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New York: HarperCollins, 1999.
First edition, first printing of the 40th Anniversary edition of the author’s Pulitzer Prize-winning novel. Octavo, original half cloth. Signed by Harper Lee on the half-title page. Fine in a fine dust jacket.
"Wandering between two worlds, one lost, the other powerless to be born": First Edition of Changing Places; Signed by David Lodge
London: Secker & Warburg, 1975.
First edition. Octavo, original cloth. Signed by David Lodge on the title page. Fine in a near fine price-clipped dust jacket with light toning to the spine. A very bright example of a book that is prone to significant fading.
"Goodnight you princes of Maine, you kings of New England": Signed First Edition of The Cider House Rules
New York: William Morrow & Company, Inc, 1985.
First edition of Irving’s sixth novel. Octavo, original half cloth. Signed by the author on the title page, “For my biggest fan John Irving.” Fine in a fine dust jacket. Jacket design by Honi Werner.
"Life's under no obligation to give us what we expect": First Edition of Gone with the Wind; Signed by Margaret Mitchell
New York: The Macmillan Company, 1936.
First edition of the author’s classic novel. Octavo, original gray cloth. Signed by Margaret Mitchell on the front free end paper. First printing, with “Published May 1936” on the copyright page and no mention of other printings. First issue dust jacket, with Gone with the Wind listed in the second column of the booklist on the back panel, with $3.00 cost on the front flap. Near fine in the original dust jacket with some light professional restoration to the extremities. Housed in a custom half morocco clamshell box. A very nice example.
Rare first American edition, first printing, first state, of one of the masterpieces of American literature Tom Sawyer; Finely Bound
Hartford: American Publishing Company, 1876.
First edition, first printing, first state (with “THE” on half title in 10-point rather than 14-point type), peach endpapers, printed on wove paper, with preliminary matter paginated [I]-XVI and front and rear triple flyleaves of laid paper. BAL 3369. Johnson, 27-30. MacDonnell, 39-40. MacBride, 40. Octavo, bound in full blue morocco, titles to the spine in gilt, gilt tooling to the front and rear panels, marbled endpapers, all edges gilt.
"There was something about the coast town of Dunnet which made it seem more attractive than other maritime villages of eastern Maine": First Edition of The Country of Pointed Firs; Inscribed by Sarah Orne Jewitt on Christmas Day in the Year of Publication
Boston and New York: Houghton Mifflin and Company, 1896.
First edition of the author’s masterpiece. Octavo, original cloth. Inscribed by the author in the year of publication on the front free endpaper, “For Dr. Bartol from Sarah O. Jewett – 25 December 1896.” In the Blanchard biography of Jewett, Dr. Bartol is listed as a neighbor of Sarah Orne Jewett and Annie Fields in Manchester, Massachusetts. Bartol was an early transcendentalist and pastor of the West Church from 1837 to 1889 and was originally from Maine and was a Bowdoin classmate of Sarah’s father. In near fine condition with light rubbing and wear. Signed and inscribed first editions are rare.
London: Jonathan Cape, 1988.
First British edition of this collection of writing by the Nobel Prize-winning author. Octavo, original cloth. Signed by Nadine Gordimer on the title page. Fine in a near fine dust jacket. Edited and introduced by Stephen Clingman.
Middlesex, England: Eel Pie Publishing, 1977.
First edition. Quarto, original cloth. Inscribed by Pete Townshend on the title page. Fine in a fine dust jacket.
New York: Alfred A. Knopf, 1968.
First edition, Octavo, original black cloth. Fine in a near fine dust jacket. Inscribed by the author, “To ______ I am happy that this book was of such an interest for you. Thanks for telling me and very best wishes Pierre Boulez.”
"Maybe you could show me how to let go, Lower my guard, Learn to be free. Maybe if you whistle, Whistle for me": First Edition of Anyone Can Whistle; Inscribed by both Arthur Laurents and Stephen Sondheim
New York: Random House, 1965.
First edition of this classic work. Octavo, original cloth. Warmly Inscribed by both Arthur Laurents and Stephen Sondheim. Fine in a near fine bright jacket without the fading usually encountered with the spine.
Durham, NC: Duke University Press, 1987.
First edition of the photographer’s second major photobook. Quarto, original cloth. Signed by Helen Levitt on the title page. Fine in a fine dust jacket. Not to be confused with the more common paperback edition. Helen Levitt and the author James Agee first collaborated in 1945 on a documentary film set in Harlem, called “In the Street.” Psychologist Robert Coles contributed the essays to this volume.
San Francisco: Straight Arrow Press, 1973.
First Edition. Oblong quarto, original photographic stiff paper wrappers. Inscribed by Bill Owens on the front free endpaper, “For Dave Bill Owens Can you avoid Suburbia.” In very good condition. Laid in is the photographer’s business card.
New York: Simon & Schuster, 1960.
First edition. Large quarto, original beige cloth, original pictorial slipcase. Inscribed, “For Alexander Irving Penn." Fine in a near fine dust jacket with light wear. The slipcase is in near fine condition with just a touch of wear. A very sharp example.
Houston: Times Books, 1987.
First edition of Sternfeld’s acclaimed first photobook. Oblong quarto, original cloth, with 55 plates. Fine in a near fine dust jacket that shows a small closed tear. Signed by Joel Sternfeld on the title page.
Offenburg: Burda Druck und Verlag, 1961.
First edition of Claxton’s seminal photobook on jazz. Quarto, original black cloth, pictorial front endpapers. Profusely illustrated in color and black and white. Presentation copy, inscribed by the photographer on the half-title page, “For John William Claxton.” Near fine in a near fine dust jacket with a small chip to the front panel. A very sharp example.
FIRST BRITISH EDITION OF LIFETIMES UNDER APARTHEID; SIGNED BY PHOTOGRAPHER DAVID GOLDBLATT AND NOBEL PRIZE-WINNING AUTHOR NADINE GORDIMER
London: Jonathan Cape, 1986.
First British edition of the photographer’s second collaboration with novelist Nadine Gordimer. Quarto, original cloth. Fine in a near fine dust jacket. Signed by both David Goldblatt and Nadine Gordimer on the title page.