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"I always look ahead to the side but never back": First Edition of Hunter Thompsons celebrated first book Hells Angels; Signed by Him and Sonny Barger
New York: Random House, 1967.
First edition of Thompson’s first book. Octavo, original black cloth. Boldly signed by Hunter S. Thompson on the half-title page and additionally by Hell’s Angel Sonny Barger on the front free endpaper, “I always look ahead to the side but never back Sonny Barger.” Fine in a near fine dust jacket with a touch of shelfwear. Jacket design by Joseph del Gaudio. Housed in a custom half morocco clamshell box. Rare and desirable signed by both Thompson and Barger.
"As you may have noticed I have been wandering all the time": Rare autograph postcard signed and entirely in the hand of the Father of the Nation of India, Mahatma Gandhi
Rare autograph postcard signed and entirely in the hand of the Father of the Nation of India, Mahatma Gandhi. The letter reads, “Dear Rev. Conley, You will please forgive one for my inability to reply to your letter earlier. As you may have noticed I have been wandering all the time. I am at present at Thithal leaving Bombay on 24th Oct for Bengal. I am afraid therefore that we cannot meet before the … Your serv MK Gandhi 25 4 25 Tithal.” The postcard measures 5.5 inches by 3.5 inches. In near fine condition. Rare and desirable.
"All modern literature comes from one book by Mark Twain. Its the best book weve had. All American writing comes from that. There was nothing before. There has been nothing since" First Edition Of Adventures of Huckleberry Finn in The Rare Blue Cloth
New York: Charles L. Webster and Company, 1885.
First edition, first issue of Mark Twain’s masterpiece. In near fine condition with light wear to the extremities. Octavo, blue pictorial cloth. Subscribers who had already purchased Tom Sawyer, and wanted a binding to match, were invited to request a blue cloth binding on Huckleberry Finn instead of the publisher’s green. This is one of those blue bindings—twenty times more rare than the green. This copy has all of the commonly identified first issue points (copies were assembled haphazardly by the printer and there is yet to be agreement among bibliographers as to the priority of many points). First issue points include page  with “Decided” remaining uncorrected (to “Decides”); page , illustration captioned “Him and another Man” listed as on page 88; page 57, 11th line from bottom reads “with the was,”. Debate continues over the priority of other points of issue and state. This copy contains the following points of bibliographical interest: frontispiece portrait without cloth table cover under the bust, bearing the Heliotype Printing Co. imprint; copyright page dated 1884; page 143 with “l” missing from “Col.” at top of illustration and with broken “b” in “body” on line seven; page 155 with the final 5 being slightly larger than the first two numbers”; page 161, no signature mark “11”. In very good condition with light wear to the extremities. Housed in a custom half morocco clamshell box. A nice example.
“Actually that’s my secret — I can’t even talk about you to anybody because I don’t want any more people to know how wonderful you are": First edition of F. Scott Fitzgerald's Tender Is The Night
New York: Charles Scribner's Sons, 1934.
First edition of the work which Fitzgerald considered to be his finest. Octavo, original green cloth. Near fine in the scarce original dust jacket with light rubbing and wear. Housed in a custom clamshell box. A much nicer example than usually seen.
First Edition of One Hundred Years of Solitude in the First Issue Dust Jacket; Inscribed and dated by Gabriel Garcia Marquez
New York: Harper & Row, Publishers, 1970.
First American edition of the author’s magnum opus. Octavo, original green cloth with gilt lettering to the spine. Presentation copy, inscribed by the author on the dedication page, “Para Rita, de su amigo, Gabriel Garcia Marquez 1976.” Fine in a fine first issue dust jacket with the exclamation point at the end of the first paragraph on the front flap. Jacket design by Guy Fleming. Translated by Gregory Rabassa. Housed in a custom clamshell box. An exceptional example.
New York: Simon and Schuster, 1940.
First edition of the lavishly illustrated companion volume to Disney’s animated musical masterpiece. Quarto, original cloth, pictorial endpapers, illustrated with 16 mounted color plates. Presentation copy, signed and inscribed by thirteen people (including Walt Disney); all who worked at Walt Disney studios in the 1940s. All of the inscriptions are to Jodie Ferguson Brudge, who was a secretary at Disney Studios, and upon her leaving to get married, raise family, she asked those that she worked with to inscribe her copy of Fantasia. This work contains the following inscriptions and illustrations, inscribed by Walt Disney on the title page, “To Jodie Best Wishes Walt Disney.” Page 10 has an original full-color illustration by Milt Banta of a card game between Mickey Mouse, Donald Duck and Milt Banta, with the inscription “Best Wishes Always Milt Banta.” Page 14 has a full page original illustration by Russ Dyson of a “ye olde family tree” for the Ferguson [Jodie] and Dyson branches. On the Dyson branch is a self-portrait of Dyson as a bird, with the inscription, “I Hope the Ferguson Branch Doesn’t grow any Larger! Good Luck – Russ Dyson 1/18/46.” Page 57 has an original watercolor of a tree branch and paint container, and the inscription: “Jodie – If you ever run across any automatic paint brushes like these – let me know. – Claude Coats.” Page 82 has a twenty-six line inscription that is warm and thoughtful from Ben [Sharpsteen]. Page 95 has an original color illustration of a frog fishing and the inscription, “An ‘Good Fishin’ to you all the time – Jodie. Hugh Hennesy” Page 102 has an original color illustration of a self-portrait of Bill Berg, with the inscription “Good Bye Jodie – We’ll Miss You!!! Bill Berg.” Page 118 has an original illustration of a self-portrait of Jerry Hathcock waking from a nightmare, with the inscription, “Gad!! What a Nightmare! Maybe Jodie is smart to leave. Good Bye + Good Luck, Jerry Hathcock.” Page 119 has an original illustration of a bouquet of flowers, that has been drawn into the hand/wing of the printed ostrich, with the inscription: “Best Luck and Good Wishes Jodie. Phil Barber.” Page 121 has an original illustration of a self-portrait of J. Eric Gurney who is holding a banner that reads, “Best Wishes to Jodie.” The opposite end of the banner is being held by the printed hippopotamus. Page 126 has an original illustration of a self-portrait of Nick Nichols (being held aloft by the printed elephant), with the inscription: “Bye Bye Jodie Come Back And Work For Me Again. Best Nick Nichols.” Page 159 has an original full-page illustration of Jodie as a centaurette, with the inscription, “G’bye Now. Lots of Luck an’ Stuff to Jodie. George Rowley.” The verso of the rear free endsheet contains an original illustration of a guitar player in a pancho and sombrero with the inscription, ” Good Luck Jodie. William de la Torre.” An excellent example in a very good dust jacket. A unique piece of Disney history.
"I have done the best I could to show forth the beauty, grandeur, and all-embracing usefulness of our wild mountain forest reservations": Scarce first edition of Our National Parks; inscribed by John Muir
Boston and New York: Houghton Mifflin Company, 1901.
First edition of Muir’s collection of short works on the beauty and splendor of America’s National Parks. Octavo, original cloth with gilt titles to the spine and front panel, gilt vignette to the front panel, top edge gilt, tissue-guarded frontispiece engraving of the sequoias of Mariposa Grove. Association copy, inscribed by the author on the front free endpaper, “To Thomas Price with sincere regard and many pleasant Klamath memories – John Muir. Martinez California September 1908.” The recipient, Thomas Price, was the stenographer hired to accompany Muir on his journey to Pelican Bay Lodge on Lake Klamath in Southern Oregon in 1908. He transcribed Muir’s musings and thoughts on the landscape which would later form part of his 1912 autobiography My Boyhood and Youth. In near fine condition. An exceptional example and association, rare signed and inscribed by Muir.
SIGNED LIMITED EDITION OF ALBERT EINSTEINS "ONE AND ONLY INTELLECTUAL BIOGRAPHY": SIGNED AND DATED BY HIM; IN THE ORIGINAL PUBLISHER'S CARDBOARD
Evanston: Library of Living Philosophers, 1949.
Signed limited first edition, one of 760 copies signed and dated “Albert Einstein ‘49”, this is number 499. Octavo, original brown cloth, top edge gilt, original slipcase. The book is in fine condition, the slipcase is in fine condition. Housed in the original publisher’s cardboard. An absolute pristine example, which has been stored in the original cardboard box since publication. Edited by Paul Arthur Schilpp. Frontispiece portrait of Einstein by Yousef Karsh. Rare and desirable in this condition.
“SERVE ON HOT BUTTERED TOAST… WITH PINK CHAMPAGNE”: FIRST EDITION OF IAN FLEMING’S THRILLING CITIES; inscribed by him to close personal friend and neighbor Noel Coward
London: Jonathan Cape, 1963.
First edition of Fleming’s compelling travelogue. Octavo, original half cloth, illustrated. Association copy, inscribed by the author on the title page, “Noël for your bluest pencil Love Ian.” The recipient, English playwright, director and actor Noël Coward was a close friend of Fleming’s and his neighbor in Jamaica. Coward, inspired to build his own Jamaican retreat by a visit to Goldeneye in 1948, was Fleming’s closest friend on the island and it was with his great encouragement that Fleming began writing the Bond novels that made him famous. When Fleming married Ann in 1952, Coward was one of two wedding guests and in the same year he was made godfather to their newborn son Caspar. Named for the luminous insects seen in the warm evenings, his Firefly Estate east of Oracabessa, Jamaica entertained a wide range of guests, including both the Queen Mother and Queen Elizabeth II, Sir Winston Churchill, Lord Olivier, Sophia Loren, Dame Elizabeth Taylor, Sir Alec Guinness, Peter O’Toole, and Richard Burton. Known for his likable sophistication and sharp sense of humor, Coward’s songs, plays, and films were immensely popular from the early 1920s through the 60s and 70s when they achieved renewed fame and critical acclaim with a variety of new revues celebrating his music, including Oh, Coward! on Broadway and Cowardy Custard in London. Coward won an Academy Honorary Award in 1943 for his naval film drama ‘In Which We Serve’, was knighted by Queen Elizabeth in 1969, and received a Tony Award for lifetime achievement in 1970. Fine in a near fine dust jacket. With Coward’s bookplate to the pastedown. An exceptional association copy.
LIMITED FIRST EDITION OF ON HER MAJESTY’S SECRET SERVICE: SIGNED BY IAN FLEMING, ONE OF ONLY 35 RESERVED FOR PRESENTATION
London: Jonathan Cape, 1963.
Signed limited first edition, the only Bond title issued in a limited edition, one of only 35 unnumbered copies reserved for presentation signed by Ian Fleming (from a total signed limited edition of 285), of the eleventh Bond novel. Octavo, original half vellum, top edge gilt, with color frontispiece portrait of Fleming by Amherst Villiers. Near fine in the original acetate dust jacket. An exceptional example.
The Manuscript Edition of Theodore Roosevelt's Monumental Work The Winning of the West; One of 200 Numbered Copies
New York : G.P. Putnam's Sons, 1900.
Limited edition, number 72 of 200 copies of the manuscript edition of The Winning of the West. Quarto, 4 volumes, bound in full publisher’s morocco, gilt titles to the spine, gilt tooling to the front and rear panels, top edge gilt, pastedowns full morocco with inlay. The manuscript page in this example opposite the limitation page and reads, “at the expense of the government; and on the lower Ohio in 1793 and ’93 there were plenty of men who, in the event of a campaign, hoped to make profit out of the goods, horses and cattle they supplied the soldiers.” Portrait frontispiece in volume one, illustrated throughout, with frontispieces in each volume, folding maps, and other plates. In near fine condition. Housed in two custom slipcases. A very nice set.
Rare first American edition, first printing, first state, of one of the Masterpieces of American literature, The Adventures of Tom Sawyer
Hartford: American Publishing Company, 1876.
First edition, first printing, first state (with “THE” on half title in 10-point rather than 14-point type) of one of the great masterpieces of American literature. Octavo, original blue cloth, peach endpapers, top edge gilt, illustrations in text by True Williams and others, printed on wove paper, with preliminary matter paginated [I]-XVI and front and rear triple flyleaves of laid paper. BAL 3369. Johnson, 27-30. MacDonnell, 39-40. MacBride, 40. In very good condition with some very light rubbing to the cloth. Housed in a custom half morocco clamshell box. A nice example of an important book.
"But man is not made for defeat," he said. "A man can be destroyed but not defeated": Ernest Hemingway's The Old Man and the Sea; inscribed by him in the year he received the nobel prize in literature
New York: Charles Scribner's & Sons, 1952.
First edition, early printing of Hemingway’s Pulitzer Prize-winning novel and one of his most famous works. Octavo, original blue cloth. Presentation copy, inscribed by Ernest Hemingway on the half-title page in the year he received the Nobel Prize in Literature, “For Adele Ervin with sincere good wishes Ernest Hemingway Finca Vigía 1954.” Finca Vigía was Hemingway’s home in the San Francisco de Paula Ward in Havana, Cuba. He purchased the property in 1940 at the request of his third wife Martha Gellhorn who had become tired of the small room he was renting at the Hotel Ambos Mundos. It was at Finca Vigía that Hemingway wrote much of For Whom the Bell Tolls and The Old Man and the Sea in its entirety. Near fine in a near fine price-clipped dust jacket. Housed in a custom half morocco clamshell box. An exceptional example, most rare and desirable signed and inscribed.
"Where A Man Feels At Home, Outside Of Where Hes Born, Is Where Hes Meant To Go": First Edition Of Green Hills Of Africa; Inscribed By Hemingway
New York: Charles Scribner's Sons, 1935.
First edition of Hemingway’s second work of nonfiction, an account of a month on safari he and his wife took in East Africa during December 1933. Octavo, original green cloth, decorations by Edward Shenton. Presentation copy, inscribed by the author on the front free endpaper, “To Gweneth P. Beam wishing her plenty of luck Ernest Hemingway.” The recipient was a secretary at Scribners at the time of publication when Hemingway inscribed this copy to her. Some light fading to the cloth as usual in a bright near fine dust jacket with light rubbing. Housed in a custom half morocco clamshell box. A very sharp example.
“And now here is my secret, a very simple secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye": Signed Limited Edition of Saint-Exuperys The Little Prince; One of 525 Numbered Copies
New York: Reynal and Hitchcock, 1943.
Signed limited first edition, one of 525 signed numbered copies, this is number 236. Signed by Antoine De Saint-Exupery. Small quarto, original salmon cloth, illustrated. Near fine in a very good price-clipped dust jacket. Housed in a custom half morocco clamshell box.