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“They were so close to each other that they preferred death to separation”: Rare First Edition in Spanish of the Authors Masterpiece Cien Anos de Soledad; Inscribed by Gabriel Garcia Marquez in the year of publication
Buenos Aires: Editorial Sudamericana, 1967.
First edition of the author’s masterpiece which is recognized as one of the most significant works in the Spanish literary canon. Octavo, original illustrated wrappers. Presentation copy, inscribed and dated by the author on the dedication page. Additionally signed by the translator Gregory Rabassa on the front free endpaper. In very good condition with some wear and rubbing to the extremities. Housed in a custom clamshell box.
"I do hope you realise how much your services are appreciated everywhere in this building and not least by me": COMPLETE SET OF FIRST EDITIONS OF IAN FLEMING'S JAMES BOND NOVELS; FINELY BOUND WITH AN ORIGINAL TYPED LETTER SIGNED BY IAN FLEMING LAID IN
Complete Set of 14 First Edition James Bond Novels: Casino Royale, Live and Let Die, Moonraker, Diamonds are Forever, From Russia with Love, Dr. No, Goldfinger, For Your Eyes Only [Short Stories including A View to a Kill and Quantum of Solace], Thunderball, The Spy Who loved Me, On Her Majesties Secret Service, You Only Live Twice, The Man with the Golden Gun, Octopussy and The Living Daylights.
London: Jonathan Cape, 1953-66.
First editions of each volume in Ian Fleming’s James Bond series. Octavo, 14 volumes, bound in three quarters morocco, gilt titles to spines, raise bands, original cloth covers and spine preserved at rear of each novel. In fine condition. Accompanied by an original typed letter signed by Ian Fleming on Kemsley House letterhead and addressed to Antony Terry, M.C. of Kemsley Newspapers which reads, “21st July 1955 ‘My dear Terry,’ I must thank you for the staunch way in which you are feeding me with Atticus paragraphs, which are all either on the nail or very close to it. They are quite excellent and no other correspondent is nearly so fruitful. Once again, when you are called upon for help, you have given it in fuller measure than was asked for and produced your usual high quality journalism. I must say, looking back on your years of service for Mercury, I can think of no correspondent with anything approaching your record, and I do hope you realise how much your services are appreciated everywhere in this building and not least by me. ‘Yours well, Ian F.'” The recipient, Anthony Terry was a British journalist and former European Editor of The Sunday Times. Fleming hired him in 1949 to work as a journalist for Kemsley Newspapers of which he was at the time the Foreign manager. Terry’s obituary in The Independent stated that he was “one of the paper’s most valuable assets, a one-man listening post, a fastidious checker of facts, a burrower into dark corners and a traveller who never complained of fatigue”. The letter is in near fine condition. A very nice collection.
“YOU ONLY LIVE TWICE: ONCE WHEN YOU ARE BORN AND ONCE WHEN YOU LOOK DEATH IN THE FACE”: COMPLETE SET OF FIRST EDITIONS OF IAN FLEMING'S JAMES BOND NOVELS; FINELY BOUND
Complete Set of 14 First Edition James Bond Novels: Casino Royale, Live and Let Die, Moonraker, Diamonds are Forever, From Russia with Love, Dr. No, Goldfinger, For Your Eyes Only (Short Stories including A View to a Kill and Quantum of Solace), Thunderball, The Spy Who loved Me, On Her Majesties Secret Service, You Only Live Twice, The Man with the Golden Gun, Octopussy and The Living Daylights.
London: Jonathan Cape, 1953-66.
First editions of each volume in Ian Fleming’s James Bond series. Octavo, 14 volumes, beautifully bound in full black oasis morocco, gilt raised bands and gilt titles to spines, all edges gilt, scarlet endpapers, Goldfinger ‘skull’ decoration to spines, original cloth covers preserved at rear. Housed in a custom slipcase. In fine condition. An exceptional set.
Venice: Aldine Press, 1524.
Rare third Aldine edition of Homer’s The Odyssey. Small octavo, original vellum with the title to the spine in manuscript, with woodcut Aldine device to title and final colophon leaf. In excellent condition with some minor toning to the leaves. Exceptionally rare, with only two having appeared at auction in the last 80 years. This is one of the earliest obtainable examples of Homer’s landmark work.
“The supreme question about a work of art is out of how deep a life does it spring”: First Edition of Ulysses; One of 750 Numbered Copies
Paris: Shakespeare & Company, 1922.
First edition, one of 750 numbered copies on handmade paper from a total edition of 1000 copies, this is number number 347. Thick quarto, original blue and white wrappers. In excellent condition, the volume is square and tight, without marks of any kind, with some some restoration to the spine. Housed in a custom half morocco clamshell box. A nice example.
“And I like large parties. They’re so intimate. At small parties there isn’t any privacy": First Modern Library of The Great Gatsby; Inscribed by F. Scott Fitzgerald
New York: The Modern Library, 1934.
First Modern Library edition of the author’s masterpiece, with the first appearance of Fitzgerald’s new introduction. Octavo, original green cloth. Inscribed by the author on the half title page, “For Lillian Abercrombie at the beginning of a tour of work F. Scott Fitzgerald.” Near fine in a very good dust jacket with some rubbing to the extremities and some small chips. Housed in a full custom morocco box. The first Modern Library edition of The Great Gatsby was a resounding commercial failure, and many copies were remaindered with the caption “discontinued title” printed on the jacket’s front panel. The present copy represents one of the earlier, non-remaindered copies, and like all of the first Modern Library editions of The Great Gatsby, features Fitzgerald’s new introduction, with his own, now-famous take on his masterwork: “I think it is an honest book, that is to say, that one used none of one’s virtuosity to get an effect, and, to boast again, one soft-pedalled the emotional side to avoid the tears leaking from the socket of the left eye, or the large false face peering around the corner of a character’s head. If there is a clear conscience, a book can survive — at least in one’s feelings about it. On the contrary, if one has a guilty conscience, one reads what one wants to hear out of reviews. In addition, if one is young and willing to learn, almost all reviews have a value, even the ones that seem unfair.”
"In the midst of winter, I found there was, within me, an invincible summer": First American Edition of Albert Camus Classic Novel The Stranger; Inscribed by Him to fellow novelist Vincent Sheean
New York: Alfred A. Knopf, 1946.
First American edition of Camus’ first novel and masterpiece. Octavo, original beige cloth. Presentation copy, inscribed by the author on the half-title page, “A Vincent Sheean pour le remercier de savoir si bien parler de Stendhal Sympathiquement Albert Camus.” The recipient, Vincent Sheean was an American journalist and novelist. Sheean’s most famous work was Personal History, which won one of the inaugural National Book Awards: the Most Distinguished Biography of 1935. Film producer Walter Wanger acquired the political memoir and made it the basis for his 1940 film production Foreign Correspondent, directed by Alfred Hitchcock. Sheean wrote the narration for the feature-length documentary Crisis (1939) directed by Alexander Hammid and Herbert Kline. He translated Ève Curie’s biography of her mother, Madame Curie (1939), into English. Sheean wrote Oscar Hammerstein I: Life and Exploits of an Impresario (1955) as well as a controversial biography of Dorothy Thompson and Sinclair Lewis, Dorothy and Red (1963). He studied at the University of Chicago, becoming part of a literary circle which included Glenway Wescott, Yvor Winters, Elizabeth Madox Roberts and Janet Lewis while he was there. Near fine in a near fine dust jacket. Jacket design by Warren Chappell. Translated by Stuart Gilbert. Housed in a custom half morocco clamshell box. Presentation copies of The Stranger are rare, with only one appearing at auction in the past 70 years. Exceedingly scarce and desirable.