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The Manuscript Edition of Theodore Roosevelt's Monumental Work The Winning of the West; One of 200 Numbered Copies
New York : G.P. Putnam's Sons, 1900.
Limited edition, number 72 of 200 copies of the manuscript edition of The Winning of the West. Quarto, 4 volumes, bound in full publisher’s morocco, gilt titles to the spine, gilt tooling to the front and rear panels, top edge gilt, pastedowns full morocco with inlay. The manuscript page in this example opposite the limitation page and reads, “at the expense of the government; and on the lower Ohio in 1793 and ’93 there were plenty of men who, in the event of a campaign, hoped to make profit out of the goods, horses and cattle they supplied the soldiers.” Portrait frontispiece in volume one, illustrated throughout, with frontispieces in each volume, folding maps, and other plates. In near fine condition. Housed in two custom slipcases. A very nice set.
“SERVE ON HOT BUTTERED TOAST… WITH PINK CHAMPAGNE”: FIRST EDITION OF IAN FLEMING’S THRILLING CITIES; inscribed by him to close personal friend and neighbor Noel Coward
London: Jonathan Cape, 1963.
First edition of Fleming’s compelling travelogue. Octavo, original half cloth, illustrated. Association copy, inscribed by the author on the title page, “Noël for your bluest pencil Love Ian.” The recipient, English playwright, director and actor Noël Coward was a close friend of Fleming’s and his neighbor in Jamaica. Coward, inspired to build his own Jamaican retreat by a visit to Goldeneye in 1948, was Fleming’s closest friend on the island and it was with his great encouragement that Fleming began writing the Bond novels that made him famous. When Fleming married Ann in 1952, Coward was one of two wedding guests and in the same year he was made godfather to their newborn son Caspar. Named for the luminous insects seen in the warm evenings, his Firefly Estate east of Oracabessa, Jamaica entertained a wide range of guests, including both the Queen Mother and Queen Elizabeth II, Sir Winston Churchill, Lord Olivier, Sophia Loren, Dame Elizabeth Taylor, Sir Alec Guinness, Peter O’Toole, and Richard Burton. Known for his likable sophistication and sharp sense of humor, Coward’s songs, plays, and films were immensely popular from the early 1920s through the 60s and 70s when they achieved renewed fame and critical acclaim with a variety of new revues celebrating his music, including Oh, Coward! on Broadway and Cowardy Custard in London. Coward won an Academy Honorary Award in 1943 for his naval film drama ‘In Which We Serve’, was knighted by Queen Elizabeth in 1969, and received a Tony Award for lifetime achievement in 1970. Fine in a near fine dust jacket. With Coward’s bookplate to the pastedown. An exceptional association copy.
“PEOPLE GENERALLY SEE WHAT THEY LOOK FOR, AND HEAR WHAT THEY LISTEN FOR”: First British Edition of To Kill A Mockingbird; Warmly Inscribed by Harper Lee
London: Heinemann, 1960.
First British edition of the author’s Pulitzer Prize winning novel. Octavo, original cloth. Presentation copy, inscribed by the author on the front free endpaper, “To Bobby from his devoted friend and admirer, Harper Lee March 14, 1962.” The inscription a little blurred, an excellent example in the original dust jacket with light shelfwear. The recipient’s parents were head of the day-to-day operations of Barnett Insurance Agency in Monroeville, which was closely associated (and shared office space) with the law firm of Barnett, Bugg and Lee, which Harper Lee’s father, A.C. Lee, helped found. Housed in custom half morocco clamshell box. Examples with such warm inscriptions are rare.
SIGNED LIMITED EDITION OF ALBERT EINSTEINS "ONE AND ONLY INTELLECTUAL BIOGRAPHY": SIGNED AND DATED BY HIM; IN THE ORIGINAL PUBLISHER'S CARDBOARD
Evanston: Library of Living Philosophers, 1949.
Signed limited first edition, one of 760 copies signed and dated “Albert Einstein ‘49.” Octavo, original brown cloth, top edge gilt, original slipcase. The book is in fine condition, the slipcase is in fine condition. Housed in the original publisher’s cardboard. An absolute pristine example, which has been stored in the original cardboard box since publication. Edited by Paul Arthur Schilpp. Frontispiece portrait of Einstein by Yousef Karsh. Rare and desirable in this condition.
“I SWEAR BY MY LIFE AND MY LOVE OF IT THAT I WILL NEVER LIVE FOR THE SAKE OF ANOTHER MAN, NOR ASK ANOTHER MAN TO LIVE FOR MINE": FIRST EDITION OF AYN RAND'S ATLAS SHRUGGED; SIGNED BY HER
New York: Random House, 1957.
First edition of one of the most influential novels of the twentieth century. Large octavo, original green cloth, frontispiece stamped in gilt, spine stamped in black and gilt. Signed by Ayn Rand on the front free endpaper. Fine in a fine dust jacket without wear. Jacket design by George Salter. Easily one of nicest copies extant.
"All modern literature comes from one book by Mark Twain. Its the best book weve had. All American writing comes from that. There was nothing before. There has been nothing since" First Edition Of Adventures of Huckleberry Finn in The Rare Blue Cloth
New York: Charles L. Webster and Company, 1885.
First edition, first issue of Mark Twain’s masterpiece. In near fine condition with light wear to the extremities. Octavo, blue pictorial cloth. Subscribers who had already purchased Tom Sawyer, and wanted a binding to match, were invited to request a blue cloth binding on Huckleberry Finn instead of the publisher’s green. This is one of those blue bindings—twenty times more rare than the green. This copy has all of the commonly identified first issue points (copies were assembled haphazardly by the printer and there is yet to be agreement among bibliographers as to the priority of many points). First issue points include page  with “Decided” remaining uncorrected (to “Decides”); page , illustration captioned “Him and another Man” listed as on page 88; page 57, 11th line from bottom reads “with the was,”. Debate continues over the priority of other points of issue and state. This copy contains the following points of bibliographical interest: frontispiece portrait without cloth table cover under the bust, bearing the Heliotype Printing Co. imprint; copyright page dated 1884; page 143 with “l” missing from “Col.” at top of illustration and with broken “b” in “body” on line seven; page 155 with the final 5 being slightly larger than the first two numbers”; page 161, no signature mark “11”. In very good condition with light wear to the extremities. Housed in a custom half morocco clamshell box. A nice example.
"I have done the best I could to show forth the beauty, grandeur, and all-embracing usefulness of our wild mountain forest reservations": Scarce first edition of Our National Parks; inscribed by John Muir
Boston and New York: Houghton Mifflin Company, 1901.
First edition of Muir’s collection of short works on the beauty and splendor of America’s National Parks. Octavo, original cloth with gilt titles to the spine and front panel, gilt vignette to the front panel, top edge gilt, tissue-guarded frontispiece engraving of the sequoias of Mariposa Grove. Association copy, inscribed by the author on the front free endpaper, “To Thomas Price with sincere regard and many pleasant Klamath memories – John Muir. Martinez California September 1908.” The recipient, Thomas Price, was the stenographer hired to accompany Muir on his journey to Pelican Bay Lodge on Lake Klamath in Southern Oregon in 1908. He transcribed Muir’s musings and thoughts on the landscape which would later form part of his 1912 autobiography My Boyhood and Youth. In near fine condition. An exceptional example and association, rare signed and inscribed by Muir.
New York: Simon and Schuster, 1940.
First edition of the lavishly illustrated companion volume to Disney’s animated musical masterpiece. Quarto, original cloth, pictorial endpapers, illustrated with 16 mounted color plates. Presentation copy, signed and inscribed by thirteen people (including Walt Disney); all who worked at Walt Disney studios in the 1940s. All of the inscriptions are to Jodie Ferguson Brudge, who was a secretary at Disney Studios, and upon her leaving to get married, raise family, she asked those that she worked with to inscribe her copy of Fantasia. This work contains the following inscriptions and illustrations, inscribed by Walt Disney on the title page, “To Jodie Best Wishes Walt Disney.” Page 10 has an original full-color illustration by Milt Banta of a card game between Mickey Mouse, Donald Duck and Milt Banta, with the inscription “Best Wishes Always Milt Banta.” Page 14 has a full page original illustration by Russ Dyson of a “ye olde family tree” for the Ferguson [Jodie] and Dyson branches. On the Dyson branch is a self-portrait of Dyson as a bird, with the inscription, “I Hope the Ferguson Branch Doesn’t grow any Larger! Good Luck – Russ Dyson 1/18/46.” Page 57 has an original watercolor of a tree branch and paint container, and the inscription: “Jodie – If you ever run across any automatic paint brushes like these – let me know. – Claude Coats.” Page 82 has a twenty-six line inscription that is warm and thoughtful from Ben [Sharpsteen]. Page 95 has an original color illustration of a frog fishing and the inscription, “An ‘Good Fishin’ to you all the time – Jodie. Hugh Hennesy” Page 102 has an original color illustration of a self-portrait of Bill Berg, with the inscription “Good Bye Jodie – We’ll Miss You!!! Bill Berg.” Page 118 has an original illustration of a self-portrait of Jerry Hathcock waking from a nightmare, with the inscription, “Gad!! What a Nightmare! Maybe Jodie is smart to leave. Good Bye + Good Luck, Jerry Hathcock.” Page 119 has an original illustration of a bouquet of flowers, that has been drawn into the hand/wing of the printed ostrich, with the inscription: “Best Luck and Good Wishes Jodie. Phil Barber.” Page 121 has an original illustration of a self-portrait of J. Eric Gurney who is holding a banner that reads, “Best Wishes to Jodie.” The opposite end of the banner is being held by the printed hippopotamus. Page 126 has an original illustration of a self-portrait of Nick Nichols (being held aloft by the printed elephant), with the inscription: “Bye Bye Jodie Come Back And Work For Me Again. Best Nick Nichols.” Page 159 has an original full-page illustration of Jodie as a centaurette, with the inscription, “G’bye Now. Lots of Luck an’ Stuff to Jodie. George Rowley.” The verso of the rear free endsheet contains an original illustration of a guitar player in a pancho and sombrero with the inscription, ” Good Luck Jodie. William de la Torre.” An excellent example in a very good dust jacket. A unique piece of Disney history.
"I always look ahead to the side but never back": First Edition of Hunter Thompsons celebrated first book Hells Angels; Signed by Him and Sonny Barger
New York: Random House, 1967.
First edition of Thompson’s first book. Octavo, original black cloth. Boldly signed by Hunter S. Thompson on the half-title page and additionally by Hell’s Angel Sonny Barger on the front free endpaper, “I always look ahead to the side but never back Sonny Barger.” Fine in a near fine dust jacket with a touch of shelfwear. Jacket design by Joseph del Gaudio. Rare and desirable signed by both Thompson and Barger.
"As you may have noticed I have been wandering all the time": Rare autograph postcard signed and entirely in the hand of the Father of the Nation of India, Mahatma Gandhi
Rare autograph postcard signed and entirely in the hand of the Father of the Nation of India, Mahatma Gandhi. The letter reads, “Dear Rev. Conley, You will please forgive one for my inability to reply to your letter earlier. As you may have noticed I have been wandering all the time. I am at present at Thithal leaving Bombay on 24th Oct for Bengal. I am afraid therefore that we cannot meet before the … Your serv MK Gandhi 25 4 25 Tithal.” The postcard measures 5.5 inches by 3.5 inches. In near fine condition. Rare and desirable.
“That is just the way with some people. They get down on a thing when they don’t know nothing about it": First Edition Of Adventures of Huckleberry Finn in The Rare Original Publishers Morocco
New York: Charles L. Webster and Company, 1885.
First edition, first issue of Twain’s masterpiece, one of approximately 500 copies bound in publisher’s three-quarters morocco binding. Octavo, original three-quarters brown morocco and marbled boards, gilt-decorated spine, marbled endpapers. Lithographic frontispiece and with 174 illustrations by E.W. Kemble, photographic portrait frontispiece of the bust of Mark Twain by Karl Gerhardt. Copies of Huckleberry Finn in the original publisher’s leather bindings are quite rare: “The relative rarity of the cloth and leather bindings is clear. Less than two weeks before publication, [the publisher] Webster announced that he was binding 20,000 copies in cloth, another 2,500 in sheep, and 500 copies in three-quarter leather. The remaining 7000 copies of the first printing were probably bound up in similar proportions leather copies dried out, cracked apart, and have survived in even fewer numbers than the original production numbers would promise” (MacDonnell, 35). In very good condition, rebacked with light rubbing to extremities. Housed in a custom half morocco clamshell box. A very nice example.
Yousuf Karsh Photograph of the First Prime Minister of India Jawaharlal Nehru; Signed by Both Nehru and Karsh
Black and white photograph of the first prime minister of India Jawaharlal Nehru. Signed Jawaharlal Nehru March 1951 and also signed by the photographer Yousuf Karsh. Karsh was one of the most notable photographers of the 20th century. His work included portraits of celebrities, military and political figures, such as Winston Churchill, Dwight D. Eisenhower, Martin Luther King. Jr., Audrey Hepburn, and many others. The photograph measures 10 inches by 12.75 inches. Double matted and framed. The entire piece measures 17 inches by 19.5 inches. Rare and desirable signed by both Nehru and Karsh.
New York: Duell, Sloan & Pearce, 1940.
First edition of the only book by Jesse Livermore, one of Wall Street’s most well-known traders. Octavo, original blue cloth, contains 16 full color charts. Fine in the rare original dust jacket with some chips and tears. Housed in a custom half morocco clamshell box.
The Works of Thomas Hardy. [Including Far from the Madding Crowd; The Mayor of Casterbridge; Jude the Obscure; Tess of the D’Urbervilles; The Trumpet-Major; Two on a Tower; The Well-Beloved.]
London: Macmillan & Company, 1919-20.
The Works of Thomas Hardy, signed limited edition. Octavo, thirty-seven volumes, bound in contemporary three quarters dark blue morocco, gilt tooling and titles to the spine. The Mellstock edition, limited to five hundred copies. In near fine condition. A very nice attractively bound set.
"I only hope that we don't lose sight of one thing - that it was all started by a mouse": Rare original production cel signed by animation pioneer Walt Disney
Rare original production cel featuring Mickey Mouse and Chip the chipmunk in a wintry scene from the short film Squatter’s Rights. Boldly signed on the mat by Walt Disney. Produced in Technicolor by Walt Disney Productions and directed by Jack Hannah, the animated short film Squatter’s Rights premiered in theaters on June 7, 1946. The story centered on a confrontation between Mickey Mouse’s dog Pluto and chipmunks Chip and Dale who had taken up residence in Mickey’s hunting shack. The short film was nominated for an Academy Award for Best Animated Short Film at the 19th Academy Awards, but ultimately lost to The Cat Concerto, an MGM Tom and Jerry film, which shared one of 7 Oscars for the Tom and Jerry series. Matted and framed. The entire piece measures 16.25 inches by 17.25 inches. Rare and desirable featuring Disney’s most recognizable character.
First Edition of One Hundred Years of Solitude in the First Issue Dust Jacket; Signed by Gabriel Garcia Marquez and Translator Gregory Rabassa
New York: Harper & Row, Publishers, 1970.
First American edition of the author’s magnum opus. Octavo, original green cloth with gilt lettering to the spine. Presentation copy, inscribed by the author on the dedication page, “y para Martin, con todo el afecto, Gabriel Garcia Marquez 05.” Additionally signed by the translator Gregory Rabassa on the title page. Fine in a near fine first issue dust jacket with the exclamation point at the end of the first paragraph on the front flap. Jacket design by Guy Fleming. Translated by Gregory Rabassa. Housed in a custom half morocco clamshell box. An exceptional example.