“And I like large parties. They’re so intimate. At small parties there isn’t any privacy": First Modern Library of The Great Gatsby; Inscribed by F. Scott Fitzgerald
New York: The Modern Library, 1934.
First Modern Library edition, with the first appearance of Fitzgerald’s new introduction. Octavo, original green cloth. Inscribed by the author on the half title page, “For Lillian Abercrombie at the beginning of a tour of work F. Scott Fitzgerald.” Fine in a very good dust jacket with some rubbing to the extremities and some small chips. Housed in a full custom morocco box. The first Modern Library edition of The Great Gatsby was a resounding commercial failure, and many copies were remaindered with the caption “discontinued title” printed on the jacket’s front panel. The present copy represents one of the earlier, non-remaindered copies, and like all of the first Modern Library editions of The Great Gatsby, features Fitzgerald’s new introduction, with his own, now-famous take on his masterwork: “I think it is an honest book, that is to say, that one used none of one’s virtuosity to get an effect, and, to boast again, one soft-pedalled the emotional side to avoid the tears leaking from the socket of the left eye, or the large false face peering around the corner of a character’s head. If there is a clear conscience, a book can survive — at least in one’s feelings about it. On the contrary, if one has a guilty conscience, one reads what one wants to hear out of reviews. In addition, if one is young and willing to learn, almost all reviews have a value, even the ones that seem unfair.”
Boston: Little Brown and Company, 1951.
First edition of the author’s first book. Octavo, original black cloth. Inscribed by the author opposite the title page, “To Ned Thompson with all good wishes J.D. Salinger Windsor, VT Nov. 5, 1961.” Lightly rubbed, near fine in a bright near fine dust jacket with some toning to the spine and some minor rubbing. Salinger’s signature is scarce and signed copies of Catcher in the Rye are rare; signed firsts are exceptionally scarce. Until Salinger died in 2010, we had not seen a signed first printing of The Catcher in the Rye since the Phoenix Book Shop sold one from Howard Moss’s library in 1984 — a span of more than a quarter century. Housed in a custom clamshell box.
London: John Murray, 1871.
First edition, first issue of both volumes (with “transmitted” the first word on p. 297 in the first volume; in the second, the printer’s note on the verso of the half-title, errata on title verso, and the postscript leaf after p. viii. Both volumes have the January ads). Octavo, two volumes, original green cloth. In near fine condition with a touch of rubbing to the extremities and bottom of the cloth, spine gilt bright.
"Colonel Saito. Do not speak to me of rules. This is war!": First Edition of The Bridge Over the River Kwai; Signed by Pierre Boulle and Actor William Holden
New York: The Vanguard Press, Inc, 1954.
First edition of the novel that was the basis for the film of the same name, which is widely considered to be one of the greatest films in history. Octavo, original cloth. Translated from the French by Xan Fielding. Signed by Pierre Boulle and actor William Holden, who starred in the film. Near fine in a near fine dust jacket with light rubbing. This novel is rare signed by Boulle, with none appearing at auction in the last 60 years; most likely unique signed by both the author and legendary actor William Holden.
"What is it that characterizes a civilization? Is it the exceptional genius? No, it is everyday life": First Edition In English of Pierre Boulle's The Planet of the Apes; Signed by Him
New York: The Vanguard Press, Inc, 1963.
First edition in English of Pierre Boulle’s chilling novel that launched one of the greatest science fiction sagas in motion picture history. Octavo, original half cloth. Boldly signed by Pierre Boulle on the title page. Fine in a near fine dust jacket with a touch of wear. Translated from the French by Xan Fielding. Most rare and desirable signed.
“No thief, however skillful, can rob one of knowledge, and that is why knowledge is the best and safest treasure to acquire”: Complete set of L. Frank Baum's Oz Series
The Complete Oz Series: The Wonderful Wizard of Oz, The Marvelous Land of Oz, Ozma of Oz, Dorothy and the Wizard of Oz, The Road to Oz, The Emerald City of Oz, The Patchwork Girl of Oz, Tik-Tok of Oz, The Scarecrow of Oz, Rinkitink in Oz, The Lost Princess of Oz, The Tin Woodman of Oz, The Magic of Oz, Glinda of Oz.
Chicago: The Reilly & Britton Co. Publishers, 1899 -1920.
Complete set of first editions of L. Frank Baum’s Oz series. Quarto, 14 volumes, original pictorial cloth. The Wonderful Wizard of Oz which is a first edition, first state in a B binding. The set is comprised of The Wonderful Wizard of Oz, The Marvelous Land of Oz, Ozma of Oz, Dorothy and the Wizard of Oz, The Road to Oz, The Emerald City of Oz, The Patchwork Girl of Oz, Tik-Tok of Oz, The Scarecrow of Oz, Rinkitink in Oz, The Lost Princess of Oz, The Tin Woodman of Oz, The Magic of Oz, and Glinda of Oz. Each are in near fine to fine condition. A bright, colorful, and attractive set.
"I AM FOREVER walking upon these shores, Betwixt the sand and the foam, The high tide will erase my foot-prints, And the wind will blow away the foam": Signed Limited First Edition of Kahlil Gibran's Sand and Foam
New York: Alfred A. Knopf, 1927.
Signed limited edition of the author’s classic work. Number 75 of 95 copies, signed by Kahlil Gibran. Illustrated with seven drawings by the author. In near fine condition, two small names to the front free endpaper. Housed in a custom made slipcase. A very sharp example.
"One must traverse the ball round and round to arrive at a broad, liberal, correct estimate of humanity-its work, its aims, its destiny": First Edition of Andrew Carnegie's Round the World; Inscribed by Him
New York: Private Circulation, 1880.
Privately printed edition, preceding the trade edition by four years of Andrew Carnegie’s first book. Octavo, original cloth with gilt titles to the spine and front panel. Inscribed by Andrew Carnegie on the title page. In very good condition with light rubbing. Rare and desirable signed by Carnegie.
First Edition in English of "One of the Most Important Texts of the Twentieth Century" Martin Heidegger's Being and Time; Signed by Him
New York: Harper & Row, Publishers, 1962.
First edition in English of the book that “changed the course of philosophy” (Richard Rorty). Octavo, original cloth. Signed by Martin Heidegger on the front free endpaper. Fine in a very good dust jacket with some wear to the rear panel. Translated by John Macquarrie and Edward Robinson. Housed in a custom half morocco clamshell box. Exceptionally rare signed, as no signed examples have appeared at auction in the last 50 years.
London: Constable & Company, 1922.
First edition of this classic Antarctic work. Octavo, two volumes, original half white cloth, gray paper boards. Inscribed by the author in each volume. Exceptionally rare signed and inscribed.
Vintage glossy photograph of the The Beatles taken while filming their 1965 feature film Help! Signed by all four Beatles, “John Lennon,” “Paul McCartney”, “George Harrison”, and “To Diane, love from the Beatles, Ringo Starr”. In very good condition with some creasing. The photograph measures 6.5 inches by 4.75 inches. Matted and framed. The entire piece measures 13.5 inches by 15.5 inches. Items signed by all four Beatles from the latter half of the 1960s are scarce.
London: Henry Colburn & Co and Martin Bossange & Co, 1823.
Octavo, 4 volumes. Bound in full calf, gilt titles and tooling to the spine, gilt lined, all edges gilt, . Illustrated with a fold-out facsimile of Napoleon’s rough draft of his letter to the Prince Regent, General Gourgaud’s Attestation of its authenticity, and a fair copy of Napoleon’s Rough Draft, tables illustrative of the Battle of Marengo, and four fold-out maps; Vol. 2 – dictated to General Gourgaud, viii, 395, (5-maps) pp. Illustrated with fold-out facsimile of a page of the manuscript dictated to General Gourgaud, and four fold-out maps; Vol. 3 – dictated to the Count de Montholon, xiii, 423 pp. Illustrated with a fold-out facsimile of a page of the Manuscript written at St. Helena by General Montholon dictated by Napoleon and corrected with his own hand; Vol. 4 – dictated to the Count de Montholon, viii, 483 pp. Illustrated with fold-out facsimile of Napoleon’s hand-written Instructions for the Publication of his Memoirs of the War in Italy. In very good condition.
Modena: Arbe Officine Grafiche , 1979.
First edition. Octavo, original half cloth. Inscribed and dated in the year of publication by Enzo Ferrari on the half title page. One of 1,000 copies produced, not for sale to the general public but given to patrons and friends of Ferrari. In near fine condition. Housed in a custom half morocco clamshell box.
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