"The look in his eyes, as they stared into mine, has never left me": First Edition of Elie Wiesels Night; Inscribed by Him
London: MacGibbon & Kee, 1960.
First British edition of Nobel laureate Wiesel’s masterpiece. Octavo, original cloth. Presentation copy, inscribed by the author on the front free endpaper, “For L.S. Owens Best wishes, Elie Wiesel.” Near fine in a near fine dust jacket with light wear. Jacket design by Cowan. Foreword by Francois Mauriac. Translated from the French by Stella Rodway. Housed in a custom half morocco clamshell box.
“For in the end, it is all about memory, its sources and its magnitude, and, of course, its consequences": Rare First Edition of La Nuit; Inscribed by Elie Wiesel to Abba Eban
Paris: Les Editions De Minuit, 1958.
First French edition (preceding the first English edition) of the Wiesel’s classic first work. Octavo, original wrappers. Association copy, inscribed by the author to Abba Eban, “Pour Eban- le a sa propre commencement a sa historie: la voice- Elie W. New York, 1967.” Translated as, “The beginning of his own history Elie W.” As it increased in popularity, Wiesel’s Night was translated into 30 languages and prompted meetings with several important literary and political figures including Saul Bellow and Abba Eban. In 1955, Wiesel moved to New York to work as a foreign correspondent for Yediot Ahronot, the largest daily Newspaper in Israel. Eban was also posted in New York throughout the 1950s serving as Israel’s ambassador to the United States and, in 1952, was elected Vice President of the UN General Assembly. At the time of the present inscription, Eban had just been appointed as Israel’s foreign minister, the most important position in the Israeli cabinet. As Israel’s foreign minister Eban would defend the country’s reputation after the Six-Day War, asserting in a speech to the United Nations General Assembly that Israel had acted in response to an imminent threat. In very good condition with some light rubbing to the extremities. Preface by Francois Mauriac. From the library of Abba Eban. An exceptional association, commemorating the culmination of Eban’s political career.
New York: Hill and Wang, 1962.
First American edition of Wiesel’s third book in his acclaimed Night Trilogy. Octavo, original cloth. Signed by Elie Wiesel on the front free endpaper. Fine in a near fine dust jacket. Jacket design by Saul Lambert. Translated from the French by Anne Borchardt. A very sharp example.
New York: Hill and Wang, 2006.
First edition. Octavo, original half cloth. Fine in a fine dust jacket. Signed by Elie Wiesel on the half title page. Additionally signed by Marion Wiesel on the half title page, who served as translator to this edition.
“HUMAN SUFFERING ANYWHERE CONCERNS MEN AND WOMEN EVERYWHERE”: Rare First Edition of La Nuit; Signed by Elie Wiesel
Paris: Les Editions De Minuit, 1958.
First French edition (preceding the first English edition) of the Wiesel’s classic first work. Octavo, original wrappers. Signed by Elie Wiesel on the title page. In near fine condition with some light wear to the extremities. Housed in a custom half morocco clamshell box. Preface by Francois Mauriac. Rare and desirable.
“We must take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented": First American Editions of Elie Wiesel's Night Trilogy; Each Signed by Him
New York: Hill and Wang, 1960-1962.
First American editions of each work in the author’s acclaimed Night Trilogy. Octavo, three volumes, original cloth. Each are signed by Wiesel, The Accident is inscribed by him. Each are near fine in very good to near fine dust jackets.