to the edges and cloth, still an unrestored example of the first printing.
New York: Charles L. Webster and Company 1885.
First edition of Twain’s masterpiece, Salesman’s Dummy Issue. Octavo, original publisher’s decorated green cloth gilt to the spine and front panel. With frontispiece portrait of Twain inserted at front (with the imprint of the Heliotype Printing Co., but the cloth is not visible). This book was specially printed to have a selection of text pages, so it is common for the recto of one page to have a certain page number, and the page number on the verso to jump by several pages. Because of this, this book only has some of the issue points that a copy of Huckleberry Finn would have: the title-leaf is integral, with the “1884” copyright date (this is the true first state, and it only appeared in the salesman’s dummy); page  lists “Him and Another Man” as being on page 88 (first state); “Huck Decided” on page  (first state). The Silas Phelps illustration on page 283 has a straight fly, but the leaf is integral with page 287 printed on the verso. Page 57 was not printed for this edition. Two samples of the spine were affixed onto the front pastedown – one is missing, the other, the spine for the sheep binding, is present. Publisher’s full green cloth, boards decoratively stamped in gilt and black (the front board is identical to the design of the cloth version, the rear board shows the design of the spine of the cloth edition). Plain spine is damaged and torn, boards are toned and worn, with a bump to the fore-edge of the front board, front free endpaper is nearly detached, and has offsetting from the spine samples, the gutter facing the first blank is cracked. Contemporary gift inscription and some offsetting on first blank, tissue guard lacking on frontispiece portrait, text leaves and frontispiece are soiled and toned, two sheets of the lined pages have subscriber’s information in manuscript, In very good condition. Housed in custom full morocco clamshell box. Exceptionally rare.
"How doth the little crocodile improve its shining tail, and pour the waters of the Nile on every golden scale": First Edition of Lewis Carroll's Alice's Adventures Under Ground; Inscribed By The Author to his Cousin May Knight
London: Macmillan and Co 1886.
First edition of the original manuscript in facsimile which was later expanded and published as Alice’s Adventures in Wonderland. Octavo, original scarlet cloth, elaborate gilt titles to the spine and front panel, gilt vignette to the rear panel, triple gilt ruled. All edges gilt, black endpapers, text printed in the author’s handwriting including thirty-seven illustrations in facsimile, advertisements at rear. Association copy, inscribed by the author on the half-title page to his cousin, “May Knight from the Author Jan. /87.” In very good condition with some toning to the spine. An excellent association.
"Time is a gift, given to you, given to give you the time you need, the time you need to have the time of your life": First Edition of The Phantom Tollbooth; Signed by both Norton Juster and Jules Feiffer
New York: Epstein & Carroll 1961.
First edition of this modern classic. Octavo, original blue cloth, cartographic endpapers, illustrated by Jules Feiffer. Signed by both Norton Juster and illustrator, Jules Feiffer on the title page. Fine in a near fine dust jacket with light rubbing. A superior example, rare and desirable signed by both Juster and Feiffer.