London: National Portrait Gallery, 2014.
Signed limited edition, number 19 of 21 signed copies. Signed and numbered by Bob Dylan on the title page. In fine condition.
"If your time to you is worth savin'then you better start swimmin' or you'll sink like a stone, for the times they are a-changin'": Rare original The Times They Are A-Changin' Vinyl; signed by Bob Dylan
Modern pressing of Dylan’s third studio album The Times They Are a-Changin’. Inscribed by Bob Dylan, “To Dino Bob Dylan ’17.” Included is a letter of provenance from the original recipient which reads in part, “On April 26, 2017, I was at the Swiss Life Hall in Hannover…to see Dylan’s concert and meet some European tour managers…I had an ‘all areas’ pass which allowed me to access the external but reserved area of the concert hall. Dylan and his band had just got off the buses heading for catering/dressing room area…At that moment I presented him the LP ‘The times they are a-changin’ and a black marker. Bob did not say a word.” Matted and framed, the entire piece measures 26 inches by 19 inches. Signed examples of this particular album do not appear often.
"Why wait any longer for the one you love, When he’s standing in front of you": Bob Dylan's Nashville Skyline; lengthily inscribed by him
Vinyl of Dylan’s ninth studio and singular country music album, marking a dramatic shift in his direction and style. Inscribed by Dylan on the album cover, “Best wishes to the ‘Sorcerer,’ NYC, Bob Dylan, 6/2/90.” Included is a letter of provenance from the original recipient which reads, “I met Bob Dylan when he was recording the album ‘Under a Red Sky’ at Sorcerer Sound Studios on Mercer St. in New York City in June of 1990. I was working in the smaller of the 2 recording studios at the time. I brought in 2 albums for him to sign for me which he obliged. On the ‘Nashville Skyline’ album he referred to me as the Sorcerer. I don’t know why.” In near fine condition. Matted and framed, the entire piece measures 18.5 inches by 10 inches.
"These are the songs of Bob Dylan, the pioneer, the trail-blazer, the innovator, who has disturbed, delighted, dismayed and deepened the thinking of millions of listeners": Rare first edition of the Bob Dylan Song Book; Signed by Bob Dylan
New York: M. Whitmark & Sons.
First edition of this music collection of the songs of Bob Dylan. Quarto, original illustrated wrappers as issued, frontispiece portrait of Dylan after a drawing by Cambert, illustrated. Signed by Bob Dylan on the front free endpaper. Introduction by New York Times folk music critic Robert Shelton. Photographs by Chuck Stewart. In very good condition. Housed in a custom half morocco clamshell box.
"Well, it ain't no use to sit and wonder why, babe Even you don't know by now And it ain't no use to sit and wonder why, babe It'll never do somehow": Original LP Signed by Bob Dylan and Pete Seeger
Original stereo LP put out by Zenith featuring various folk singers, including Bob Dylan and Pete Seeger. Signed by both Bob Dylan and Pete Seeger in contemporary signatures on the front panel of the record sleeve. It features Dylan singing: Don’t Think Twice, It’s All Right and House of the Rising Sun; Pete Seeger singing, John Henry and Follow the Drinkin’ Gourd; New Christy Minstrels Californi-o and Rovin’ Gambler; Brothers Four San Francisco Bay Blues and Michael; Village Stompers If I Had a Hammer and Reilly’s Daughter. Matted and framed. The entire piece measures 20 inches by 25.5 inches. Contemporary signatures on an original record are rare.
“There's no liquor in the land that can stop your brain from bleedin": First Edition of Bob Dylan's First Book Tarantula; Signed by Him
Madison, Wisconsin: Wimp Press, c. 1966.
First pirated edition. Octavo, original wrappers as issued. Signed by Bob Dylan in a contemporary hand on the title page. A very good example with the cover a little rubbed and marked. One of the earliest pirated editions of Dylan’s novel, taken from the Macmillan 1966 proofs after production was delayed, pre-dating the 1971 trade edition. Housed in a custom half morocco clamshell box. Scarce and desirable signed by Dylan.
“There's no liquor in the land that can stop your brain from bleedin": First Edition of Bob Dylan's First Book Tarantula; Signed By Him
New York: MacMillan & Company, 1966.
First edition of Dylan’s first book. Octavo, original cloth. Signed by Bob Dylan on the half-title page. Fine in a near fine dust jacket with some light wear to the extremities. Housed in a custom half morocco clamshell box. Rare and desirable signed by Dylan.
Dylan, Bob; Joan Baez; Jack Elliott; The Greenbriar Boys; The New Lost City Ramblers; Peggy Seeger; Introduction by Pete Seeger.
New York : Simon & Schuster, 1963.
First edition of this collection of songs from the 1960’s folk music scene. Quarto, original cloth, with 112 pages with photographs. Signed by Bob Dylan in a contemporary hand on the front free endpaper. Features photos and tabulature of music by Joan Baez, Bob Dylan, Jack Elliott, The Greenbriar Boys, The New Lost City Ramblers and Peggy Seeger. Introduction by Pete Seeger. Notes by Earl Robinson. Rare and desirable signed by Dylan.
New York: McGraw-Hill Book Company, 1960.
First edition of this collection of short stories. Octavo, original half cloth, drawings by Larry Rivers. Boldly signed by the artist Larry Rivers. Rivers is considered by many scholars to be the “Godfather” and “Grandfather” of Pop art, because he was one of the first artists to really merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955. During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol’s Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l’hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo, Daniel Spoerri or Alain Jacquet, several of whom left, like him, some pieces of art in the lobby of the hotel : for payment of their rooms. In 1965 Rivers had his first comprehensive retrospective in five important American museums. Near fine in a very good price-clipped dust jacket. Rare and desirable signed.
Five page autographed letter signed by Allen Ginsberg. (“Ginsberg” with a long-stemmed daisy drawings), February 10, 1971, 12pm, Cherry Valley, New York. To the Symphony School, Mr. Loratz (Special Events Secretary), and Students. The American poet lists his “favorite musical compositions accumulated in ear/mind” – including specific works by Bach, Beethoven, Brahms, “Prajnaparamita Sutra … which will turn everyone on … Hare Krishna Mantra … Fugs record on which I sang, or George Harrison’s recent ‘My Sweet Lord’ … Scott Joplin – Maple Leaf Rag … Bessie Smith … Ray Charles … Opera. Bertol Bracht / Kurt Weil Magahony … Some Versions of Rolling Stones’ Lets Spend the Night Together,” four Beatles hits, “J. Lennon – Give Peace a Chance … Bob Dylan …,” and others. Together with the original email addressed by Ginsberg to the teacher and school named above in La Crosse, Wisconsin, printed perpendicularly at the left edge “CIA Conspiracy / Trial Office!,” and “Free John, Pun & Jack!” along the bottom. A month prior to this letter, Ginsberg testified in pretrial hearings in Detroit for three members of the White Panther Party charged in the September 29, 1968, bombing of a CIA office in Ann Arbor: John Sinclair, John W. Forrest and Lawrence “Pun” Plamodon. The envelope used by Ginsberg to send the present letter was printed by the defense. In near fine condition.