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"In the midst of winter, I found there was, within me, an invincible summer": First American Edition of Albert Camus Classic Novel The Stranger; Inscribed by Him to fellow novelist Vincent Sheean
New York: Alfred A. Knopf, 1946.
First American edition of Camus’ first novel and masterpiece. Octavo, original beige cloth. Presentation copy, inscribed by the author on the half-title page, “A Vincent Sheean pour le remercier de savoir si bien parler de Stendhal Sympathiquement Albert Camus.” The recipient, Vincent Sheean was an American journalist and novelist. Sheean’s most famous work was Personal History, which won one of the inaugural National Book Awards: the Most Distinguished Biography of 1935. Film producer Walter Wanger acquired the political memoir and made it the basis for his 1940 film production Foreign Correspondent, directed by Alfred Hitchcock. Sheean wrote the narration for the feature-length documentary Crisis (1939) directed by Alexander Hammid and Herbert Kline. He translated Ève Curie’s biography of her mother, Madame Curie (1939), into English. Sheean wrote Oscar Hammerstein I: Life and Exploits of an Impresario (1955) as well as a controversial biography of Dorothy Thompson and Sinclair Lewis, Dorothy and Red (1963). He studied at the University of Chicago, becoming part of a literary circle which included Glenway Wescott, Yvor Winters, Elizabeth Madox Roberts and Janet Lewis while he was there. Near fine in a near fine dust jacket. Jacket design by Warren Chappell. Translated by Stuart Gilbert. Housed in a custom half morocco clamshell box. Presentation copies of The Stranger are rare, with only one appearing at auction in the past 70 years. Exceedingly scarce and desirable.
“The object of the artist is the creation of the beautiful. What the beautiful is is another question": First English Edition of James Joyces Portrait of the Artist as a Young Man; Inscribed by Him
London: The Egoist Ltd, 1916.
First English edition, one of approximately 750 copies of Joyce’s classic stream-of-consciousness work, his first novel. Octavo, original cloth. Presentation copy, inscribed by the author on the front free endpaper, “To Beatrice Randegger. James Joyce. 25 Novembre 1919. Trieste.” The recipient was a private student’s of Joyce in Italy. In excellent condition with light rubbing and wear. Housed in a custom half morocco clamshell box.
New York: Alfred A. Knopf, 1946.
First American edition of Camus’ first novel and masterpiece. Octavo, original beige cloth. Presentation copy, inscribed by the author on the half-title page, “A Muriel Sutman nous ne sommes pas des étrangers, Albert Camus.” Near fine in a near fine dust jacket. Jacket design by Warren Chappell. Translated by Stuart Gilbert. Housed in a custom half morocco clamshell box. Presentation copies of The Stranger are rare, with only one appearing at auction in the past 70 years.
“And I like large parties. They’re so intimate. At small parties there isn’t any privacy": First Modern Library of The Great Gatsby; Inscribed by F. Scott Fitzgerald
New York: The Modern Library, 1934.
First Modern Library edition of the author’s masterpiece, with the first appearance of Fitzgerald’s new introduction. Octavo, original green cloth. Inscribed by the author on the half title page, “For Lillian Abercrombie at the beginning of a tour of work F. Scott Fitzgerald.” Near fine in a very good dust jacket with some rubbing to the extremities and some small chips. Housed in a full custom morocco box. The first Modern Library edition of The Great Gatsby was a resounding commercial failure, and many copies were remaindered with the caption “discontinued title” printed on the jacket’s front panel. The present copy represents one of the earlier, non-remaindered copies, and like all of the first Modern Library editions of The Great Gatsby, features Fitzgerald’s new introduction, with his own, now-famous take on his masterwork: “I think it is an honest book, that is to say, that one used none of one’s virtuosity to get an effect, and, to boast again, one soft-pedalled the emotional side to avoid the tears leaking from the socket of the left eye, or the large false face peering around the corner of a character’s head. If there is a clear conscience, a book can survive — at least in one’s feelings about it. On the contrary, if one has a guilty conscience, one reads what one wants to hear out of reviews. In addition, if one is young and willing to learn, almost all reviews have a value, even the ones that seem unfair.”
"Science can only ascertain what is, but not what should be, and outside of its domain value, elly judgments of all kinds remain necessary": First Edition of Albert Einsteins The Evolution of Physics; Inscribed by Him to Dr. Leonard Rowntree
Cambridge: Cambridge University Press, 1938.
First edition of this classic work, which traces the development of ideas in physics. Octavo, original blue cloth. Association copy, inscribed by Albert Einstein on the front free endpaper, “To Dr. Rowntree with kindest regards A. Einstein 1941.” The recipient, Dr. Leonard Rowntree is most well known for pioneering kidney research including the Rowntree test for kidney function; dialysis; the intravenous pyelogram and plasmapheresis. He joined Dr. John J. Abel at Johns Hopkins University in 1907, and in 1912 they developed the first artificial kidney, in the form of the dialysis machine. Rowntree would later move to the Mayo Clinic and is widely credited with creating the research tradition there. In 1946, President Harry Truman awarded Rowntree the Medal for Merit for his work as chief of the medical division of the Selective Service System from 1940 to 1945. Near fine in a very good price-clipped dust jacket. An exceptional association.
“The supreme question about a work of art is out of how deep a life does it spring”: First Edition of Ulysses; One of 750 Numbered Copies
Paris: Shakespeare & Company, 1922.
First edition, one of 750 numbered copies on handmade paper from a total edition of 1000 copies, this is number number 347. Thick quarto, original blue and white wrappers. In excellent condition, the volume is square and tight, without marks of any kind, with some some restoration to the spine. Housed in a custom half morocco clamshell box. A nice example.
“They were so close to each other that they preferred death to separation”: Rare First Edition in Spanish of the Authors Masterpiece Cien Anos de Soledad; Inscribed by Gabriel Garcia Marquez
Buenos Aires: Editorial Sudamericana, 1967.
First edition of the author’s masterpiece which is recognized as one of the most significant works in the Spanish literary canon. Octavo, original illustrated wrappers. Presentation copy, inscribed and dated by the author on the dedication page, “Para Leonard, con todo el afecto, Gabo.” In near fine condition with light rubbing. Housed in a custom half morocco clamshell box. An exceptional example, rare and desirable signed.
“Because races condemned to one hundred years of solitude did not have a second opportunity on earth”: Rare First Edition in Spanish of the Authors Masterpiece Cien Anos de Soledad; Inscribed by Gabriel Garcia Marquez
Buenos Aires: Editorial Sudamericana, 1967.
First edition of the author’s masterpiece which is recognized as one of the most significant works in the Spanish literary canon. Octavo, original illustrated wrappers. Presentation copy, inscribed and dated by the author on the dedication page, “Para Pablo, conversatorio en el parque Gabriel Garcia Marquez ’95.” In near fine condition with a touch of rubbing small name on the front free endpaper. Housed in a custom half morocco clamshell box mimicking the front panel of the book. An exceptional example.
Venice: Aldine Press, 1524.
Rare third Aldine edition of Homer’s The Odyssey. Small octavo, original vellum with the title to the spine in manuscript, with woodcut Aldine device to title and final colophon leaf. In excellent condition with some minor toning to the leaves. Exceptionally rare, with only two having appeared at auction in the last 80 years. This is one of the earliest obtainable examples of Homer’s landmark work.
"I do hope you realise how much your services are appreciated everywhere in this building and not least by me": COMPLETE SET OF FIRST EDITIONS OF IAN FLEMING'S JAMES BOND NOVELS; FINELY BOUND WITH AN ORIGINAL TYPED LETTER SIGNED BY IAN FLEMING LAID IN
Complete Set of 14 First Edition James Bond Novels: Casino Royale, Live and Let Die, Moonraker, Diamonds are Forever, From Russia with Love, Dr. No, Goldfinger, For Your Eyes Only [Short Stories including A View to a Kill and Quantum of Solace], Thunderball, The Spy Who loved Me, On Her Majesties Secret Service, You Only Live Twice, The Man with the Golden Gun, Octopussy and The Living Daylights.
London: Jonathan Cape, 1953-66.
First editions of each volume in Ian Fleming’s James Bond series. Octavo, 14 volumes, bound in three quarters morocco, gilt titles to spines, raise bands, original cloth covers and spine preserved at rear of each novel. In fine condition. Accompanied by an original typed letter signed by Ian Fleming on Kemsley House letterhead and addressed to Antony Terry, M.C. of Kemsley Newspapers which reads, “21st July 1955 ‘My dear Terry,’ I must thank you for the staunch way in which you are feeding me with Atticus paragraphs, which are all either on the nail or very close to it. They are quite excellent and no other correspondent is nearly so fruitful. Once again, when you are called upon for help, you have given it in fuller measure than was asked for and produced your usual high quality journalism. I must say, looking back on your years of service for Mercury, I can think of no correspondent with anything approaching your record, and I do hope you realise how much your services are appreciated everywhere in this building and not least by me. ‘Yours well, Ian F.'” The recipient, Anthony Terry was a British journalist and former European Editor of The Sunday Times. Fleming hired him in 1949 to work as a journalist for Kemsley Newspapers of which he was at the time the Foreign manager. Terry’s obituary in The Independent stated that he was “one of the paper’s most valuable assets, a one-man listening post, a fastidious checker of facts, a burrower into dark corners and a traveller who never complained of fatigue”. The letter is in near fine condition. A very nice collection.
First Edition of The Nobel Lectures in Medicine 1942-1962; Signed by Francis Crick, James D. Watson and Maurice Wilkins
Amsterdam: Elsevier Publishing Company, 1964.
First edition of this collection of Nobel Lectures in physiology or medicine from the years 1942-1962. Thick Octavo, original yellow cloth. Signed by all three Nobel Prize-winning scientists Francis Crick, James D. Watson and Maurice Wilkins on the title page. They were awarded the Nobel Prize in Medicine in 1962, “for their discoveries concerning the molecular structure of nucleic acids and its significance for information transfer in living material.”Fine in a very good dust jacket with some closed tears and toning to the spine. An exceptional piece signed by these Nobel Prize-winning scientists.
“I SWEAR BY MY LIFE AND MY LOVE OF IT THAT I WILL NEVER LIVE FOR THE SAKE OF ANOTHER MAN, NOR ASK ANOTHER MAN TO LIVE FOR MINE": FIRST EDITION OF AYN RAND'S ATLAS SHRUGGED; SIGNED BY HER
New York: Random House, 1957.
First edition of one of the most influential novels of the twentieth century. Large octavo, original green cloth, frontispiece stamped in gilt, spine stamped in black and gilt. Boldly signed by Ayn Rand on the front free endpaper. Fine in a fine dust jacket. Jacket design by George Salter. Housed in a custom half morocco clamshell box. An exceptional example, rare and desirable signed.
“Do not go gentle into that good night, Old age should burn and rage at close of day; Rage, rage against the dying of the light": First Edition of Dylan Thomas' In Country Sleep; Signed by Him
New York: New Directions, 1952.
First edition of this collection of poems, including the first book appearance of “Do not go gentle into that good night.” Octavo, original cloth. Signed and dated by the author in the year of publication on the front free endpaper, “Dylan Thomas 1952.” Fine in a very good dust jacket. Housed in a custom half morocco clamshell box. Rare and desirable signed as Thomas passed away one year after the publication.
SIGNED LIMITED EDITION OF ALBERT EINSTEINS "ONE AND ONLY INTELLECTUAL BIOGRAPHY": SIGNED AND DATED BY HIM; IN THE ORIGINAL PUBLISHER'S CARDBOARD
Evanston: Library of Living Philosophers, 1949.
Signed limited first edition, one of 760 copies signed and dated “Albert Einstein ‘49”, this is number 499. Octavo, original brown cloth, top edge gilt, original slipcase. The book is in fine condition, the slipcase is in fine condition. Housed in the original publisher’s cardboard. An absolute pristine example, which has been stored in the original cardboard box since publication. Edited by Paul Arthur Schilpp. Frontispiece portrait of Einstein by Yousef Karsh. Rare and desirable in this condition.
Rare large etching of Albert Einstein done by well-known artist Erich Buttner. Signed by both Einstein and Buttner. In fine condition. Double matted and framed, the entire piece measures 12.25 inches by 15 inches. An exceptional piece. In the 1920s he created a series of portraits of his friends and fellow artists including Lovis Corinth, George Grosz, Arno Holz and Heinrich Zille. He produced a very fine book of exlibris (bookplates) in Berlin 1921. This very rare book contains the exlibris of Albert Einstein 1917, probably Einstein’s only bookplate. The etching measures 12.5 inches by 9.5 inches. Double matted and framed. The entire piece measures 18.75 inches by 15.75 inches.
New York: E. P. Dutton & Company, 1960.
First edition of this introduction to Project Mercury. Octavo, original cloth, illustrated with drawings by Fred L. Wolf and photographs. Signed by all seven of NASA’s original Project Mercury astronauts on the front free endpaper, using their full signatures. Signed by John H. Glenn, Jr., Walter M Schirra Jr, M. Scott Carpenter, Virgil I. Grissom, Donald K. Slayton, Leroy G. Cooper, and Alan B Shepard Jr. It is inscribed above: “To Pearl Salvick with best wishes from Mercury Astronauts.” Additionally signed by Virgil Grissom on the half-title page. Laid in is an original first day issue card from Cape Canaveral dated February 20, 1962. Near fine in a near fine dust jacket. Housed in a custom half morocco clamshell box. Books with all of the Project Mercury’s signatures are rare, especially with full signatures.