Art and Architecture
Rare Art Books & Rare Architecture Books for Sale Online
Raptis Rare Books maintains an extensive selection of rare art books and rare books on architecture in our library. Browse through our entire collection below, view details about individual books and contact us to ask a question or find out more information.
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FIRST EDITION OF THE FIRST PRINTED ATLAS OF RUSSIA, AND ONE OF PETER THE GREAT'S MOST SIGNIFICANT ACHIEVEMENTS
Russischer Atlas welcher in einer General-Charte und neunzehen Special-Charten das gesamte Russische Reich und dessen angräntzende Länder.vorstellig macht.
St. Petersburg: Entworffen bey der Kayserl. Academie der Wissenschaften 1745.
Rare first edition of the first atlas printed of Russia. Folio, bound in full leather, 19 double-page maps, one large folding general map. In excellent condition with light toning. An exceptional example.
Wood engraving of a bust-length portrait of one of the most famous graphic images of Gandhi by illustrator Fritz Eichenberg; signed by Gandhi, “God is Truth MK Gandhi.” Below Gandhi’s inscription reads, “To Eva Aug. 16th, 1948 with love from Fritz” and additionally signed “Fritz Eichenberg.” The engraving is a proof impression on Japanese paper. The portrait by Eichenberg was originally created for The Catholic Worker, a newspaper in the cause of social justice, and was subsequently used in multiple other publications. “The word satya (Truth) is derived from Sat which means ‘being’. Nothing is or exists in reality except Truth. That is why Sat or Truth is perhaps the most important name of God […] In such selfless search for Truth nobody can lose his bearings for long. Directly he takes to the wrong path he stumbles, and is thus redirected to the right path. Therefore the pursuit of Truth is true bhakti (devotion). It is the path that leads to God” (Gandhi, January 1st, 1927). The engraving measures 12 inches by 9 inches. Double matted and framed. The entire piece measures 22 inches by 20 inches. Signed examples are exceptionally rare and desirable with the core tenet of Gandhi’s religious philosophy.
"In this brief life of ours, it is sad to do almost anything for the last time": Large Signed Portrait Photograph Signed by Charles Dickens
Large oval portrait photograph measures 20 inches by 16 inches. Matted in a contemporary frame which measures 25.5 inches by 29.5 inches. Signed “Charles Dickens (with a large flourish) Boston Sixth March 1868.” In 1867, Charles Dickens began his second American reading tour at Boston’s Tremont Temple, where an enthusiastic audience delighted in some of his most notable works, members of the audience included legendary literary stars such as Henry Wadsworth Longfellow and Ralph Waldo Emerson. Although Dickens was in declining health, he embarked on an ambitious travel schedule across the United States. Dickens returned to Boston once more before concluding his U.S. tour in New York City. When Charles Dickens arrived in Boston on November 19, 1867, the celebrated English author spent several days at the Parker House hotel recuperating from the voyage. As conscientious a performer as he was a writer, Dickens had prepared diligently for his performances, redrafting and memorizing key passages from his books especially for these engagements. He used a book only as a prop; he was so familiar with the material that he could improvise with ease. However, during his 1867-1868 tour he was plagued with Flu-like symptoms, insomnia, and an inflammation of his foot, which forced him to walk with a cane. During his last tours in 1868, Dickens confined much of his performances to the New England area. Dickens was grateful for the income he desperately needed from his readings, which generated $140,000, close to $2,000,000 today; but he longed for home. On April 8, 1868, Dickens gave the last performance of the tour. Prolonged applause followed the reading. He closed by telling the audience, “In this brief life of ours, it is sad to do almost anything for the last time… Ladies and gentlemen, I beg most earnestly, most gratefully, and most affectionately, to bid you, each and all, farewell.” He died two years later, having written 14 novels, several of which are considered classics of English literature. A desirable piece of Victorian literary history.
"I have never advocated war except as a means of peace": Rare Henry Shrady Ulysses S. Grant Bronze Bust
Original bronze bust of Ulysses S. Grant by Henry Shrady, the famed sculptor of the Ulysses S. Grant Memorial on the west front of the United States Capitol in Washington, D.C. Mounted on socle and base, the entire piece measures 18.5 inches in height. In fine condition. An exceptional piece of Americana.
Original signed artwork from Thomas Merton. In the last decade of his life, while living as a hermit-monk in dialogue with the world, Thomas Merton created a body of visual art, drawing from the Zen Buddhist tradition. When he was a student at Columbia University, Merton sought out a Hindu monk named Bramachari for counsel. The monk advised Merton to follow his own Christian tradition to find what he was most deeply looking for. A strong admirer of Gandhi, Merton also noted how Gandhi, a Hindu, had found a congenial ‘ second home’ of sorts in the Christian Sermon on the Mount. In the 1950’s Merton began exploring Buddhism, especially Zen Buddhism. He thought he found some resonance between Zen and the Desert Fathers. Merton sent a copy of his study of the Desert Fathers to Daisetsu Suzuki, the leading exponent of Zen in the west. They began a long correspondence in the late 1950’s, and Suzuki’s influence can be seen in Merton’s artwork. Includes a letter from activist W.H. Ferry, which reads, “4/3/68 For Mary Sue Dilliard: Daisetsu Suzuki told Father Tom Merton in 1965 that the only way finally to understand Zen was to practice calligraphy. This is the result: one of Tom’s earliest calligraphs. W.H. Ferry.” On the Center for the Study of Democratic Institutions letterhead, which Ferry was the Vice President. Matted and framed, which measures 13 inches by 15 inches. Calligraphy drawing measures 9 inches by 12.5 inches. On the verso of the frame, it includes various Merton material including numerous clippings. Original artwork by Merton is exceptionally rare in the marketplace.
First Edition of Ed Ruscha's Twentysix Gasoline Stations, one of his own personal copies; Inscribed by Him
Alhambra, California: A National Excelsior Publication 1963.
First edition, one of 400 numbered copies of the artist’s first book. Small octavo, original white wrappers, printed in red. This example was one of Ruscha’s personal author copies. He presented this copy to a fellow artist whose parents owned Anderson, Ritchie & Simon—the printing firm that produced many of Ruscha’s books.Presentation copy, inscribed by Ed Ruscha and additionally signed again by Ruscha on the dedication page. Spine slightly toned, near fine. Housed in a custom half morocco clamshell box.
Alhambra, California: A National Excelsior Publication 1963.
First edition, one of 400 numbered copies of the artist’s first book, this is number 180. Small octavo, original white wrappers, printed in red. Signed by Ed Ruscha on the title page. Near fine in the rare original glassine. Housed in a custom half morocco clamshell box.
"Once there was a little tree ... and she loved a little boy": Rare Original drawing of the Giving Tree by Shel Silverstein
New York: Harper & Row Publishers 1964.
Rare original drawing of The Giving Tree by Shel Silverstein. Signed by the author below the illustration of the tree featured in the 1964 best-selling children’s book, The Giving Tree. Matted and framed. The entire piece measures 16 inches by 11.75 inches.
“Dear Barbara, you remind me of myself and I wish us both that you remain that way": Photograph of Ayn Rand; Inscribed by Her to Barbara Branden
Large signed photograph of Ayn Rand. Inscribed by her to Barbara Branden, “Dear Barbara, you remind me of myself and I wish us both that you remain that way – With love -Ayn June 21, 1951.” While living in New York during the early 1950’s, the recipient, Barbara, and her future husband, Nathaniel Branden, befriended Rand and her husband Frank O’Connor. Not only would the couple go on to become major proponents of Objectivism (establishing the Nathaniel Branden Institute in 1958 with Barbara serving as Rand’s assistant), but their personal lives would be dramatically intertwined with Rand’s. Begrudgingly sanctioned by both Barbara and Frank, Nathaniel began an affair with Ayn in 1954. The secret couple had a very public break in 1968, almost certainly due to Branden’s affair with actress Patrecia Scott who he later married. The photograph measures 8 inches by 10 inches. Matted and framed, which measures 17.5 inches by 19.5 inches. Photographs signed by Rand are rare.
New York: Simon and Schuster 1940.
First edition of the lavishly illustrated companion volume to Disney’s animated musical masterpiece. Quarto, original cloth, pictorial endpapers, illustrated with 16 mounted color plates. Presentation copy, signed and inscribed by thirteen people (including Walt Disney); all who worked at Walt Disney studios in the 1940s. All of the inscriptions are to Jodie Ferguson Brudge, who was a secretary at Disney Studios, and upon her leaving to get married, raise family, she asked those that she worked with to inscribe her copy of Fantasia. This work contains the following inscriptions and illustrations, inscribed by Walt Disney on the title page, “To Jodie Best Wishes Walt Disney.” Page 10 has an original full-color illustration by Milt Banta of a card game between Mickey Mouse, Donald Duck and Milt Banta, with the inscription “Best Wishes Always Milt Banta.” Page 14 has a full page original illustration by Russ Dyson of a “ye olde family tree” for the Ferguson [Jodie] and Dyson branches. On the Dyson branch is a self-portrait of Dyson as a bird, with the inscription, “I Hope the Ferguson Branch Doesn’t grow any Larger! Good Luck – Russ Dyson 1/18/46.” Page 57 has an original watercolor of a tree branch and paint container, and the inscription: “Jodie – If you ever run across any automatic paint brushes like these – let me know. – Claude Coats.” Page 82 has a twenty-six line inscription that is warm and thoughtful from Ben [Sharpsteen]. Page 95 has an original color illustration of a frog fishing and the inscription, “An ‘Good Fishin’ to you all the time – Jodie. Hugh Hennesy” Page 102 has an original color illustration of a self-portrait of Bill Berg, with the inscription “Good Bye Jodie – We’ll Miss You!!! Bill Berg.” Page 118 has an original illustration of a self-portrait of Jerry Hathcock waking from a nightmare, with the inscription, “Gad!! What a Nightmare! Maybe Jodie is smart to leave. Good Bye + Good Luck, Jerry Hathcock.” Page 119 has an original illustration of a bouquet of flowers, that has been drawn into the hand/wing of the printed ostrich, with the inscription: “Best Luck and Good Wishes Jodie. Phil Barber.” Page 121 has an original illustration of a self-portrait of J. Eric Gurney who is holding a banner that reads, “Best Wishes to Jodie.” The opposite end of the banner is being held by the printed hippopotamus. Page 126 has an original illustration of a self-portrait of Nick Nichols (being held aloft by the printed elephant), with the inscription: “Bye Bye Jodie Come Back And Work For Me Again. Best Nick Nichols.” Page 159 has an original full-page illustration of Jodie as a centaurette, with the inscription, “G’bye Now. Lots of Luck an’ Stuff to Jodie. George Rowley.” The verso of the rear free endsheet contains an original illustration of a guitar player in a pancho and sombrero with the inscription, ” Good Luck Jodie. William de la Torre.” An excellent example in a very good dust jacket. A unique piece of Disney history.
Engraved bust portrait of Albert Einstein by Hermann Struck. Signed at lower right by Albert Einstein and the artist Hermann Struck. This was the artist’s proof and is cited by him writing (“proof”) on the lower right, in pencil, next to Einstein’s signature. The engraving measures 7 inches by 10.5 inches. Matted and framed. The entire piece measures 16 inches by 20 inches. Rare and desirable.
Photographic portrait of Henry James by John Singer Sargent, boldly signed by James and Sargent. The portrait measures 10.5 inches by 13 inches. Double matted and framed. In fine condition. Rare and desirable signed by both James and Sargent.
Portrait of George Washington after Gilbert Stuart, American School, late 19th century oil on canvas portrait of President George Washington, after the Athaneum portrait by Gilbert Stuart. Housed in a Victorian giltwood frame with floral carved corner ornaments and oval opening. The entire piece measures 35 inches by 40 inches. An exceptional piece.
Etched portrait of Albert Einstein by well-known Polish-American Jewish artist Lionel S. Reiss. Signed by both Einstein and Reiss. In fine condition. Double matted and framed, the entire piece measures 13.5 inches by 16.5 inches. An exceptional piece.
"MATISSE WAS EVOLVING METHODS HE WOULD USE FOR THE REST OF HIS LIFE": First edition of Cinquante Dessins; with an original frontispiece etching signed by Matisse
Paris: Les Soins de l'Artiste 1920.
First edition of Matisse’s classic self-produced suite of 50 photo-lithographic reproductions of his drawings of women. Quarto, original wrappers as issued, with an original frontispiece etching of a woman’s face. One of only 1000 copies produced, this is number 908. Signed by Matisse below the original frontispiece etching, “Henri Matisse.” Fine in a fine dust jacket. Rare and desirable signed and in the original jacket.
New York: W.W. Norton 1932.
First edition of this seminal work in architecture. Octavo, original cloth, illustrations of work by Frank Lloyd Wright, Walter Gropius, Le Corbusier, J. J. P. Oud, Mies van der Rohe, Raymond M. Hood, Howe & Lescaze, and Richard J. Neutra. Presentation copy, inscribed by Philip Johnson on the front free endpaper, “For Jim with thanks for his help Philip Johnson.” Light rubbing, near fine in the very rare dust jacket with light chipping. This is the first jacketed copy that we have encountered. Housed in a custom half morocco clamshell box.