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"All human wisdom is contained in these two words--"Wait and Hope": First Edition in English of Dumas The Count of Monte-Cristo
New York: Burgess, Stringer and Company, 1846.
First American edition of the author’s masterpiece. Octavo, contemporary three quarters calf over marbled boards, marbled endpapers, two volumes bound in one. Separate title page for each volume. Complete with twelve illustrated plates. In very good condition with the previous owner’s signature of volume one. First editions in the English language are rare, with Yale being the only library to house a copy of this first edition.
“And we danced, on the brink of an unknown future, to an echo from a vanished past": First Edition of John Wyndham's The Day of the Triffids; Signed by Him
Garden City, NY: Doubleday & Company, Inc , 1951.
First American edition, which preceded the British edition of Wyndham’s classic work. Octavo, original cloth. Boldly signed by John Wyndham on the half-title page. Fine in a very good dust dust jacket. Jacket design by Whitney Bender.
Etch bust of Albert Einstein done by well-known artist Hermann Struck. Signed by both Einstein and Struck, numbered 49/150. In fine condition. Double matted and framed, the entire piece measures 12.25 inches by 15 inches. An exceptional piece.
"TO ROBERT FRANK I NOW GIVE THIS MESSAGE: YOU GOT EYES": First Edition of Robert Franks Les Americains; Signed by Him
Paris: Delpire, 1958.
First edition of the photographer’s masterpiece with 83 black-and-white full-page photogravures. Oblong quarto, original boards illustrated by Saul Steinberg. Signed by Robert Frank on the title page. In near fine condition that shows light wear. Housed in a custom half morocco clamshell box.
Engraved bust portrait of Albert Einstein by Emil Orlik. Inscribed by Albert Einstein in German (English translation), “To Alice sending it to her as a remembrance Albert, February 1925.” Additionally signed by the artist, Emil Orlik on the lower right. The etching measures 10.5 inches by 14 inches. Matted and framed. The entire piece measures 20 inches by 17 inches.
"He touched her for the last time and then they turned away from each other and walked off into their different lives": First edition of Ian Flemings Moonraker
London: Jonathan Cape, 1955.
First edition, first issue with “shoo” for “shoot” on page 10 of the third novel in the James Bond series and what many critics to be his finest. Octavo, original black cloth. Near fine in a near fine dust jacket with the spine panel bright and with light wear to the spine extremities. Jacket design by Kenneth Lewis. Housed in a custom half morocco clamshell box.
“Economics, or more properly theoretical economics, is the only one of the social sciences which has aspired to the distinction of an exact science": First Edition of Frank H. Knight's Risk, Uncertainty, and Profit
Boston & New York: Houghton Mifflin Company, 1921.
First edition of Knight’s classic treatise. Octavo, bound in full morocco, gilt titles to the spine, raised bands, gilt ruled to the front and rear panels, marbled endpapers, all edges gilt. In near fine condition. First editions are scarce.
Handwritten musical quotation inscribed by Russian composer and pianist Dmitri Dmitriyevich Shostakovich in Russian above the opening three bars of Shostakovich’s Symphony No. 5 in D minor (Op. 47) on a two-stave system with holograph tempo directive and title, “To Lionel Okvin from Dmitri Shostakovich 17th February 1947.” Double matted and framed with a photograph of Shostakovich. The entire piece measures 14.75 inches by 15.75 inches. Rare and desirable.
“It was not well to drive men into final corners; at those moments they could all develop teeth and claws": Rare First Edition of Stephen Crane's The Red Badge of Courage
New York : D. Appleton and Company, 1895.
First edition, first printing with page  advertising the three works of Gilbert Parker’s Best Books, and the last page of advertisements (page 238) ending with The Land of the Sun, by Christian Reid; last gathering, including ads on laid paper. Octavo, original publisher’s tan cloth. In near fine condition with a touch of rubbing. From the library of noted collector Donald G. Drapkin, with his bookplate, contemporary name on the endpaper. Housed in a custom half morocco clamshell box. An exceptional example.
"I never knew a man who had better motives for all the trouble he caused": First Edition of Graham Greene's The Quiet American; Inscribed by Him
London: William Heinemann Ltd, 1955.
First edition of Greene’s classic novel of exploration of love, innocence, and morality in Vietnam. Octavo, original blue cloth. Presentation copy, inscribed by the author on the title page, “For Joseph from Graham Greene.” Near fine in a near fine dust jacket with light wear. Housed in a custom clamshell box.
London: Weidenfeld & Nicolson, 1968.
First edition of Watson’s ground breaking work regarding the discovery of DNA for which the author, Francis Crick and Maurice Wilkins were awarded the Nobel Prize in Medicine in 1962. Octavo, original cloth, illustrated with 19 half-tone illustrations and 11 diagrams. Signed by both James D. Watson and Francis Crick on the title page. Very good in an excellent dust jacket with some light rubbing to the spine crown. Jacket design by Dorothy Judd. Foreword by Sir Lawrence Bragg. Rare signed by both Watson and Crick.
New York: Charles L. Webster and Company, 1885.
First edition of Mark Twain’s masterpiece. Octavo, original publisher’s decorated green cloth gilt to the spine and front panel, with 174 illustrations by Edward Kemble. A near fine example with just a touch of rubbing. Laid in is an original pen and ink drawing by Edward W. Kemble, titled in pencil in another hand, “The Pirate Chief carries off Sweet Marie,” pin-holes, light wear. Housed in a custom half morocco clamshell box. With “88” on p 13 and “with the was” on p 57. As to issue points resulting from damaged plates (e.g. the dropped “5” on p 155, present here), Kevin MacDonnell concludes, “they are of no significance in determining the sequence of the printing of the sheets. All of these occur at random in relation to each other within copies of the first printing, a strong indicator of the use of multiple plates, and possibly mixed sheets within the collating process” (“Huck Finn among the Issue-Mongers,” Firsts, Vol 8, No 9, Sept 1998, pp 28-35). A very sharp example of this literary highspot.
First Edition of Mark Twain's Adventures of Huckleberry Finn; From the Library of Fellow Novelist Zane Grey
New York: Charles L. Webster and Company, 1885.
First edition of Mark Twain’s masterpiece. Octavo, original publisher’s decorated green cloth, with 174 illustrations by Edward W. Kemble. The author Zane Grey’s copy, with his blindstamp to the front free endpaper and first blank. Contains all the agreed upon first issue points for the clothbound book: page 9 with “Decided” remaining uncorrected (to “Decides”); page 13, illustration captioned “Him and another Man” listed as on page 88; page 57, 11th line from bottom reads “with the was,” instead of “with the saw”. Other points of bibliographical interest included in this copy are the frontispiece portrait without cloth table cover under the bust, bearing the Heliotype Printing Co. imprint; copyright page dated 1884; page 143 with “l” missing from “Col.” at top of illustration and with broken “b” in “body” on line seven; page 155 with a larger final “5”; page 161, no signature mark “11”. As to issue points resulting from damaged plates (e.g. the dropped “5” on p 155), MacDonnell concludes, “they are of no significance in determining the sequence of the printing of the sheets. All of these occur at random in relation to each other within copies of the first printing, a strong indicator of the use of multiple plates, and possibly mixed sheets within the collating process” (“Huck Finn” Firsts Magazine). An exceptional association copy linking these two great American writers. Housed in a full morocco clamshell case.
"I own one copy of Three Stories and Ten Poems and would be very happy if it became valuable": Ernest Hemingway Autograph Letter Excerpt
Chicago: The Walden Book Shop, 1930.
Rare letter excerpt boldly signed by Ernest Hemingway. Published by the Walden Book Shop in 1930, the introduction begins "The following notes are excerpts from a Hemingway letter in answer to questions concerning editions and numbers of copies." It goes on to provide a long italicized quote from the letter in which Hemingway describes the printings of his early books from Three Stories and Ten Poems through the forthcoming Men Without Women (1927). The quote reads, in part: “…The books have been Three Stories and Ten Poems, Contact Press, 1953-350 copies out of print, In Our Times, Three Mountains Press, 1924, 150, I think…They claim to be issuing a new edition. Then Scribners published The Torrents of Spring in the spring of 1926 in an unrestrained edition and The Sun Also Rises came out in the same year with, I believe an attempt made to print and sell as many as possible…I own one copy of Three Stories and Ten Poems and would be very happy if it became valuable in order that I might have something to leave to my children.” Signed by Hemingway in he lower right corner of the pamphlet. In fine condition. Double matted and framed with a portrait of Hemingway. The entire piece measures 26 inches by 17 inches. An exceptional example.
First Edition of Henderson the Rain King; Inscribed by Saul Bellow to Fellow Writer Christopher Hitchens
New York: The Viking Press, 1959.
First edition of Bellow’s fourth book. Octavo, original half cloth. Presentation copy, inscribed by the author on the title page to fellow writer Christopher Hitchens, “For Christopher with good wishes Saul Bellow.” Hitchens wrote, “When I think of Bellow, I think not just of a man whose genius for the vernacular could seem to restate Athenian philosophy as if run through a Damon Runyon synthesizer, but of the author who came up with such graphic expressions for vulgarity and thuggery and stupidity—the debased currency of those too brutalized to have retained the capacity for wonder” (Christopher Hitchens). Hitchens signature on the front free endpaper, near fine in a near fine dust jacket with light rubbing. Jacket painting by Bill Preston. Housed in a custom half morocco clamshell box. A remarkable association.
New York: Charles Scribner's Sons, 1940.
First edition, early printing of the novel that is regarded as one of Hemingway’s best works. Octavo, original cloth. Presentation copy, inscribed by the author on the front free endpaper, “Mrs. John J. Brennan with sincere good wishes always Ernest Hemingway.” Near fine in an excellent near fine first issue dust jacket without the photographer’s name to the rear panel. Housed in a custom half morocco clamshell box. Rare and desirable signed by Hemingway.