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"Maybe when people longed for a thing that bad the longing made them trust in anything that might give it to them": First Edition of Carson McCuller's The Heart is a Lonely Hunter; Inscribed by Her
Boston: Houghton Mifflin Company, 1940.
First edition, first printing with the date on the title page of the author’s first novel and masterpiece. Octavo, original cloth. Fine in a near fine dust jacket that shows only light wear. Inscribed by Carson McCullers on the front free endpaper. Housed in a custom half morocco clamshell box. A very sharp example, uncommon signed and inscribed.
New York: Modern Library, 1995.
First Modern Library edition of Dickens’ classic work, with an introduction by John Irving. Octavo, original cloth. Signed by John Irving on the title page. Light staining to the page edges in a very good dust jacket.
"Where A Man Feels At Home, Outside Of Where Hes Born, Is Where Hes Meant To Go": First Edition Of Green Hills Of Africa; Inscribed By Hemingway
New York: Charles Scribner's Sons, 1935.
First edition of Hemingway’s second work of nonfiction, an account of a month on safari he and his wife took in East Africa during December 1933. Octavo, original green cloth, decorations by Edward Shenton. Presentation copy, inscribed by the author on the front free endpaper, “To Gweneth P. Beam wishing her plenty of luck Ernest Hemingway.” The recipient was a secretary at Scribners at the time of publication when Hemingway inscribed this copy to her. Some light fading to the cloth as usual in a bright near fine dust jacket with light rubbing. Housed in a custom half morocco clamshell box. A very sharp example.
"Pretend to be good always, and even God will be fooled": First Edition of God Bless You, Mr. Rosewater; Signed by Kurt Vonnegut with a Self-Caricature
New York: Holt, Rinehart, Winston, 1965.
First edition of the author’s fifth novel, a classic satire, which introduces the reader to Kilgore Trout. Octavo, original half cloth. Signed by the author on the half-title page with a self-caricature. Fine in a near fine dust jacket that shows just a touch of wear. A very sharp example.
New York: HarperCollins, 1999.
First edition, first printing of the 40th Anniversary edition of the author’s Pulitzer Prize-winning novel. Octavo, original half cloth. Signed by Harper Lee on the half-title page. Fine in a fine dust jacket.
"Wandering between two worlds, one lost, the other powerless to be born": First Edition of Changing Places; Signed by David Lodge
London: Secker & Warburg, 1975.
First edition. Octavo, original cloth. Signed by David Lodge on the title page. Fine in a near fine price-clipped dust jacket with light toning to the spine. A very bright example of a book that is prone to significant fading.
"Goodnight you princes of Maine, you kings of New England": Signed First Edition of The Cider House Rules
New York: William Morrow & Company, Inc, 1985.
First edition of Irving’s sixth novel. Octavo, original half cloth. Signed by the author on the title page, “For my biggest fan John Irving.” Fine in a fine dust jacket. Jacket design by Honi Werner.
"Life's under no obligation to give us what we expect": First Edition of Gone with the Wind; Signed by Margaret Mitchell
New York: The Macmillan Company, 1936.
First edition of the author’s classic novel. Octavo, original gray cloth. Signed by Margaret Mitchell on the front free end paper. First printing, with “Published May 1936” on the copyright page and no mention of other printings. First issue dust jacket, with Gone with the Wind listed in the second column of the booklist on the back panel, with $3.00 cost on the front flap. Near fine in the original dust jacket with some light professional restoration to the extremities. Housed in a custom half morocco clamshell box. A very nice example.
Rare first American edition, first printing, first state, of one of the masterpieces of American literature Tom Sawyer; Finely Bound
Hartford: American Publishing Company, 1876.
First edition, first printing, first state (with “THE” on half title in 10-point rather than 14-point type), peach endpapers, printed on wove paper, with preliminary matter paginated [I]-XVI and front and rear triple flyleaves of laid paper. BAL 3369. Johnson, 27-30. MacDonnell, 39-40. MacBride, 40. Octavo, bound in full blue morocco, titles to the spine in gilt, gilt tooling to the front and rear panels, marbled endpapers, all edges gilt.
"He was sounding the deeps of his nature, and of the parts of his nature that were deeper than he, going back into the womb of Time": First Edition of The Call of the Wild In the Scarce Original Dust Jacket
New York: The Macmillan Company, 1903.
First edition first issue, of one of the most desirable classics in American literature. Octavo, original pictorial green cloth, pictorial endpapers, top edge gilt. Near fine in a the original dust jacket with a few small chips to the crown of the spine and front panel. With 18 full-page color illustrations by Philip R. Goodwin and Charles Livingston Bull. Housed in a custom half morocco clamshell box.
"There was something about the coast town of Dunnet which made it seem more attractive than other maritime villages of eastern Maine": First Edition of The Country of Pointed Firs; Inscribed by Sarah Orne Jewitt on Christmas Day in the Year of Publication
Boston and New York: Houghton Mifflin and Company, 1896.
First edition of the author’s masterpiece. Octavo, original cloth. Inscribed by the author in the year of publication on the front free endpaper, “For Dr. Bartol from Sarah O. Jewett – 25 December 1896.” In the Blanchard biography of Jewett, Dr. Bartol is listed as a neighbor of Sarah Orne Jewett and Annie Fields in Manchester, Massachusetts. Bartol was an early transcendentalist and pastor of the West Church from 1837 to 1889 and was originally from Maine and was a Bowdoin classmate of Sarah’s father. In near fine condition with light rubbing and wear. Signed and inscribed first editions are rare.
London: Jonathan Cape, 1988.
First British edition of this collection of writing by the Nobel Prize-winning author. Octavo, original cloth. Signed by Nadine Gordimer on the title page. Fine in a near fine dust jacket. Edited and introduced by Stephen Clingman.
"We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all": First Edition of His Day Is Done: A Nelson Mandela Tribute; Signed by Maya Angelou
New York: Random House, 2014.
First edition of this tribute to Nelson Mandela. Small octavo, original boards. Signed by the author on the half-title page, “Joy Maya Angelou.” Fine in a fine dust jacket. Jacket design by Anna Bauer.
London: Bernard Lintot, 1715-20.
First edition of Alexander Pope’s monumental illustrated translation of Homer’s Iliad, the suscription edition. Quarto, 6 volumes, uniformly bound in contemporary calf, with gilt titles to the spine and corner ornaments, rebacked to style in brown calf, raised bands. The bookplate in each volume of Sir John C. Hobhouse. John Cam Hobhouse (1786-1869), was Lord Byron’s close friend, literary confidante and executor. Frontispiece portrait of Homer. In very good condition with some of the usual toning. An attractive set.
Middlesex, England: Eel Pie Publishing, 1977.
First edition. Quarto, original cloth. Inscribed by Pete Townshend on the title page. Fine in a fine dust jacket.
New York: Alfred A. Knopf, 1968.
First edition, Octavo, original black cloth. Fine in a near fine dust jacket. Inscribed by the author, “To ______ I am happy that this book was of such an interest for you. Thanks for telling me and very best wishes Pierre Boulez.”
"Maybe you could show me how to let go, Lower my guard, Learn to be free. Maybe if you whistle, Whistle for me": First Edition of Anyone Can Whistle; Inscribed by both Arthur Laurents and Stephen Sondheim
New York: Random House, 1965.
First edition. Octavo, original cloth. Warmly Inscribed by both Arthur Laurents and Stephen Sondheim. Fine in a near fine bright jacket without the fading usually encountered with the spine.
New York: Viking Press, 1965.
First edition of the photographer’s first book with over 75 black-and-white and color photographic plates. Tall quarto, original ivory cloth. Signed by the author on the title page, “Salome Peter Beard Hog Ranch Nairobi.” Fine in a near fine dust jacket that shows light wear.
Durham, NC: Duke University Press, 1987.
First edition of the photographer’s second major photobook. Quarto, original cloth. Signed by Helen Levitt on the title page. Fine in a fine dust jacket. Not to be confused with the more common paperback edition. Helen Levitt and the author James Agee first collaborated in 1945 on a documentary film set in Harlem, called “In the Street.” Psychologist Robert Coles contributed the essays to this volume.
San Francisco: Straight Arrow Press, 1973.
First Edition. Oblong quarto, original photographic stiff paper wrappers. Inscribed by Bill Owens on the front free endpaper, “For Dave Bill Owens Can you avoid Suburbia.” In very good condition. Laid in is the photographer’s business card.