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“And Teddy worried lots about The fact that he was rather stout. He thought: 'If only I were thin! But how does anyone begin?'”: Exquisitely bound example of A.A. Milne's When We Were Very Young
London: Methuen & Co. Ltd, 1927.
Finely bound edition of the first book in Milne’s beloved Pooh series. Octavo, elaborately bound in full morocco with gilt tooling to the spine, red morocco spine labels lettered in gilt, gilt ruling to the front and rear panels, gilt central motif of a young Christopher Robin within double gilt ruling with cornerpiece designs to the front panel, gilt turn-ins and inner dentelles, all edges gilt, charming patterned endpapers, illustrated by Ernest Shepard. In fine condition.
“But now I am six. And I'm clever as clever. And now I think I'll stay six now forever and ever": Exquisitely bound example of A.A. Milne's of Now We Are Six
London: Methuen & Co. Ltd, 1927.
Finely bound edition of the third book in Milne’s beloved Pooh series. Octavo, elaborately bound in full morocco with gilt tooling to the spine, red morocco spine labels lettered in gilt, gilt ruling to the front and rear panels, gilt central motif of Christopher Robin within double gilt ruling with cornerpiece designs to the front panel, gilt turn-ins and inner dentelles, all edges gilt, charming patterned endpapers, illustrated by Ernest Shepard. In fine condition.
"Fortunes have been built and are still amassed on this trick alone": Rare first edition of Houdini's Paper Magic; Inscribed by Him
New York: E.P. Dutton & Company, 1922.
First edition, second printing of Houdini’s guide to the whole art of performing with paper. Octavo, original cloth, full color frontispiece, illustrated with engravings and figures within the text. Warmly signed by the author on the front free endpaper, “With best wishes for a merry xmas & Happy New Year xmas 1924 Houdini.” In very good condition with a strong signature from Houdini. Rare and desirable.
“A word in earnest is as good as a speech": Finely Bound First Edition of Charles Dickens' Bleak House
London: Bradbury Evans, 1853.
First edition of this Dickens’ classic. Octavo, bound in three quarters morocco over marbled boards with gilt titles and tooling to the spine, marbled endpapers, all edges marbled, engraved title page and 39 engraved plates by H.K. Browne including frontispiece. In near fine condition. A handsome example.
First Edition of Isaac M. Wise's The Combat of the People; Published by the oldest Jewish Printing House in America
Cincinnati: Bloch & Co, 1859.
First edition of American Reform Rabbi Isaac Mayer Wise’s historical account of the era of Herod I. Octavo, contemporary cloth over boards, lacking the front free endpaper, library bookplate to the front pastedown, later collector’s stamps to the title page, with some rubbing and wear to the extremities. In good condition. Rare.
"He was sounding the deeps of his nature, and of the parts of his nature that were deeper than he, going back into the womb of Time": First Edition of The Call of the Wild
New York: The Macmillan Company, 1903.
First edition, early printing of one of the most desirable classics in American literature. Octavo, original pictorial green cloth, pictorial endpapers, top edge gilt. With 18 full-page color illustrations by Philip R. Goodwin and Charles Livingston Bull. In very good condition with the gilt bright. Ownership inscription to the half-title page.
"Poets are almost always wrong about facts. That's because they are not really interested in facts: only in truth": First Edition of William Faulkner's The Town
New York: Random House, 1957.
First edition, first state copy with the 5/57 at the bottom of the front flap of the dust jacket, and the repetition of line 8 on line 10 on page 327. Octavo, original cloth. With the publisher’s advance review copy slip dated May 1, 1957 laid in and a copy of the jacket photograph of Faulkner by Phyllis Cerf laid in. Jacket design by Push Pin Studios. Near fine in a near fine dust jacket with only light rubbing to the crown of the spine.
First Edition Of John Updikes Collection of Golf Writings; Signed by Updike, Illustrator Paul Szep and Jack Nicklaus
New York: Alfred A. Knopf, 1996.
First edition of this classic collection of golf stories by John Updike. Octavo, original half cloth. Signed by John Updike and additionally inscribed by legendary golfer Jack Nicklaus. Also signed by the illustrator, Paul Szep who has added a large drawing of Updike on the half-title page. Fine in a near fine dust jacket.
London: Rex Collings, 1972.
First edition of Richard Adams’ timeless classic novel. Octavo, original brown cloth, folding map. Association copy, inscribed by the author on the title page to fellow bestselling children’s author Madeleine L’Engle, “Yours sincerely, For Madeleine, on a very special occasion Richard Adams.” From the library of Madeleine L’Engle. Both Adams and L’Engle were unknown in the publishing world until their singular best-selling award-winning children’s novels were finally published after numerous rejections. Both authors’ works were also published in their mid-lives after they had married and had children. At the insistence of his daughters, Adams began writing the story he had told them on a car trip in 1966 at the age of 46 and after four publishers and three writers’ agencies turned down the manuscript, Rex Collings agreed to publish the work in 1972. The book gained immediate international acclaim and went on to win the Carnegie Medal, Guardian Prize, and was adapted into several feature films and television series. L’Engle’s best-selling work A Wrinkle in Time was also initially rejected by at least 26 publishers. It was not until a close personal friend of L’Engle’s mother introduced her to John C. Farrar of Farrar, Straus and Giroux that the work was finally published in 1962. L’Engle was 44 years old at the time of publication and A Wrinkle in Time went on to win the Newbery Medal, the Sequoyah Book Award, the Lewis Carroll Shelf Award, and inspired two film adaptations, both by Disney: a 2003 television film directed by John Kent Harrison; and a 2018 theatrical film directed by Ava DuVernay. Near fine in a near fine price-clipped dust jacket with light shelf wear. Housed in a custom half morocco clamshell box. An exceptional association.
"'Because life's too damn hard here,' Lois said. 'The land's got too much power over you. Being rich here is a good way to go insane": First Edition of The Last Picture Show; Signed by Twice by Him
New York: The Dial Press, 1966.
First edition of the author’s third and one of his most memorable novels. Octavo, original cloth. Signed twice by Larry McMurtry, once on the front free endpaper and again on the rear endpaper. Near fine in a near fine dust jacket that shows light shelfwear. Jacket drawing by J.J. Fox. A superior example.
"I am writing this because people I loved have died. I am writing this because when I was young I was full of the power of loving, and now that power of loving is dying. I do not want to die": First Edition of Amos Oz's Scarce First Book My Michael; Lengthily Signed by Him
London: Chatto & Windus, 1972.
First British edition of the author’s first book. Octavo, original cloth. Lengthily signed by the author on the front free endpaper as follows, “Best Wishes Amos Oz Tel Aviv 17.2.14 I am writing this because people I loved have died. I am writing this because when I was young I was full of the power of loving, and now that power of loving is dying. I do not want to die.” The inscription is from the opening lines of this novel. Fine in a near fine dust jacket. Translated from the Hebrew by Nicholas de Lange. A unique inscription with the very first words from Oz’s premier novel transcribed.
“The timeless in you is aware of life's timelessness. And knows that yesterday is but today's memory and tomorrow is today's dream": Kahlil Gibran's The Prophet; lengthily inscribed by him
New York: Alfred A. Knopf, 1923.
First edition, early printing of the author’s masterpiece. Octavo, original cloth, with illustrations by the author. Association copy, lengthily inscribed by Kahlil Gibran on the title page, “This is for Elenor Fisch, who lives in the world of beautiful understanding. Kahlil Gibran, 1926.” From the library of D. Rajagopal with his library stamp to the front pastedown. Rajagopal was the lifelong friend and editor of Indian philosopher Jiddu Krishnamurti, the leader of the Theosophy movement in the early 20th century, and one of its most famous figures. In his teachings, Krishnamurti stressed the necessity for a revolution of human consciousness, which could only occur with radical religious, political, and social change. Near fine in a very good dust jacket. Housed in a custom half morocco clamshell box. Rare and desirable signed and with noted provenance.
First Edition of Fanny in France: Travel Adventures of a Chef's Daughter, with Recipes; Warmly Inscribed by Alice Waters
New York: The Viking Press, 2016.
First edition of this work for anyone who loves France, food and adventure. Quarto, illustrated boards, illustrated endpapers. Presentation copy, inscribed by the author on the half-title page, “For Alexis with love, Alice Waters.” Fine in a fine dust jacket, gift inscription on the verso of the front free endpaper. Illustrated by Ann Arnold.
Original First edition Exhibition Flyer from the 1959 Hartigan and Rivers With O'Hara Show at the Tibor de Nagy Gallery; inscribed by Rivers to fellow New York School member Willem de Kooning
New York: Tibor de Nagy Gallery, 1959.
First edition of this exhibition flyer for the 1959 Tibor de Nagy exhibition of works by Larry Rivers and Grace Hartigan inspired by O’Hara’s poetry. Octavo, original wrappers as issued, illustrated with twelve black and white lithographs. Association copy, inscribed by Larry Rivers on the verso of the front cover to fellow member of the informal New York School of artists Willem de Kooning, “For Bill de Kooning much admiration Larry Rivers.” Musician, artist and filmmaker Larry Rivers took up painting in 1945 and lived in the the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol’s Factory. A part of the New York School of the 1950s (of which Frank O’Harra was the crux due to his position at the MOMA), Rivers’ paintings drew inspiration from the contemporary avant-garde movement, in particular abstract expressionism. De Kooning too was a part of the New York School, his well-known The Woman Series notable for its powerful expression of the frustrations and desires of the post-World War II era. In near fine condition. An intimate association copy, linking these great artists of the 20th century.
"This is how Paris was in the early days when we were very poor and very happy": Review Copy of the First Edition of Ernest Hemingway's A Moveable Feast
New York: Charles Scribner's Sons, 1964.
First edition with “A-3.64[H]” present on copyright page. Review copy, with the slip laid in, near fine in a near fine dust jacket with a touch of shelf wear. Jacket painting of Pont Neuf, Paris by Hildegard Rath.
“Ignore what a man desires and you ignore the very source of his power": First Edition of Walter Lippmann's Classic Work Public Opinion; Inscribed by Him
New York: Harcourt, Brace and Company, 1922.
First edition of this seminal work in the fields of media studies, political science, and social psychology. Octavo, original blue cloth. Presentation copy, inscribed by the author on the front free endpaper in the year of publication, “To Asya from Walter March 1922.” In good condition. Rare and desirable signed and inscribed.
"California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains": First Edition of Hunter Thompsons celebrated first book Hells Angels; Signed by Him and Illustrator Ralph Steadman
New York: Random House, 1967.
First edition of Thompson’s first book. Octavo, original black cloth. Boldly signed by Hunter S. Thompson and illustrator Ralph Steadman on the half-title page, who illustrated both Fear and Loathing on the Campaign Trail and Fear and Loathing in Las Vegas among others. Fine in a fine dust jacket. Jacket design by Joseph del Gaudio. Housed in a custom half morocco clamshell box. A superior example of this title.
London: Printed for Geo B. Whittaker, 1826.
Finely bound set containing a selection of English translations of the short stories of various German authors. Octavo, bound in three quarters morocco over marbled boards, top edge gilt, marbled endpapers, illustrated with engravings. In near fine condition.
"Time is a gift, given to you, given to give you the time you need, the time you need to have the time of your life": First Edition of The Phantom Tollbooth; Signed by both Norton Juster and Jules Feiffer
New York: Epstein & Carroll, 1961.
First edition of this modern classic. Octavo, original blue cloth, cartographic endpapers, illustrated by Jules Feiffer. Signed by both Norton Juster and illustrator, Jules Feiffer on the title page. Fine in a near fine dust jacket with some professional restoration to the extremities. Desirable signed by both Juster and Feiffer.
New York: Holt, Rinehart and Winston, 1969.
First edition of Coretta Scott King’s autobiography, which recounts the history of the Civil Rights Movement and offers an inside look at Dr. King, his sermons and speeches. Octavo, original cloth, illustrated. Boldly inscribed by the author on the front free endpaper, “To Beatrice Thrope With best wishes Coretta Scott King.” Near fine in a very good dust jacket. Jacket design by Robert Reed.